جستجوی مقالات مرتبط با کلیدواژه « narrative works » در نشریات گروه « ادبیات و زبان ها »

Hakim Tirmizi is a scholar of Transoxiana in third century who has lots of compilations. He passed learning of traditional sciences before entering the area of Sufism and Asceticism. Being in a family whose parents were Muhaddith, he started learning hadith knowledge from childhood and acquired lots of skills in this area. By starting ascetic disposition, Hakim Tirmizi tried to explain his mystic and lighting Sufism in the era of religious sciences. Thus, he incorporated his experiences and Sufis beliefs in his previous studies, such as narrative data. Therefore, as Hadith has played a significant role in thought of Hakim Tirmizi, we have studied his works in detail and by a descriptive-analytic method, have analyzed its dimensions; the works which are not very popular even in academic sciences. In this essay, in addition to research on the most popular work of Ḥakīm al-Tirmidhī i.e. Nawādir al-usūl, three other work also has been reviewed and an unknown work of him has been introduced, too.

With the spread of modern story writing and changes in the language and style of writing, and also by the emergence of new themes in the field of narrative literature, stories and novels hosted folklore (popular culture). As a result researchers and writers became interested in folklore. One of the issues dealt with is the effect of popular culture, including dialects and local customs, idioms and proverbs, on narratives. By inspiring the life of ordinary people and dealing with their concerns and problems, modern fiction has largely gone under the influence of popular culture. Jalal Aleh-Ahmad used these elements and took a long step to bring them back to life. He is a writer with special vigilance who used the elements of popular culture in some of his stories and charactersization. In stories such as Nefrin-e Zamin (The Curse of the Land), Ziyarat (The Pilgrimage), Taboot (The Coffin), Nun Va Al-Galam (Bread and Pen), Samanou-pazan (Making Samanu), Ay Lams-e Saba,(You Impious), Modire Madrese (The Principal), Sangi bar Gouri (A Rock on a Grave) and Algomark and Alma‘ kous, he has frequently used the elements of folklore. In allegorical and realistic stories, Aleh-Ahmed tends to pay attention to social and political problems of Iran and the Iranians. Paying attention to these kind of issues led him to choose most of his characters from ordinary people. Regarding the issues in question and the spread and importance of Persian narrative literature, this study tries to consider and survey the reflection of popular culture in Aleh-Ahamd’s works.