جستجوی مقالات مرتبط با کلیدواژه "شناسی" در نشریات گروه "علوم اجتماعی"

The main issue of this research is the methodological re-reading of the successful models of social studies of religion among Shia scholars, for achieving theoretical pattern and an alternative methodological model. This type of secondary research can expand the discourse of Islamic humanities and the alternative models of Western religion social studies. For this purpose, the collection of "Narration of Fatah" texts, the writings of Avini about the holy defense, were studied as a successful example in understanding religious social phenomena. Qualitative method of grounded theory was used to extract the theoretical model of Avini's method. The results of the research indicate that the final model was formed around the axial category of "presence"."Presence" as the axial element of Avini's methodology has three dimensions: experimental and field presence, social and historical presence, and spiritual presence. The element of "love and belief" is the background and introduction of presence, and the element of "sameness" is its result. sameness and being privy, which is the result of negating the veil of selfishness, results in watching, finding secrets, revealing reality in the mirror of the researcher's soul, and realizing the "truth" of the phenomenon under study. After that, the element of "narrative" is placed, which is a method for "fetri" innate transtemporal and trans-spatial and documentary expression of research results to the absents and alignezation them with the truth. This methodological model of Avini can be called " illuminational Truthism” and the research resulting from this method can be called "Illuminational Social Science".

T.V is one of the most important socializing devices in the modern societies, besides, the T.V serials is one of the efficient tools for transforming and transporting the values in the social life. Behind the “neutral” and “innocent” appearance of these serials, discursive behaviors are implied which role as indirect social facts. This matter determines trends of activities of our minds. The purpose of this paper is a semiotic analysis of the manners of representation of marriage in T.V serials. With semiotic method, five more high popular Iranian T.V serials from 1370 to 1389 were considered. In these Serials we have faced with three types of representations Traditional marriage, semi-traditional marriage, and modern marriage which each one encoded in various methods of media’s indications.