جستجوی مقالات مرتبط با کلیدواژه "expressive miracle" در نشریات گروه "علوم قرآن و حدیث"

The discussion of appropriateness in the ancient interpretation, order and coherence in the later interpretation, and chaining and intertextuality in the contemporary text-oriented linguistics dictionary are among the topics that have been the focus of the old and new Muslim and non-Muslim Quran scholars from the beginning of the revelation of the Qur'an to the present age. Today, some orientalists believe that the Qur'an is a mixed and incoherent mass. Also, the repetition of verses in Quranic stories is due to the incoherence of the verses. Considering the importance of the discussion, it is necessary to examine the coherence and chaining of the verses related to the Quranic stories. The results of the research, which was carried out by the analytical-descriptive method, show that: a. In the early Meccan surahs, the reader is not faced with complete stories and only their main events are mentioned; b. The goals in the first surahs are moral and educational, and the way of telling stories is sharp and striking, and monotonous music dominates the surahs; c. Narrative parts and in a first way, retribution-oriented stories with the verses before and after them on the one hand, and with other retribution-oriented stories of other surahs, as well as on a macro level, with the life of the prophet (PBUH), have inter-surah and intertextual relationships; d. The narrative beginnings of these stories follow one or more common and formulated patterns; e. The middle part of the stories contains structural events, and in fact, the narration of the stories is directly related to this part; f. The endings of narrations of the stories usually end with a verse that refers to a lesson or a moral message; g. retribution-oriented stories of the first Makkah surahs are considered to be the bearers of the first verbal communication of Islam through the prophet (PBUH), and they present a miniature of the entire Quranic stories and prepare the mental background of the Quran's audience

In addition to expressive miracle, the Holy Qur’an also has miracles in expression diversity and creativity. Until now, there have been discussions about some of the Qur'an expression methods, such as argumentative expression, story, etc.; but regarding implicit marginalizations and thought-provoking meanings, this valuable book has not been properly researched. Since the 3rd AH century, some commentators have discussed various features of such a language. Words such as "allusion", "antiphrasis", "vituperation" etc., are considered "art criticism" and used in commentary books. In the contemporary era, some articles or books have been published independently or by digression about this issue. This article aims to achieve a specific framework and definition by explaining and evaluating such language in the form of "critical and artistic literature" as a new phenomenon - from an external perspective - with a descriptive-analytical method. Issues such as: humor, satire, jokes, stories, narratives and critical shows should be integrated in the knowledge form. This view will solve many interpretive problems and show the Qur'an as a source for artistic critical inspirations, both in terms of content and structure.

In the linguistics of the text of a story, in which different characters are present, according to Bakhtin's theory of polyphony, it conveys different words arising from different beliefs, the rule of polyphony and freedom of expression. An approach that is a tool for expressing reality and highlighting texts. For example, in Qur'anic stories, quoting the words of characters who have different and sometimes anti-right beliefs is a sign of the rule of "polyphony" and the Qur'an's approach to freedom of expression. In this article, he has gone to Surah Yusuf (7), which contains "Ahsan Al-Qasas" (Yusuf / 3) and is full of different words, and with a descriptive-analytical method, and explaining the key words of this story, he has analyzed the polyphonic phenomenon in this story. And it is shown that in the dialogue of this story; Expressions such as Ya Abate" and " Ma'aza Allah" in the words of Yusuf (AS) and "Ya Bonay" and "Sawwal" and "ejtaba" in the; Yaqub's remarks and some of Yusuf's brothers' emphatic sayings, the interpretation of "Akrami" and "Masva" in the beloved speech of Egypt and the phrase "Hita Lak" of Zuleykha arise from different beliefs and worldviews and the quotation of these same words is the same. Without exception, one of the aspects of the Qur'an's expressive miracle is in showing the rule of polyphony in this story, and it conveys the Qur'an's approach to freedom of expression.

One of the important tools that can be used to convey concepts and content more accurately and quickly to people's minds is the use of proverbs, similes, and allegories and so on. The Holy Qur'an has used tools such as examples and allegorical metaphors to express guiding messages in a rhetorical and conceptual format. One of the best ways in which the Qur'an can explain rational teachings and spiritual concepts to people is by simile and allegory; Because through similes and allegories, facts are brought to mind in simple and fluent language. There are about 500 verses in the Holy Quran that have similes, allegories, allusions, metaphors and allegorical similes. This article intends to study and analyze the allegorical similes of the Holy Quran in the category of charity by adopting a descriptive-analytical method, after explaining the concept of allegorical simile and its Quranic function.

The structural and syntactic quality of words in the written system of language is sound diagrams in expressing different human emotions and states in the infinite range of the language of the Qur'an. It is necessary to reflect on the rhetorical and semantic motivation of their use, as another aspect of the expressive miracle of this heavenly word. As for the message, as one of the four focal elements for successful linguistic communication (sender, receiver, message and context), it is very important to pay attention to the grammatical structures of words. With this in mind, the present study intends to examine a number of Qur'anic words and their recitation by using the rules of Arabic language Morphology and relying on descriptive-analytical method, so to explain why the specific structure and reading of each word is used as well as explanation of its effect on the sender's message.Examination of Qur'anic data shows that in order to describe different situations, special morphological structures have been used in Holy words, which not only their selection is purposeful and helps in determining the divine purpose of verse, but also the displacement of each of these descriptive structures and their recitation will alter the whole message by its receiver.It should be noted that the selection of morphological structures is influenced by factors such as harmony with the context, context and melodically system.

While the artistic effects and phonetic aspects of the Holy Quran have attracted the attention of the people of the age from the beginning of the revelation, and they have been influenced by the musical song and its unique tone, but this matter except in a few latest decades, which has been accompanied by the development of linguistics and phonology, has not been the focus of Quran studies and its dark dimensions and angles have not been properly explained. The melody of the Quran, whether at the level of words and letters and at the level of sentences and verses, is today studied and analyzed in the discussions of the expressive and rhetorical miracles of the Quran, which purpose is to represent the novel order and style of the Quran in presenting religious and Islamic lessons.The subject of the order of the melody and music of the Quran, which discusses that how words and meanings are related in the Holy Quran, has wide dimensions and angles that indicate the need to pay attention to this important aspect of the Quran. In this regard, the present article has been written with the aim of reviewing and rereading the views and opinions of Ayatollah Seyyed Mahmoud Taleghani, regarding the musical aspects of the verses and the harmony of melodies and weights with the meanings and purposes of Quran verses. The commentator in the interpretation of a ray of the Quran, especially in the interpretation of the Meccan Surahs, which are often in the final part of the Quran and the presence and effect of the melody in them is more evident than other parts, has tried to study and analyze the harmony of the verses tones. Among the topics that the commentator has analyzed in expressing the melody of the verses and words of the Quran, as well as state of coordinate the words with the meanings and purposes, the following can be mentioned: length of verses , expression of tone and weights of verses and its adaptation and harmony with meanings and purposes, role of movements and letters and its exists in inducing concepts and meanings, characteristics of Quran distances and their coordination with the contents of verses and Surahs, comparison of Surahs from the perspective of song and content as well as the division and expression of verses of a Surah from the perspective of melody.

While the artistic effects and phonetic aspects of the Holy Quran have attracted the attention of the people of the age from the beginning of the revelation, and they have been influenced by the musical song and its unique tone, but this matter except in a few latest decades, which has been accompanied by the development of linguistics and phonology, has not been the focus of Quran studies and its dark dimensions and angles have not been properly explained. The melody of the Quran, whether at the level of words and letters and at the level of sentences and verses, is today studied and analyzed in the discussions of the expressive and rhetorical miracles of the Quran, which purpose is to represent the novel order and style of the Quran in presenting religious and Islamic lessons. The subject of the order of the melody and music of the Quran, which discusses that how words and meanings are related in the Holy Quran, has wide dimensions and angles that indicate the need to pay attention to this important aspect of the Quran. In this regard, the present article has been written with the aim of reviewing and rereading the views and opinions of Ayatollah Seyyed Mahmoud Taleghani, regarding the musical aspects of the verses and the harmony of melodies and weights with the meanings and purposes of Quran verses. The commentator in the interpretation of a ray of the Quran, especially in the interpretation of the Meccan Surahs, which are often in the final part of the Quran and the presence and effect of the melody in them is more evident than other parts, has tried to study and analyze the harmony of the verses tones. Among the topics that the commentator has analyzed in expressing the melody of the verses and words of the Quran, as well as state of coordinate the words with the meanings and purposes, the following can be mentioned: length of verses , expression of tone and weights of verses and its adaptation and harmony with meanings and purposes, role of movements and letters and its exists in inducing concepts and meanings, characteristics of Quran distances and their coordination with the contents of verses and Surahs, comparison of Surahs from the perspective of song and content as well as the division and expression of verses of a Surah from the perspective of melody.

“The state of being plain” is one of the features of the Holy Quran, taken as indicative of Quran’s expressiveness and clearness regarding its intentions. However, one of the aspects of Quranic miracles is its expressive miracle based on which verses have been revealed according to suitability and appropriateness of situation in an explicit and succinct form. In order to have a desirable understanding of a book it is necessary to be familiar with its linguistic and expressive features. Accordingly, to use teachings of the holy Quran, being familiar with linguistic features of Quran regarding expressing educations is necessarily needed so that an appropriate response could be provided for the ambiguities which might be created in some cases related to modes of expressions in Quran. The paper intends to investigate succinct nature of Quran which is one of its expressive features and also to analyze the reason of its occurrence. Although the common expressive method in Quran verses is given explicitly, because of some reasons such as observing politeness, examining people, providing inviolability for Quran, subjects with no importance, conveying more grace to servants, and proving the miracle of Quran allusions, references and succinctness are used in some cases.