جستجوی مقالات مرتبط با کلیدواژه « personification » در نشریات گروه « ادیان و عرفان »

Spiritual, sacred, and religious matters are things that human beings always have to use metaphors to understand. It is the property of the human mind that it cannot recognize conceptual and abstract matters without the help of instances of physics. Today, the cognitive sciences, including cognitive linguistics, have analyzed many of the metaphors used in human language and have shown how human beings understand the affairs of existence. The purpose of this study is to examine the human -based metaphor of God, in order to show with a cognitive approach how God has been conceptualized in the minds of two poets of the Persian language, namely Sanaei and Attar. For this purpose, in the books of these two poets, all the verses have been extracted in which human deeds and attributes have been mentioned to God and each of them has been mentioned in the article. The results of this study show that in the minds of these two poets, God is common: the king, the beloved, the craftsman, the host, the butler and the warrior, and in addition, in the Sanaei mind, God is: hairdresser, builder, baker, writer, leader; and in Attar's mind, God is the hunter, the juggler, the mirror worker, the commander, the weaver, and the painter. In this study, the face, waist, hair, lips, pupils, mouth, etc. are the organs that have been used along with evidence to prove the personification metaphor.

Animation is one of the fundamental elements of mythology . Myths give us some truth about belief ,knowledge and worldview of human ancestors. mythology has an inseparable bound with illuminism thoughts and theosophical and also poetic imagination .Mowlavi because of possessing a strong illumination and imaginative ideas in poetry,Mowlavi puts himself in space of Animation unconsciously. He presents lots his theosophical thoughts in Masnavi through animation which is a sub-heading for personification. In this article we have a look at the Animation and personification theories , and outlined their function in Masnavi.Then we have represented them in Mowlavi´s thoughts and emotions through plenty of examples. The most important result of this research is the re-prove of expression and aesthetics role in induction of Mowlavi´s thoughts to his readers. The present research has obtained its data through written document ,books and articles and elaborated them by analytical methods.