جستجوی مقالات مرتبط با کلیدواژه « Connotation » در نشریات گروه « علوم انسانی »

Connotation or the indirect expression has been of crucial significance regarding literary criticism and rhetorical studies and aesthetics; so that, to be thoroughly perceived, needs an intense consideration beyond the lexical levels or verses and sentences, and what should be studied are the structure and the whole context of the work and the minor and the main elements of a work concerning the main constituent context. In this structural study, the narrative element has an important role; and only by applying a minute research on the components of the narrative structure and the correlation of these components with themselves and with the whole text in several aspects like connotation, an appropriate result could be achieved. Some of these above-mentioned constituent components and elements of the text are considered as lexical and syntactical layers (linguistic field), image: simile, metaphor, and allegory (rhetorical field), and drama (dramatic field) that are engaging in creating implemented meaning.Although the connotation is observed in different layers in Ferdowsi's poetry, insisting on the vocabulary and semantic layers this study has investigated the connotative meaning of Narges dožam (the sad narcissus) in the introduction of the Rostam and Esfandiar story finally had demonstrated this of eyes, crown, and drunkeness has three implicit meanings and the obtained results illustrate the consistency of the narrative context.

Undoubtedly, one of the glorious manifestations of Persian literature is Maulana Jalaluddin Balkhi (604-672AH). Although, as he deems himself a follower of Sanai and Attar Neyshabouri in Persian literature and mysticism, he is considered as the leader of all poets of mystical poetry. Melted in wisdom and love, Rumi lived in the seventh century AH, and due to migration from east to west of Iran, he remained obscure from historians and the rest of poets. However, during ninth century Abd al-Rahman Jami (817-898), a prominent mystic and poet, introduced Rumi in his memoir "Nafahat al-Ons", and provided the readers with useful biographical information about the poet, his family and his masters. From the ninth century onwards, Rumi's enthusiasm increased in the central and eastern lands of the Persian speakers. Of course, Sheikh Ajal, Saadi, because of globe-trotting, in his own words in "Boostan", went to "Rome" with friends, to visit Rumi, " The wise mystic", who is an exception to the ignorant, yet unaware of Rumi’s greatness. It is from the second half of the ninth century that Rumi's admirers rush to Konya to visit his tomb, and the poets of Persian literature engage in "imitation", "estimation" and "thematization" of his lyric poems and Masnavi. Mystics began to describe Masnavi and poets embraced his passionate poems warmly. The researcher in the present article in a "descriptive-analytical" method intends to introduce a number of great figures of Persian literature, from Saadi to Saeb, who have followed Rumi in lyric poetry.

Respecting the rights of citizens is an important and necessary matter from the perspective of the Holy Qur’an and Nahj Al-Balagha. This respect should be realized in the realms of social, cultural, economic, and political relationships. The main subject of this research is to explain and analyze citizenship rights from the perspective of the Holy Qur’an and Nahj Al-Balagha using a desk research approach and a descriptive-analytical processing method. According to the research findings, cultural rights of citizenship from the perspective of the Holy Qur’an and Nahj Al-Balagha include: universal access to education, possession of the correct general culture, freedom for constructive criticism of others, and freedom to adhere to the truth. Economic rights of citizenship from the perspective of the Holy Qur’an and Nahj al-Balagha include: general access to employment and job opportunities, enjoyment of advanced agriculture, industry, and trade, and security and order in the market. Additionally, political rights of citizenship from the perspective of the Holy Qur’an and Nahj al-Balagha encompass: the enjoyment of legal freedom, the participation of all in social and legal justice systems, and the benefit of collective unity and integrity.

There is a problem with the customary language of the Qur’anic discourse. Some of them said that it is a language of general custom that the general public understands, and some of them said that it is a language of a special custom that only the specialists and people of knowledge understand with the tools and sciences they possess that qualify them to understand it. He was engaged in it and did not decipher its symbols and signs except those who are firmly established in knowledge after God Almighty and what is meant by the people of the house, may God’s prayers be upon them. Arabic, its capacity and its potential because the Qur’an discourse came and named it or overpowered it, then we explained in the second chapterThe language of general custom and its features. We also showed the linguistic and Qur’an evidence of the strength and predominance of the Qur’an discourse over public discourse, and in the third chapter we explained the private customary language that only the specialists understand because of the sciences and tools that they have to help them understand it. And which concerns the people of the house, may God’s prayers be upon them, who are the translators of the Qur’an and its justice. We also talked about applications related to the customary language of the general and then private Qur’anic discourse and then more specifically from the private. What he possesses of knowledge and as much of what he possesses of knowledge is a commoner who understands Arabic He understands the clear evidences in his own language. As for the similarities and the verses of judgments, they are understood only by specialists, scholars and scholars. As for the special discourse from the private, it is understood by the reservoir of the knowledge of God and they are the people of the house, may God’s prayers be upon them. The method used in the research was descriptive and analytical and applied.

In modern semantic studies, the diverse and unique possibilities of different languages are considered as one of the criteria of linguistic superiority in another language. the phenomenon of "implication" is a stylistic phenomenon that is recognized as normal by deviating from the syntax of the language. So, translation of these words is of particular importance which will be discussed in this article to the methodology of the types of language and critical of some translators in the Nahj al-Balagha. In the translation of language, paying attention to the syntax and rhetorical aspect is of particular importance and among the various methods of translation, the method (meaning) can be The most appropriate way to translate alternative words, Because, in the translation of these words in addition to the rotation means, should be considered the implication of meaning. This article, through descriptive-analytical, try to check the exact meaning of the alternation and issues related to it in the most significant contemporary translations, and the requirements of its translation in the Nahj al-Balagha. Studies show that in many cases, an exact match to mention all the semantic components not selected for the words " language" in Persian translations while considering the context and respecting syntax rules can help the translator in the selection of the exact equivalences of the words.

Management accountings decision making power is an important factor in the entity's success. The purpose of this study is to determine the contribution of Metacognition on management accountant's decision making by effecting connotative meaning dimensions of management accounting terms. Research in connotative meaning has showed that lexical access of emotion words depends on three dimensions: evaluation, activity, and potency. Data was gathered from 85 graduate students who had studied management accounting in their courses. Factor analysis and path analysis have been used for this study. The findings show that metacognition has an impact on management accountant's decision by effecting connotative meaning dimensions of management accounting terms perceived by management accountants. Metacognition has impact on management accountant's evaluation, activity and potency dimensions. Although the three mentioned dimensions have effect on management account's belief of the suitable decision but only evaluation and activity have effect on management accountant's decision in practice.

The presence of the images in different layers of The Blind Owl of Sadeq Hedayat is one of the characteristics of this novel that makes its nonverbal analysis possible. The images with their specific characteristics are at the service of development of the story and its multi-layered signification. Analysis of these images to achieve the hidden meaning behind them, requires a scientific method to explain the connotation of the images. It seems that the visual semiotics is a practical method to decode the images of The Blind Owl. Using the visual semiotics, we analyze the images of this novel, relying on the relationship between signifier and signified and utilizing the mechanisms which consider the images like a discourse. Considering the image as a discourse is an important innovation in this research.
The Blind Owl narrates the story of an unnamed painter, the narrator, who sees the nightmares originating from a terrible crime. The narrator recounts, on the night of the crime, the story of what happened to him, and tries to recall everything and to write them. What distinguishes The Blind Owl from other literary works, is the coincidence of the narration and the images. Sometimes, the author draws and sometimes, he describes some paintings in the text. In fact, The Blind Owl is a combination of written and visual discourses, but the visual indications are more meaningful than the written indications. In this research, the main issue is to examine how the visual discourse is created in The Blind Owl, and then we consider how the image is promoted to the position of a discourse. Considering the image as a discourse is to find the answer to this fundamental question: how verbal discourse interacts with visual discourse in this work? Assuming that the visual discourse is at the service of the written discourse, the goal of this study is to analyze the metalinguistic aspects and then connoted and secret meaning of the images. In order to achieve this goal, our analysis is based on a semiotic/semantic approach. According to the linguistic theory of Roman Jakobson, the image have three levels of meaning: the apparent meaning, the implicit meaning and the codes, all three levels analyzed in detail in this study.
The results of semiotic/semantic analysis indicate that the images turns into a dominant discourse in The Blind Owl. The visual discourse in this novel work as a mirror that represent the narrator mental chaos. The visual and verbal discourse in collusion with each other, reflects the root of the tragedy in the narrator’s life. In addition to the implicit meaning of the two discourses in question, in deeper layers, the codes are also considerable to find the secret meaning to this novel. These codes that appear in two visual and verbal discourses, reflect the relationship between the personal world of the narrator and the world of myth.

The run-on line technique is one of the musical instruments that old and modern poets have used in the rhythmic structure of their odes, which in classical concept means to divide a word into two bit line poem. But rhymed poetry is entirely different in the meaning to his old form. In rhymed poetry it means divided between the two parts of a verse That plays an important role in enriching of the musical and connotative structure of the contemporary Arabic ode. In this research effort is to examine the phenomenon of the "run-on line" and the its musical and connotation role in the Collection "nuqoosh ala jith᾿I nakhla” Yahia Al Samawy -As an example of contemporary Arabic poetry. And during the investigation it was determined that the run-on line has prominent presence in the Collection and isn’t a prosodic phenomenon, but it enriches poetic discourse of poet in different ways. Also, due to its relation to other phenomena, such as parallel rhythm, rhyme element and metric, has Prominent role in enriching of the musical structure and odes coherence. And it causes away from odes monotony and its enjoyment of the beautiful and melodic structure.

Bloomfield claimed the first connotation is an independent notion in linguistics. By this term, linguists invite us to have an innovative approach to meaning. According to this approach, words as utterances could be nourished by several levels of secondary signification. How lexis of a text could be interpreted has been studied through the lens of several theories,most notably: semiotics, poetics, semantics and discourse analysis. This article approached this issue from a rhetoric-semantic perspective.Methodology in this article is primarily hermeneutics and is concerned with an analysis of connotations in the field of semantics, and exploration of the meanings of interrogative statements. Through these two approaches, the author projects an analytical model to actualize a deeper study of the latent aspect of meaning or associations of utterances in the context of literature. This model includes four features which consist of semantic, lexical, phonetic and syntactic elements. First, this article concludes that connotative significance must be considered the same as the imageries of a text; Second, it shows how to analyze the significations of the text for the purpose of distinguishing the stylistic and semantic differences of two texts or authors.

During his second career, Roland Barthes concentrates mainly on the criticism of the ýEvident. He believes what pretends to be natural, universal and evident is in fact an outcome of ýa naturalization process; a process through which the ideological is finally configured as the ýEvident. Accordingly, the final result of the naturalization process, according to Barthes is a ýDoxa which embodies the Evident. Therefore, on his way to criticize the Evident and also ýreveal the ideological implications of Doxa, Barthes proposes Paradox as the antithesis of Doxa. ýParadox is actually a weapon against the intrigues of language, on the basis of which it would be ýpossible to experience a different reading of the text. However, Barthes never provides a clear-ýcut explanation of the semiotic mechanism of Doxa and Paradox. As a result, it may be ýassumed that Barthe's theoretical reorientation involves with the denial of his former doctrines ýregarding sign. This article, then, tries not only to analyze the semiotic functions of Doxa and ýParadox, but also explain the logical outcome of this viewpoint. It will be finally revealed that ýBarthe's second approach is basically influenced by the criticism of the hierarchical relationship ýbetween connotative and denotative meanings. ý

Language is a reflection of individual and social characteristics which guarantees the evolutionary process of human in all periods. It is an instrument for reciprocal social act represents speech and written. Culture is a fundamental system of conventions with cognitive domain, behavioral norms and ideological properties which shape social identity. The present study aims at investigating the linguistic functions and decoding of grammatical structures. This research was conducted descriptively studying passive structure formally and semantically and the intercultural communications and the role of translation as the main device of interaction. The results indicated that through linguistic ideologies, discourse and grammatical structures can be comprehended in spite of cultural and structural differences between the source and the target languages. In translation, paying attention to formal, semantic, and stylistic aspects of the language is important. Analyzing the text due to the abstractness of the semantic component is more complicated than other levels. Each level has its own complexities in which vagueness may be appeared. If dealing with such issues done wisely and consciously, the degree of vagueness in the next level will be decreased. As a result, different linguistic levels should continuously b taken into account.

Āyatullāh Borūjerdī has an exquisite viewpoint regarding the nature of Connotation: firstly, Āyatullāh Borūjerdī holds that Connotation – unlike Enunciation which is strictly dependent on the invention – is comprehended from the implications caused by the conditions of the speech. Hence, he subcategorizes the Connotation under the rational principles which run in volitional acts. ýSecondly, he reckons the Uṣūlī's dispute here a major dispute. Thirdly, he attributes his stance to the former Uṣūlī scholars, and thereon, he criticizes Shaykh Anṣārī and his succeeding scholars. ýAll these three ideas are reviewed in this paper. This study also compares Words Employment Theory in Uṣūl al-fiqh with the Theory of Speech Acts in the philosophy of language. Āyatullāh Borūjerdī's advertence to the behavioral aspect of the Words Employment is the subgrade of this comparison.

Cornucopia or the Horn of Plenty is amongst the cultural and social symbols which represented the concept of plenty and prosperity in Europe and United State of America. The origin of Cornucopia is dated back to the Greek myths and related to parts of Zeus’ life, and also to the stories of other Greek gods and goddess such as Heracles, Hades, Demeter and Tyche. The picture of Cornucopia has also been found on some of Parthian reliefs and coins and some subjects that had been remained from that era were designed such as Cornucopia and a hollow horn. This article will introduce these objects in a descriptive-analytical method while studies the meaning and connotation of Cornucopia in a cultural semiotic approach in the semiosphere of Parthian era. The result of this research speaks of the attention of Parthians in using the functions of symbols for representation of their power and legitimacy especially in the settlements of Greek-origin colonies mainly in Mesopotamia.

The technical prose of the Kelile ve Dimne and Maghamat-e Hamidi that comprised of implicit and explicit implications indicated a different style of education. Decrypting the connotations of these works revealed that contrary to the researcher's hypothesis that argued about the high number of words comparing to meanings in the sixth century prose texts, more meanings developed because of approaching of these works to poetry and increment of secondary implications of word. By mental movement from a reference to another area, the reader gets new concepts. By educating and implicitly using of mental concepts in the narrative structure, the author of Kelile ve Dimne put more sustainable impact on the reader’s thoughts. Since the analysis of educational works revealed significant functionality due to the implicit and explicit implications, in this research we tried to study the contextual framework of these texts and investigate the statements and verbs to explain the author’s approach in terms of education. This article is derived from a research project that investigated the verb stylistic in six century prose texts and verbs had been assessed in basic and compound forms and also prepositions and then had been considered in the form of propositions because of the direct effect of context on the construction of verbs and creating meanings. Their functionality had also been analyzed with implementation of implicit and explicit meanings in these two works.

The Quran has been distinguished with its style which is dedicated to it and another method does not equal with it Such that distinguished with its inspiration words and its favorite combinations and sentences that the Quran has given a new meaning to it, Such that gives to the word something does not give to another word and applies combination for a sense then switches to hire another compound in another place So that, position requires new meanings that can not be changed. most of the time, we find that the Quran exit of typical form of the word and uses techniques out of linguistic criteria , techniques is different with different meanings and "alternation" is one of the most important techniques of deviation. The concept of alternation is one of the important linguistic phenomena and its main goal has been hidden in the production of new meanings through deviating from the Linguistic norm. The alternation ,this means that word or phrase to be replaced instead of another word while like it and led to the its meaning and will be replaced it in context. the concept of alternation has become a stylistic phenomenon in the Quran, for the reason of its high frequency in bible verses. the Holy Quran benefited with this linguistic techniques to achieve two objectives at the same time: semantic aspect- the extent of the means- and stylistic diversity and this is the most clear stylistic characteristic of the Quran. therefore, we have examined this concept in holy surat " AL- Aaraf " based on the descriptive and comparative method. we have analyzed features a variety of alternation in the verbs- known as connotation- and nouns and concubine and sentence so that, it is recognized for us that the alternation in the verbs or connotation occupied more space compared with the other three species. and also has determined that its existence between two words- successor and main- and more communication is based on the synonyms and necessary. it also has been determined that context- Language or location- is one of the main pillars to find alternate and other meanings that there is in the chosen word or phrase.

The objective of this paper is to offer an interpretation of the pictures on the cover page of chelcheragh magazine that is known as a popular magazine. This interpretation aims at decoding ideological codes of the pictures and discovers how magazine uses these codes to naturalize some myths. We offer Roland Barthes’s approach to decoding images as framework for a semiotic analysis of the cover page pictures of chelcheragh magazine. It should be noted that popular magazines represent the external reality according to their ideological stance. The present paper aims at investigating some samples from the cover pages of the Chelcheragh magazine in order to reveal the magazines concealed ideology. Methodologically, some six cover page images from among 144 images were selected based on the critical case-sampling model. When the validity of the sampling method was guaranteed, then we analyzed the samples in according to the above-mentioned semiotic methodology. Some of the results show that Chelcheragh magazine uses a critical ideology toward the dominant cultural order. The myths used by the magazine include myth of hero, myth of destruction, myth of transcendent femininity, myth of being popular, myth of motherhood, and myth of black exponential. Theses myths provide the ideological interests of the magazine and contribute to naturalizing worldviews and interests of the magazine. Such ideology criticizes the government’s policy on leisure time of the youth, National Broadcasting Corporation, air pollution; the government is shutting down of the house of cinema, and the ban on the women’s travel to foreign countries by themselves. At the same time, the images support the critical TV program called “90” which critically reviews Iran’s soccer league games. The images also, support the movements that are divergent in relation to the dominant cultural system.

Semiotics is a science which studies signs and sign systems as text. Stratification semiotics tries to survey the relation between sign layers in conveying message. This paper tries to study on connotative signification in “Snow Jeremiad” Movie in the frame work of the stratification semiotics that selected the sequences in this film for study of semiotics. In this study, part to part of the selected sequences evaluated in terms of sex codes that answer to the main question of this research. The manifested statistic result is eloquent that codes of costumes, spacing, make-up, and accents would culturally mark in cinematic text and the technical cinematic codes effectively would mark the text culture wise. A personality type plays an active role in the above-mentioned codes; furthermore, above-mentioned codes as well as music codes play in shaping connotation. The writer's aim has been to review connotation and Personality types.

Although Parthian era (248/7 BC-224 AD) is one of the longest periods in history of Iran، due to the limitation of main sources such as literature، archaeological and historical evidences، there are some deficiencies of research in this field especially in Iran. Despite the lack of resources، collections of Parthian coins with special features are available which give unique and valuable information to the researcher of Parthian history. Therefore، the present study will use the knowledge of numismatics and semiotics، in order to introduce and evaluate examples of the earliest Parthian coins until the reign of Mithradates II (88 BC. - 123 BC.). While the process for using three symbols of Archer، Omphalos and Throne will identify، review and interpreted. This research will show that Parthian kings consciously used Greek symbols’ functions، changed these symbols in order to consolidate the indigenous traditions and used the connotation of these three icons for explaining the legitimacy of Parthian rule.