جستجوی مقالات مرتبط با کلیدواژه « Popular novel » در نشریات گروه « علوم انسانی »

In the Iranian popular novels, women play effective roles as authors and by creating female characters they can reflect women status.  Feminist criticism come in two general kinds, analyzing the role of women through the manifestation of women and creative writers. The first division, or Gynocritics, on the bases of text, women status and roles were studied. The second division, or feministcritique, evaluates creativity and feminine language. This article analyzed the manifestations of women in various authors with outstanding selection of their works such as Fahimeh Rahimi, Narin Sameni and Fattane Haj Sayyedjavadi.  After determining the role of woman in these works, the results were compaired with feminist views and the differences in these works were compared. These finding showed that the role of women in the afore mentioned works with the major difference establish the Iranian views which are often based on knowledge and reflection of known place of women. Finally, no tendency to the Extreme view of feminism was observed.

Narratology as a new approach in the context of a fundamental has linked to Formalists theories and opinions.
. Vladimir Propp, Russian Folklorist is the first person who studied on the Russian vulgar stories and grunded modern narratology .He understood that vulgar stories limited to certain and limited heroes and functions that follow always after each other in a same progression regularly. His achievementsin this research was a new way for narrators that came after him.
Comparison of his theory with nowadays novels has some limitations and incompatibility.according to simple structure of Popular novels, we chose four novels of Morteza Moaddabpour that are some of the best seller popular novels to compare them with Prop's morphology theory . Gained results are similar to Prop' study.It shows Number of characters and actions are limited and they come in a similar succession after each other regularly.

Women’s identity in Iran، the same as in other countries، has taken form under the influence of many socio-cultural institutions such as Family، Education، Media. In our time literature، due to the remarkable participation of women، has played an important role in the formation of this identity. This article studies seven Persian novels of 2000’s written by women whose concern has been، in one way or another، the matter of identity. The results of the study indicate three classifications in identity representation: 1) novels which are explicitly in search of women identity; 2) novels which are implicitly concerned with the concept of identity; 3) novels which show no interest in women identity. This third group falls mostly in the category of popular novels.

Style is said to be the special mode of speaking in which a writer or poet expresses his or her thoughts and materials. From the ancient times up to now, many divisions and definitions have been provided for the literary style. In the examination of the style of each literary work, it is analyzed not only for the features of its language and thought, but for its literary features also. Among the new and noticeable issues in the contemporary literary currents is the rise of the popular novel which has been closely heeded to and has received the title of "the Best Seller" in the last decade. Therefore, it is essential that we pay closer attention to the analysis of such works. The style in which an author writes about his or her thoughts and themes is among the outstanding features of each work of literature. It shows the world of the author as well as his recognition and his outlook about the world around him. Therefore, the stylistic analyses of the popular novels can help us take a step forward to understand why in the last decades such works of fiction have been so popular. In the last years, Morteza Moaddabpour has been among the most successful writers of popular fiction, and has absorbed the attention of many readers. In the present research, the writers have attempted to analyze the stylistics of 4 of his novels. This study indicates that Moaddabpour is realistic in style. He writes in a simple prose style in which there is no complexity; with the exception of metonymy, he takes use of no rhetorical technique; and he expresses the social and political problems in the lives of the youth in a simple language.

Popular novels are among recent phenomena in literary trends with a large number of audience and high sale rates. This paper is an attempt to analyze the degree and reasons for reading popular novels by students of University of Isfahan. We studied popular novels in three different dimensions: appearance, content and literary qualities. Variables such as gender, level of education, socio-economic status and field of study are considered as possible independent variables that may influence tendency towards popular novels. Research sample includes 301 cases who were able to fill out our questionnaire from a total sample of 384 individuals. The result of the study indicates that mean of tendency towards popular novels is above the average (3/52).There is a meaningful but reverse relationship between socio-economic status and tendency towards popular novels in the sense that the higher the level of social-economic statue, the less tendency toward popular novels. Likewise, there is a meaningful and reverse relationship between level of education and tendency towards popular novels. However, with the other two independent variables, namely, gender and field of study, we did not find any meaningful relationship.