جستجوی مقالات مرتبط با کلیدواژه "درام تاریخی" در نشریات گروه "هنر و معماری"

History is the product of the representation of memories. Paul Ricoeur divides memory into two categories, individual memory and collective memory, which represent the past. But part of the past is no longer available. This is due to forgetting parts of the memory that interfere with the representation of the past. Therefore, history is always different from a historical event. Social and political institutions also take advantage of this disorder and control and guide societies with their own ideology. How the memory and history are presented also depends on the policy of the provider. During the first Pahlavi era, the regime was able to use this memory policy to create a constructed history of ancient Iran, which was formed with the help of the art of theater in society. The present study, based on library data and descriptive-analytical method, intends to examine some important historical dramas of this period, how to implement the policy of memory and inject ideology to construct history in the first Pahlavi period through theaters. In this way, the prominent role of political systems and how to manipulate memory and history will be examined. This study also seeks to answer the question of how the government used the theatrical aspects of society to achieve this goal and intellectuals - willingly or unwillingly - played a helpful role in this ideology.

Historical drama has always been one of the important fields in dramatic literature. Focusing on that in contemporary Iran has led to the emergence of “Qajarism” in which contemporary dramatic literature deals with life during the Qajar period in the context of its historical events. This study tries to address the social contexts of the emergence and spread of this type of drama in the mid-seventies to mid-eighties in Iran. In this research, Georg Lukacs views have been used to analyze this emerging phenomenon. According to Georg Lukacs, and within the framework of his theory of reflection on art, historical dramas are dynamic reflections of concrete historical contrasts that provide the audience with the ground for understanding contemporary social concepts. This contrast has been reflected in the case of contemporary plays centered on the Qajar period and especially the constitutional era in the context of the confrontation between tradition and modernity and the process that has taken place in contemporary Iran. In this research, after examining Georg Lukacs views on historical drama and its characteristics, new historical contexts that have led to the emergence of this type of drama will be examined and the manner of this social reflection in the researched works will be examined.