جستجوی مقالات مرتبط با کلیدواژه « هویت اسلامی » در نشریات گروه « هنر و معماری »

After the industrial revolution, Architectes encountered a variety of concerns. Among those were the altercation between identity and new technologies, in which some believed these two elements were directly opposite. In this regard, the main goal of the research is to explain the theoretical relationship between new technologies and the building's formal framework in the architectural works of the last four decades in Iran to provide a strategy to improve its contemporary architecture.

The research is a combined research and consists of descriptive-analytical and survey from a methodological point of view and is practical research in terms of its purpose. After examining the relevant theoretical foundations, the criteria are determined, and the samples are defined and analyzed based on the main criteria. The resulting data are presented as a questionnaire to the expert statistical community. SmartPLS was used to validate the questionnaire, and Friedman's test was used in SPSS software to prioritize the data.

the findings indicate that most experts believe that the most significant impact of new technologies in Contemporary Iranian Architecture should occur in the three main dimensions: flexibility in construction, high-speed construction, and safety of new materials against fire.

by examining the multi-functional buildings of the last four decades specifically in the last decade, the widespread attention of contemporary designers and architects is to use new technologies in the aesthetic aspects of buildings, which has led to the decline of the building's identity when employing modern technologies to it.

Foresight is a knowledge, art, accepting the uncertainty of the future and considering the possibility of the occurrence of various states of the future instead of a specific future. foresight is one of the new technologies in the field of contemporary urban planning. In this study, researchers seek to identify the components of humanistic urban planning and promote participatory urban planning based on scenario writing and futurism

The main research method is based on the use of the Delphi technique and screenwriting. In the first community, elites, experts, and managers are the three main stakeholders. In the second community, citizens who live in 5 districts of Tehran are the main beneficiary group.

Based on the results, the first scenarios in the areas of intelligence, participation, transparency, various transportation options, revenue generation, neighborhood orientation, and justice show the best and the sixth scenario and to some extent, the fifth scenario shows the worst possible scenarios.

The results of the research showed that the development of electronic services and businesses in domestic and foreign platforms, putting people at the head of programs in order to create partnerships, increasing income through sustainable methods in order to generate income, consolidating and developing the position of localities in the matter Participation, increasing the share of access to all non-automotive modes, transparency in all matters of organizational offices and establishing justice in the distribution of services are at the top of importance.

Cities are shaped by the culture of a nation and reflect their identity. In the modern image of cities, Islamic identity is less considered. One of the most important aspects of the city's identity is meaning. Improper meaning of city image and its incompatibility with cultural values causes the undesirable identity of today's cities. Attention to this meaning can play a role as one of the most important identifying factors in the city. Considering Islamic principles and indicators in the formation of the city and its buildings in order to achieve Islamic identity of the city is considerable. The perceptual meaning of city's image is considered an Islamic meaning when the received messages are recognized in accordance with Islamic values. In this regard, this study evaluates the image of old and contemporary neighborhoods of Tabriz. In this way this study identifies the landmarks of the mentioned neighborhoods from the perspective of people's perception. Then it analyzes and reviews these landmarks perceptual meaning from the perspective of people's perception. It raises the question of what is the difference between the perceptual meaning of landmarks from the perspective of Islamic culture? Then it studies what do these landmarks correspond to the Islamic identity? The research method is descriptive-analytical. The first stage in the context of library studies reviews the sources and then uses the case study method, questionnaire, and field analysis to identify and examine landmarks. It examines these landmarks based on the semantic indicators derived from Islamic notions. The results indicate that landmarks of traditional neighborhoods have a religious function, and the landmarks of contemporary neighborhoods have a material function. Lack of attention to Islamic values has caused the appearance of contemporary neighborhoods to be significantly different from Islamic identity. Based on comparative findings, citizens' perceptions of architectural landmarks in the traditional neighborhood of Shotorban compared to the newly built neighborhood of Roshdiyeh, in three levels of formal-practical, mental-emotional, and value-symbolic meanings which are more compatible with semantic principles derived from Islamic Notions (divine-spiritual, social, environmental, and identity). The results indicate that the landmarks of traditional neighborhoods of perceptual meaning correspond to semantic indicators from the perspective of Islamic thought, while in contemporary neighborhoods the perceptual meaning of landmarks is far from Islamic principles and values. Since the citizens' perception of architectural landmarks in Shotorban and Roshdiyeh neighborhoods is based on traditional schemas and spatial patterns of traditional and contemporary living, it is possible to adopt strategies to improve citizens' understanding of architectural landmarks acted in physical, functional, and semantic dimensions.

Neighborhood identity means having a tendency and belonging to the neighborhood community. Continuation of urban life is the reason for the neighborhood`s importance in the social and psychological development of urban dwellers. Therefore, the neighborhood is the physical crystallization of the community, and its borders are the crystallization of the sanctuaries. The comparison shows that the past neighborhoods had a well-structured structure and strengthened the neighborhood identity, but the new neighborhoods first define the neighborhood`s structure with towers and apartments that have populated the population from all over Iran. The purpose of this study is to identify the criteria affecting the identity of neighborhoods according to current conditions and a comparative comparison between the old and new neighborhoods of Narmak and Hakimiyeh based on these criteria in order to promote Islamic identity.Findings show that the differences in the criteria of cognition and awareness, sense of belonging, satisfaction, independence, environmental suitability, religion, civilization, territory, and unity in these neighborhoods are significant and real. Due to the implementation of renovation projects in The Hakimiyeh, in terms of affecting the social structure and people's sense of belonging to the region and local identity, it has acted poorly, reducing social capital and people's sense of belonging to the place of residence. The Narmak, despite the changes that have taken place in its physical texture, and has been formed according to a codified urban plan, but the residents of this neighborhood still experience a relatively large sense of spatial identity. The difference between the criteria of readability, social interactions and culture in Hakimiyeh and Narmak neighborhoods with different physical and social characteristics is not signi_cant and real. Therefore, it can be said that the texture renovation project of The Hakimieh has had acceptable results in terms of structure and physics. Finally, was found that due to the significance level (sig) less than 0.05 and the upper and lower limits of these two neighborhoods with a 95% confidence level were found that the average score of neighborhood identity criteria in the old neighborhood of The Narmak more than the new neighborhood and New is Wisdom.

With an overview of the process of urbanization and urbanism can be found in Iran¡ Iranian cities which have evolved features over the centuries had been a massive change over the decades. What is the physical features in their cities¡ spaces¡ and architectural elements - were valuable Urban emanating from the dominant culture on the lives of citizens. Functionality of the physical feature of its elements can be regarded as the time of crystallization of the nature of visual attention to the role and function of the skeletal elements to highlight the identities evolve¡ more and more it becomes necessary¡ This paper aims to explore the traditional elements of modern urban elements And explained that in the meantime¡ what we have lost both positive and negative indicators of quality or obtain¡ Reviewing the literature and related documents¡ as well as opin ions of experts (Delphi method) and qualitative methods listings binary Czech urban design shows that if these elements are ignored¡ they lose their Islamic identity and historical elements replaced them gradually fade the color and smell of their previous Performance loss and are not native. The results indicate that the effect of the change¡ while improving the level of environmental quality indicators such as visual aesthetic dimension form¡ privacy¡ accessibility¡ efficiency¡ inclusiveness and diversity in function and security¡ comfort and readability in the sense ¡ But other indicators of quality of the urban environment has been weakened as architectural values and human scale dimension form. Social interaction¡ participation and vitality in the function and Identityand sense of belonging¡ intimate and cozy environment in the meaning. Accordingly¡ this research offers strategies to strengthen the positive indicators and reduce the level of negative indicators in order to achieve urban places with Iranian-Islamic identity.

Landscape design is always identified by cultural viewpoint and religious views. In fact، landscape design creates new and fresh composition and delicate system by emphasizing on conceptual perspective that is based on religious views. But nowadays there is not such relationship between landscape design and Islamic identity and we can see some kind of identity crisis. Therefore this article is shaped based on this question: How we can make a relationship between Islamic identity and contemporary landscape design? The researcher believes that we can induce some factors from Quran verses and the quote of Shiite Imams that reflect Islamic identity in contemporary landscape design. The research method is based on descriptive – analysis of data. The data was collected from authentic religious and scientific documents. The result show the Islamic identity in contemporary landscape design consists of two parts – subjective (4 factors) and objective (6 factors). There is an overlap among these factors and are inseparable. In this article the manifestation aspect of these factors were indicated by using Quran text and the quote of Shiite Imams. Finally the way of creating Islamic identity in contemporary landscape design is explained.

The subject of quality and quantity of manifestation of Islamic identity in the architecture of Islamic era is one of the topics around which there are many diverse views among thinkers. Some scholars believe in the maximum reflection of Islamic contents in the architectural works of this age. Oppositely، some others thinkers express the minimum reflection of Islamic identity and deny the existence of any kind of relation between the contents of religion and these works. In this article، a third standpoint is presented on this topic، upon which، the belief in relative manifestation of Islamic content and identity in form and body of architecture of Islamic age is a logical principle. The article puts forth this basic principle that Islam as an intellectual and ideological school of thought has put forth certain conceptual facts on the domain of art which is reflected in the ideas and ideals of artists and architects. These basic and fixed facts can appear in thousands of phenomena in a relative form through a certain process with the creative effort of artists. In this article، while adopting a historical-interpretive approach، and joint utilization of reasoning-logical method and based on religious documented texts، this claim will be proved. The basic pillar in proving this hypothesis، is the principle of detachment of theoretical، practical phrases and examples in the Islamic wisdom which will be elaborated.

Summary Explain how the artist uses and arranges the various elements and principles of design and composition. Give a detailed description of the work. You should look at the artwork very carefully and try to describe and interpret how the artist has used elements such as color, symbols, shapes, size, tone and composition. You should also write about the media and any special techniques used. Use this frame to explain the way the artwork fits into an art style, when it was made, the place it was made and the culture it represents. It is important in the cultural frame to write about how a work fits a particular culture, time or group. Think about ways in which the artwork might be typical of that group. You should look for symbols or icons used in the work that might help to show its cultural context. The urban identity is one of the most complex and controversial theoretical issues in urban planning. Identity is the response of whom or what is the subject. In fact identity is the being fact of the human or any other object. It is said that human is the only phenomenon who have got the apprehension of identity. In addition, the presence of a single person in a group not only has got his or her personal identity such as; social statue, but also by gaining integrated elements –which is called culturecollective identity, will be created. In principle, identity is not a phenomenon wrested and separated from other related facts. For example urban identity is not considered separated from its residence, their believes and thoughts, life style, relations, ideology (Naghizadeh, 1386). Urban planners and designers are not allowed to plan and design on aligned theoretical framework and expect to create a city with beauty and Islamic identity style. While the main focus is on life aspects, while basic criteria and styles are aligned civilization, while self glorification is circulated on human effect, while moderation and equilibrium is replaced by fashion and lavish, it should be expected that physic will be something else from the response to these behaviors. The main aim of the research is oriented on the use of Iranian Islamic identity in urban improvement. The main aim of presented article is surveying identity from various existed aspects and functionalizing them in urban beatification.