Utopian though at the beginning of the Radi’s plays by considering the view of Farabi’s philosophic utopia

The present study aims to investigate three plays of the Akbar Radi’s which are selected in the 1340s by considering Farabi’s utopian thought. This investigation attempts to consider the current dramatics remnants by considering Farabi’s utopian thought. Akbar Radi affected the pattern of plays in Iran for 4 decades through introducing interesting topics and language of plays. The present study investigates the data which is obtained by the library method based on the descriptive-analytical method. Moreover, it evaluates utopian thought of characters in Radi’s plays according to the view of Farabi’s utopia and by the use of Islamic-Iranian philosophy, it criticizes Akbar Radi’s plays. The purpose of this study is to peruse current dramatics remnants with utopian views which generally are referred to the theories of Plato, Tomas Mohr, and other western ideologists. Utopian view which is both common and fundamental element in world’s dramatics remnant. Akbar Radi is an idealist and ideologue author. He created several characters who try to find utopia, in order to emancipate from the status with the various methods. The result of this investigation clearly indicates that all the Akbar Radi’s plays in the 40s included different characters with assorted utopian thought. The most important pint of Radi’s dramatics plays in40s is that all of the utopian characters had been failing to find own utopia.