A Comparative research on ancient water pattern in the poems of Lamia Abbas Omara and Forough Farrokhzad

Water' the everlasting structure of nature' embraces the noble concepts of birth' death' purification' resurrection and fertility. This ancient structure of creation for a long time deserves a special place in the nations' religions' from the gladiator falling into the water and finding eternal life to the sacred function of water and it's appearance in the shape of goddesses' the savior of fertility' the life and the resurrection as anahita' the Iranian goddess of water and Ishtar and Aphrodite' sami and Hebrew goddesses of love and fertility. For this reason' water has had a high frequency in contemporary Arabic and Persian literature. What necessitates writing the present article in the minds of the authors are as follows: at first the retrieval of the ancient patterns of water and the position and role of this vital element in the poetry of the mentioned poets. Accordingly' since there is no independent or Interdisciplinary or comparative study on the contemporary Iraqi poet Lamia Abbas omara' the authors of this essay aim to review the ancient linkage of water in the form of a mythical reading; The final approach of both poets associate profoundly and gracefully with water as the most venerable structure of nature and life poems with the difference that the applied patterns of water used in the thoughts of Forugh Farrokhzad represent the transformation of water negative image while the water symbolism in thr Lamia Abbas Omara poetry reflect the poet's clear' hopeful and lively attitudes toward this eternal' clean element.