The ambiguity of musical appropriateness in the Divan of Qaani

The influence of music on the human soul has led poets and writers to use this important element to express different meanings and terms. One of the poets who has mastered the conceptual, emotional, and aesthetic aspects of his poetry through the use of musical terms is Qaani  a poet of the Literature Return Era; He has had ample information about the  ancient music and has used the words and idioms of this music even  the least used terms in his poetry. He has also been  influenced by the music culture of his time and named new instruments such as tar and santour. All of these have paved the way for creating the musical equivocation fitness. This paper is an attempt to clarify Qachr('39')anichr('39')s attention toward musical equivocation and the musical terms and idioms used by him.