Transcendental images and its manifestations in Biddle Dehlavi's lyric poems and Sohrab Sepehri's poems

 In the view of Biddle Dehlavi and Sohrab Sepehri, there is an absolute truth and all natural phenomena of the material world are the manifestation of the same truth. The spiritual world and the supreme truth that the poet wants to achieve; It is expressed in the form of transcendental symbols. Since the extensive use of these symbols by Biddle Dehlavi and Sohrab Sepehri has made their poetry difficult to understand; The present article aims to remove some of the ambiguities in the poetry of these two poets, the transcendental symbols in Biddle"s lyric poetry collection and the collection of Sepehri poems that have a transcendental aspect; Examines. In addition to content analysis, the aesthetics of these symbols is also one of the goals of the present study.

 This research is based on descriptive-analytical method.

 The transcendental symbols in Biddle"s lyric poems and Sepehri"s poetry are rooted in nature. In this way, nature and its manifestations lead to the absolute truth (God) and lead us to theology.

 Biddle"s transcendental ideas in the Divan of Ghazals are such that many images are created in contradictory situations. Transcendence in his sonnets has a carnal and mystical character and he speaks of purifying the soul and heart and removing the evils of the soul from morals and moral vices in order to reach the ascension, superior life, truth and existence of God. Sepehri, on the other hand, has an inner view of God, just as God placed himself among the romantics as a heart and inner need, and they turned to religion from an artistic point of view. Is approaching.