Criteria for aesthetic evaluation of pre-Islamic poetry from a sensory imaging perspective (An opposite critical view in two verses of Imru’ al-Qays)

Researchers may think - or are certain to the degree of certainty - that some verses of poetry since ancient times have become out of the orbit of rhetorical quality, and have lost a lot of their luster due to the lack of aesthetic conditions that qualify them to possess the required alloy specifications. As long as the ancient and contemporary critics admired the robustness of the casting and the quality of style in the famous Verse of Imru’ al-Qays “Mekarren Mefarren…” and they elaborated in detail its rhetorical aspects; All the early critics and modernists also rejected the rhetoric of his other Verse, "Ghadaeroho Mostashzeraton ..." and took an opposing position towards him, stripping him of eloquence and eloquence due to the vocal dissonance that they sensed in one of his words, which is 'misfortune'. In this study, and according to the descriptive-analytical method, we will be in the process of proving a different vision in each of the prevailing critical directions. In the first, we prove that it is completely outside the circle of artistic quality, in that the simile in which it was used does not depict any of the creative aspects that the poet intended to embody. The oscillating movement of the Persians. Also, the second house is characterized by the characteristics of pictorial eloquence that were hidden from the eyes of researchers, in terms of their neglect of the aspect of applied rhetoric, which requires that the final image be inspired by indicators of audio-visual congruence that is noticeable at the will of the pictorial meaning. The results say that the prevailing critical view of critics regarding the two verses may actually be wrong, and that each of them can be viewed from another rhetorical perspective that proves to the second a great expressive value that critics and scholars overlooked, as well as a deviation in the simile image that makes the verse completely contradictory. The correct simile structure requires it when the desired dynamic image is regular.