Stylology of Fayyaz Lahiji's poems

Fayyaz Lahiji is one of the prominent Shia theologians and philosophers in the eleventh century of Hijri and one of the students of Mulla Sadra and Mir Damad, who has many works in the field of Islamic philosophy and theology. Also, he is one of the poets of the Indian style in the 11th century of Hijri, who has about eleven thousand verses in various styles. According to the authors' search, no stylistic analysis has been done on his poems. The purpose of this essay is to examine his poetry style in three levels: linguistic, literary and intellectual.

This research is based on descriptive-analytical method.

Based on the findings of this research, compared to other poets of Indian style, Fayyaz's poetry does not have subtle imaginations and complex and slow-to-understand themes. His poetic language is simple and fluent, and there are no significant idioms and slang expressions in it. Fayyaz is also heavily influenced by mystics and their teachings, and the influence of mystical and Sufi teachings on his analyzes and interpretations of theological issues can be seen in several positions

The row in Fayyaz's poetry is very diverse, and puns, paradoxes, and the style of equation are more abundant among the creative arts in his poetry. Simile and its types are also at the top among expressive industries. The main theme of his poems is the praise and praise of the imams of Athar, and the theme of his lyrics is love. The characteristics of love, lover, and beloved in these poems are almost in accordance with the Iraqi school, and the lover has an unfortunate, unsuccessful, and satisfied face. Beloved is also at the peak of indifference and cruelty. Also, the mysticism of Qalandariye and the condemnation of appearances in religiosity and hypocrisy can also be seen in his poems. He has written poetry in all kinds of poetry formats, such as qasida, ghazal, masnavi, quartet, tarjieband, and composition.