Exploring the Intersection of Art and Science in Theatre

The perceived schism between art and science has long been a subject of discussion, notably articulated by C.P. Snow as the "two cultures." In his opinion this division could be solved by creative chances. This article aims to explore the answer to this question how does the intersection of art and science become achievable? Theatre, as an art form, stands as the most compatible meeting ground between these disciplines. Examining the extensive history of theatre reveals numerous instances where theatre offers opportunities for bridging the profound gap between these seemingly disparate disciplines. This exploration categorizes this intersection into distinct levels: 1) Science plays 2) Postdramatic science plays 3) Technological theatre. Through an analysis of these levels, it becomes evident that all disciplines alternately complement and enhance one another. At the initial level, plays act as platforms to educate audiences on scientific theories, exemplified by Carl Djerassi's works. Scientific concepts, such as the uncertainty principle, also influence the construction of these plays, akin to Michael Frayn's 'Copenhagen'. The second level referred to by Kristin Shephard-Barr as ‘postdramatic science plays’ deepens the fusion of science and art. At this level, text does not play a central role in constructing the theatre, instead, the scientific theories shape the form of the performance. Scientific theories act as a blueprint for the play's structure. Furthermore, playwrights actively engage with scientists to enhance their understanding and incorporate scientific concepts into their work, such as the cooperation of Luca Ronconi and John D. Barrow. As a result, the intertwining of art and science deepens at each level, ultimately culminating in the third level: technological theatre. In technological theatre, which is referred to as digital theatre in contemporary performances, technology plays a key role in the performance which necessitates the collaboration between artists and engineers. Performances are regarded as a new form of art that we call “scientific art”, “scientific art” is an inseparable combination of technological science and performative arts. This level represents a direct intersection, serving as a vital bridge across the perceived cultural gap. However, the success of this evolution heavily relies on establishing a foundation of mutual cooperation and trust between artists and scientists.