The progression of the concepts of deathconsciousness and thinking of death constantly in contemporary painting of Iran

In the course of the formation of the revolution, which draws a lofty approach towards human excellence, the expansion of the concepts of martyrdom, taking as a model the religious idea of the death of special consciousness in the Holy Quran, the idea of death, which is a continuous concept of the understanding and thought of knowledge about death, in the context of the revolution and The society leaves. In this sense, the painting of the Islamic Revolution of Iran, under the influence of the thoughts of this social current in the heart of the revolution, is about the concept of death, and according to the cultural and social conditions of the society, the concept of death appears in the approach of the painters of the Islamic Revolution, and there are reflections of the influences Its concepts have emerged and are noticed in their works, which shows the ideological and fundamental effects of the Islamic Revolution on the process of painting works. Based on this, the research questions are: 1. To what extent did the elements of death thought play a role in the approach of the painters of the revolution in creating paintings? 2. To what extent are the works influenced by Islamic religious foundations? This research is fundamental-theoretical in terms of purpose and descriptive-analytical in terms of nature and method.The method of collecting information is library and field. The research community was selected from among the paintings of the revolution. The results of the research show that the choice and subject of placing these concepts was consciously in the thought and practice of the painters, whose theoretical foundations were influenced by Islamic religious thought, and its semantic reflection and visual interpretation were revealed in the explicit approaches and code system and semiotics. has done.