One of the valuable concepts of education is modesty in religious sources, for which wonderful and very important effects have been mentioned in educating human beings, but what is worth considering according to the narrations is that not all forms of modesty are of such importance but are anti-human. Leading research seeks to distinguish between the praiseworthy modesty and the reprehensible modesty based on the narrations, and then to present the strategies for studying the praiseworthy modesty and the treatment strategies for the reprehensible modesty in order to properly educate human beings. Among the results of his research, which are as follows: 1. The strategies for studying Mamdouh's modesty are different from the strategies for treating reprehensible modesty. 2- Strategies for learning modesty are generally achieved through two modes of teaching modesty and creating it. Creating modesty itself stops at practicing and enlightening the inner self. 3- Strategies for treating reprehensible modesty also require steps such as thinking about not doing good deeds in the sight of God Almighty, reflecting on the worthlessness of others' words before God Almighty, and observing the principle of gradualness in dealing with reprehensible modesty.

Is modesty always good or always bad? Where is modesty good and where is it bad? Some imagine that modesty is always good, beautiful and necessary and one should never be immodest! This is a wrong attitude some religious people have. This article discusses the status, meaning and examples of modesty and shamelessness according to Imam Reza’s teachings. The fundamental issue in thisresearch is deducing answers to the above questions from Imam Reza’s hadiths. The research method is descriptive-analytical, using a thorough study in authentic collections of hadiths. Reflecting on Imam Reza’s hadiths shows that the word ‘modesty’ has a very broad usage. Necessity or avoiding modesty depends on its roots, belongings, application and influences. The modesty which is rooted in deep faith in Allah and results in safety form committing sins is sacred and beautiful that one should obtain. However, the modesty which is based on ignorance and results in failure in knowledge and social development and failure in considering divine rights is ugly and condemned that one should avoid.

The author deals with issues such as the manifestation of modesty and chastity among men and women in the literature of the ignorant time and the extent of its prevalence and raises the question of whether the lack of proper attire of some women in the ignorant time means the lack of chastity culture or not. The author examines chastity in a number of indicators: seeing, speaking, hearing, sex, wine drinking, hiding love, patience, modest love, atire, and veil, and concludes that they are innate.

The Purpose of the Present Study is to Investigate the Educational Functions of Modesty in Islam From the Viewpoint and Expression Ayatollah Mojtaba Tehrani(RA). The Research is a Qualitative Approach and Has Been Done by Analytical-Inferential Method. The Data Analysis Method was Qualitative Content Analysis of Inductive type. The Results Show that the Late Ayatollah Mojtaba Tehrani(RA) Considers the Elements to be the Hallmark of Faith and Ethics and Inherent in all Human Beings From Birth and Not acquired. The other is that in their expression, life involves the living of God, Himself, the People, the Angels and the Clans of God and it has Functions such as Self-Control, Motivation, Protecting the Faith and Human Identity, Covering up the Bad, Increasing Insight and Gain the Love of God.

One of the mos t important factors in the analysis of urban space is the attention to ethical norms of the society, which has become a part of religious culture in Iran. The path of analysis and explanation of urbanization from the perspective of Islamic principles is based on the principles and attributes that through the modes and concepts of the transcendental and through the tools and rules, takes on a special physical s tructure, so that ultimately the full effect of the city occurs in which the person at all times is aware of the transcendental and spiritual dimensions of life. This research, by relying on written sources and introducing an ethical approach in analyzing urban spaces and focusing on the concept of pudency, explains its features in the city's body and the modes of manifes tation and embodiment of the aforementioned traits. The method of research is to analyze and characterize the characteris tics of pudency in religious, exploratory and analytical teachings. By referring to well-known, and repeated narratives in Hadith sources, its content has been inves tigated. In the following, in an inductive and analytical approach, the mode of manifes tation of pudency in urban spaces has been explained based on indicators excerpted from Hadiths, the ways and the effects of it. Generally speaking, in the path to the rise of spiritual and moral values in urban space and its physical manifes tation, it is a legible process that explains and clarifies it more precisely and objectively s tep by s tep. In this regard, in this s tudy, the content analysis of the consecrated Hadiths in relation to pudency in order to achieve the basic concepts has been considered. In the complementary s tages, with its adaptation and environmental analysis, the five principles derived from pudency, including dignity, sanctity, spirituality, supervision and rationality, and each of them was analyzed separately, and finally, in the form of 13 methods and 32 manifes tations, the dimensions of manifes tation and spatial-physical imagination of pudency are discussed. But the emergence and objectivity of the final propositions expressed in urban space requires attention to spatial and behavioral aspects. More precisely, emphasizing and directing people to the inner and spiritual areas of pudency in urban space requires some arrangements that some of them can be achieved in the form of physical measures in urban space, but the nature and scope of pudency in relation to others, Requires social and behavioral considerations. In this regard, the final cases explained in the form of s tatements can be divided into three main categories: (a) The major cases of the s tated physical form are arrangements that have a deterrent and preventive role in the occurrence of abnormalities and can be the basis The occurrence of a variety of social behaviors; (b) It has been s tated that, in addition to the previous role, self-indications and physical analogy are related to veneration; (c) In some cases, in addition to emphasizing physical equipment, social interactions and Creating privacy and appropriate physical conditions are discussed.

Panegyric means praising admirable qualities of the praised which poet praises his moral and behavioral qualities during the praise odes. Praise poetry, due to its major influence and significant contribution to Persian literature, should be considered a special type of literature and along with epic, lyric and drama, it should be regarded as a type of literature. In the literary type of panegyric, personality of the praised is in position of the hero, and various subjects related to his virtues become means of the poet to praise the hero of this type of literature. Exaggeration is one of the salient features of the literary genre of panegyric, in which the panegyrists were obliged to "show the hero more than he is and to mythologize the so-called figure." (Shamisa, 2007: 254) In the literary type of panegyric, the panegyrist attempts to manifest the characteristics of the praised to the highest level of perfection by using the form of ode and by means of exaggeration, so that the praised turns into a superhuman character. Among the praised qualities, the component of justice has been one of the things that all panegyrists have used as a pretext to praise the praised. The main questions of the present research in this regard are: 1- How has the theme of justice evolved in terms of superstructure and infrastructure? What have been the tools and elements of the panegyrists regarding the theme of justice? In what context have been the innovations of panegyrists regarding the infrastructure of the theme of justice?

 Methodology of research:

The research of the present article has been done analytically and descriptively and the relevant information has been collected in a library manner; Thus, the praise poems of ten panegyrists (Rudaki, Farrokhi, Ansari, Manouchehri, Ghatran, Massoud Sa’d, Abol-faraj, Moezzi, Anvari and Khaghani) have been the subject of research from the beginning to the end of the sixth century. During the research process, in the first stage, the evidence related to the component of justice is extracted from the two poets and in the next step, it is examined in two general categories, under the headings of superstructure analysis and infrastructure analysis.

3-1- Superstructure analysis of the theme of justice The main feature of the theme of justice in the Samanid and Ghaznavid eras is the use of tangible and material images. Most of these images are superficial and have only a confirmative aspect. The poet's imagination does not go beyond the outer shell and superficial relations of phenomena. "The meaning of the words of this type of image does not exceed the literal meanings and stops at the level of apparent and approximate meaning or only in description and expression." (Fotouhi, 2009: 59) In the Seljuk era, the poet's imagination is not limited to the superficial shell of objects, and dealing with superficial images does not satisfy his sense of modernity. The main innovation in the theme of justice is limited to images that are obtained from two tangible and sensible components, such as: miracle of justice, wine of justice, wheel of justice, sword of justice, water of justice, sleeve of justice, flower of justice, smell of justice, spy equity, breeze of equity, mount of justice, Seedlings of justice , Government of justice, Dress of Justice, etc. The ingredients of the theme of justice, in the Rudaki and Ghaznavid periods, are generally provided from the material elements of nature and are used quite simply and without any obligation during the poem. Things like: runnels and flowers, animals and birds and other landscapes and everything else that the poet has been dealing with every day and has been concrete and tangible to him.What is more prominent in the Seljuk era than any other subject in the superstructure of the theme of justice is related to the extraction and implementation of components and elements of religious stories and narrations, the most important of which are: the story of Prophet Moses and the miracle of his staff,the blindness of Prophet Jacob and the shirt of Prophet Joseph, the story of The Prophet's journey from Mecca to Medina and his hiding in the cave of Hara, the story of Noah's flood and the landing of the ark on Mount Judi, the pregnancy of Prophet Maryam , etc. 3-2-Infrastructure analysis of the theme of justiceThe panegyrists have resorted to people who have been famous in justice in all the periods discussed in the present article, in order to highlight the praised justice and to find an objective and external reward for it. In the meantime, Anushirvan Sassanid and the second caliph in terms of frequency and repetition, have been repeatedly referred to as a symbol of justice. Apart from this, from the point of view of poets praising predators and birds of prey, they were like transgressors that the praised justice cut off their aggression and forced them to give up their hunting instinct and wild temperament in order to live at peace with other animals.One of the obvious examples of the effect of praised justice in the Seljuk era is the creation of harmony and reconciliation between opposing and heterogeneous natures. Examples of this are related to the compatibility between water and fire, the equality of rose and of wine with fire and water, and the acquainting of four opposite natures in the human body with each other, as well as the deprivation of properties and phenomena, so that despite praised justice, wine has the property of hangover and the moon has lost the ability to wear linen

The result of the research shows that the subject of justice is one of the noteworthy components in praise of the praised and all panegyrists have considered it in their praises. The analysis of the construction of the theme of justice in the Samanid and Ghaznavid eras shows that the raw materials of theme making about praised justice were obtained from the material elements and the surrounding nature, their main rhetorical tools have been detailed and tangible to tangible similes. In the analysis of the infrastructure of the theme of justice in this period, innovation and exaggeration in relation to the theme of praised justice, in the first step, is related to the equality and superiority of praised justice in comparison with historical figures. Secondly, it is flexible to the effect of praised justice on the level of animals, which has put aside their wild instincts and temperaments, as well as the effect of praiseworthy justice on society.In the Seljuk era, the subject of justice gradually turns from simplicity to complexity,the panegyrist does not spare any effort to deal with the superstructure of the theme of justice, detailed and tangible similes replace compact and sensible images, to the extent that the issue of the conflict of images in themes arises. In order to find a pristine and original theme, the poet goes through all the fields and whatever helps him to invent the theme, falls into the circle of raw materials and elements of his theme making.In infrastructure of the theme of justice in the Seljuk era, panegyrists, while considering the themes of poets before them (comparison of praised justice in comparison with historical figures, the manifestation of praised justice among animals and the impact of praised justice in society) were also not unaware of innovation and creation in this field. Among the innovations and exaggerations of the poets of this era about the praised justice, we can mention the creation of an inverse relationship between the hunt and the hunter, the creation of a bond between opposing natures and the deprivation of properties and relations between objects and phenomena and landscapes.

Speech acts are a branch of linguistics studies of pragmatics that identifies writer goals with analysis of text statements. This approach is a suitable way for representation of writer orientation about text statements, explanation people relationships and how ideology works. In this research, speech acts in panegyric poem as the most ideological classic poem, gas classified and analyzed to be revealed how the mechanism of panegyric statements. According to results, poets have used speech acts for explanation of mamduh governmental and spiritual status as the most important people in poem. They have highlighted the mamduh station and ideological goals by using the explicit action. Poets have used emotional action to show positive emotions to mamduh and decrease the instance between mamduh and themselves. According to relationship between mamduh and poet, the frequency of motivational action is low and the most its used is about inviting mamduh to happiness or his enemies to obeying him. Poets have highlighted mamduh by focus on explicit action and use the persuation methods in mamduh description.

The necessity of Islamic-Iranian pattern of shame and making culture based on it, is visible For our today society. this article As a prelude to presenting this model, With an analytical – descriptive method endeavor to Review and induct the virtue of shame in Shia ethics tradition. The dominant theory in west current psychoanalysis considers Shame such as negative Individual s self-conscious emotions. After making an error in public Targeting human dignity and must be reduced. Benedict with his theory of different meaning of shame opened different approach beyond shame investigation Based on the diversity of cultures that received less attention.
Scholars on this article are trying to explain the Quiddity, reason and modality of shame and its Actions and consequences in Shia ethics tradition.in this system shame considers as sustainable, fundamental virtue, Knowledge-based restraint and human dignity protector however Extremes would be harmful.

Iranian and Semitic myths are widely and variously reflected in Khāqāni's poetry and his panegyrics. The extraordinary power and glory of the mythological figures is familiar to everyone. Khāqāni pays attention to this and describes his praised person and shows his/her superiority over Iranian and Semitic myths and even Islamic characters. Because of this, he sometimes ignores his religious beliefs. The present article aims to examine the function of the myths in Khāqāni's poetry. The results show that he has no disagreement with Iranian myths, nor does he disbelieve religious beliefs. Whenever, he refers to superiority of his praised persons over the mythological figures or despises the myths, he wants to attract his praised person attention and enjoy his/her material gifts.

Art of expression partakes diverse fields and is one of the most comprehensive and concurrently the most interesting type expression is manifested in art, the use of which undoubtedly has a significant impact on the production of quality and luxurious artwork since art is a form of expression and expression is also a practice of art. Meanwhile, in the study of poetry, as an artistic phenomenon, the first phenomenon that attracts the attention is the poet's artistic expression. Works of art, including poetry, act as a prism that presents a diverse perspective from each angle, and the collection of these perspectives provides a general and comprehensive depiction of the prism. One of the significant feature of poets is their relationship with elders and courtiers as for means of encouragement and support, hence, in the poems of such poets, the association between the poet and the praised one is clearly perceived. Among them, poets such as Farrokhi and Manouchehri have addressed “the praised one” in their poetry. This article intends to study and apply the artistic expression of poets such as Farrokhi and Manouchehri in the request for admiration from “the praised one”; moreover, the comparison of such appeals in poetry with the paintings of the eighth century AH is also focused upon. The category of request and appeal, which is one of the sub-branches of lyrical literature, has appeared in the poetry of the mentioned poets in various means and in their poetry they have expressed this feature in an artistic and diverse manner. In this regard, an attempt has been made to study the poems of mentioned poets in order to extract, study and analyze the varieties of material and immaterial requests and appeals towards the praised one.

1. Examining the appeals and requests of the praised one in Farrokhi and Manouchehri poetry 2. Studying the reflection of the status of the praised one in the paintings in the eighth century AH (focusing on the study of Farrokhi and Manouchehri poems)

1. What are the similarities and differences between the appeal of poets such as Farrokhi and Manouchehri from the praised one? 2. Is it possible to find examples of the appeal and request of poets from the praised one in the paintings of the eighth century AH?