To elevate their words, The poets, depending on their Knowledge, make use of The great Sources of The Book and Sunnah (tradition). Sometimes this scope of The poet Knowledge is so wide That They percieve Sunnah in Quran and Then, brings The commonalities of The reachness of wisdom in his/her poetry and attracts the reader by his/her delicate thoughts and exalted subjects. Romi is one of those poets who has exalted his poetry with these teachings. In The Lyrics of Shams, either visible or in visible, like his other works, Romi has frequently mentioned poetic evidences for The indications to the lives of the men- of – desicion prophets in Quran. In this library research it has been attempted to describe This multidimensional impressibility in Shams Lyrics which is part of the mystical spirit, secrets and The elegance of The thoughts of Romi in his lyrics which result from the harmonious combination of Quran and Hadith (the speech).

To elevate their words, the poets, depending on their Knowledge, make use of The great Sources of The Book and Sunnah (tradition). Sometimes this scope of The poet Knowledge is so wide That They percieve Sunnah in Quran and Then, brings The commonalities of The reachness of wisdom in his/her poetry and attracts the reader by his/her delicate thoughts and exalted subjects. Romi is one of those poets who has exalted his poetry with these teachings. In The Lyrics of Shams, either visible or in visible, like his other works, Romi has frequently mentioned poetic evidences for The indications to the lives of the men- of – desicion prophets in Quran. In this library research it has been attempted to describe This multidimensional impressibility in Shams Lyrics which is part of the mystical spirit, secrets and The elegance of The thoughts of Romi in his lyrics which result from the harmonious combination of Quran and Hadith (the speech).

In an intellectual viewpoint, the Qur'an has usually seems a theoretical and doctrinal text rather than an text that observes drastic one efficiency specially in a civilizational perspective. This viewpoint has prevented the Qur'an connecting contemporary everyday life in the contemporary world, and has caused injury and accompanied practical deficiencies in result. Reading the Qur'an in order to make and strengthen this connection and crystalize to exercise its doctrines in large scale widely, requires a civilizational attitude. Methodologically convert this attitude to an effective approach -relying on of contemporary intellectual visions- this research considers "systematization" or "systematical attitude" a very indicator and shows how it influences the accomplishment of the Qur'an doctrines and leads to the formation of an Islamic civilization. Being homogeneous and harmonic are the main aspects of this attitude. external harmony requires the interaction of the Qur'an with the real world at three levels of intertextuality, interscholastic and ultratextuality. This reading of the Qur'an brings it into the action field and prepares a coherent integrated civilization in harmony with a Qur’anic origin.

The beautiful literary methods and different lingual and musical structures used in the Holy Quran are so wonderful that in every time, it is possible to study it from various aspects and by various methods. Formalist's and structuralist's approach of study could help us to perceive the aesthetical aspects of the Holy Quran. This article studies the lingual and musical structures of Sura Taqvir. The study results showed that the objective structure has a regular coordination and purposive harmony. Parallelism in musical and lingual repetition is one of the fundamental methods for foregrounding. All of the lingual, grammatical and musival structures are harmonious and in the interest of the religious purposes of the Holy Quran. Therefore, Sura Taqvir enjoys regular and harmonious lingual and musical structures.

One of the miraculous aspects of the holy Quran stated in Sura IV, verse 82 is its harmonious nature and its being free from any inconsistency. The present article proves this aspect of the inimitability of the Quran through the analysis of the nature of the Quran being beyond the capacity of human being in terms of being free from any inconsistency, explaining the inimitability of the Quran, due to this feature, and responding to the spurious arguments in this field. The essence of reasoning for the concomitance between the man made nature of the Quran and infiltration of a multitude of inconsistencies in it lies in analyzing certain features of man and the Quran. Limitation, susceptibility to external forces, being liable to perfection as well as to falsehood and wretchedness on the one hand, and the abundance and variety of the Quranic teachings while being firmly logical, its rhetorical aspect, revelation of the verses without any preparation in advance, and in different personal and social conditions within a long span of time on the other hand, would rule out the possibility of the Quran being issued from a human being free from inconsistencies. Certain spurious arguments in this regard would also be analyzed and responded.Inimitability of the Quran, the state of the Quran being free from inconsistency, challenge, spurious arguments concerning inimitability

Among the miraculous aspects of the Holy Quran, the rhetorical subtleties in the verses of this divine book have longAmong the miraculous aspects of the Holy Quran, the rhetorical subtleties in the verses of this divine book have long been the focus of scholars and scholars of Quranic sciences. One of the rhetorical topics of the Holy Quran is stylistics, which by taking advantage of the achievements of the science of rhetoric; we investigate the stylistic effects in the Holy Quran. Surah "Ghashiyeh" as one of the clear examples of a systematic language is full of verbal signs, where the harmonious words that create the internal beat of the verses and the intervals of the verses lead to the external music of the verses. In this research, based on linguistic analysis at three phonetic, lexical, and grammatical levels, we discuss the stylistics of Surah Ghashieh. The present research tries to show that it is the linguistic features in the verses of the Holy Quran that cause the change of style in the verses at different levels. Applying repetition techniques; Sajja; Puns, respect for example, and contrast emphasize rhetorical elegance in addition to melodiousness. In fact, these stylistic features make this blessed surah suitable and melodious.

The current paper is an attempt to study those Quranic verses that deal with the early stages of human embryonic creation and formation. The revelation of new scientific facts in the science of embryology and their conformity with the Quranic verses make every one confess the miraculous nature of the Quran. Again, the Quran proves to be far ahead of its time. For the Quranic depiction of human embryonic development, which is delineated by somehow 40 verses and tens of traditions, is absolutely harmonious with the recent findings of embryology. The more one ponders upon the Quranic verses and compares them with the latest scientific discoveries, he would find more harmony and compatibility between science and the Quran. Such an issue, causes one to put his complete faith and trust in Allah, in the Quran and in the words of the prophet of Islam.

Although all the surahs of the Qur'an are in a confined order and in accordance with the protected tablet, they are in harmony with each other, harmonious and harmonious, but the surahs of part thirty (from Nas to Naba) have a more pronounced order and proportion in the opening and closing phrases, so that in quality Receiving and reading the audience is very effective. Therefore, reflecting on the heavenly relationship of these suras with each other is of special importance in the promotion and exaltation of man. This article has been done with reference to library sources and descriptive-analytical method and in it, while pointing to the opinions of thinkers who believe in the proportionality between suras, new aspects of proportion and harmony between the 30 chapters of the Holy Quran with regard to The interpretive opinions of the researchers have been discovered and explained. The results of research show that the relevance and relationship between these suras includes such things as: introduction, introduction and conclusion, completion and completion, concept and example, function and continuation, reason and argument, summary and detail, example and example, symmetry and fraternity. And in general, it is manifested on both verbal and semantic levels.

Repetition plays significant rhetorical and cognitive roles in the holy Quran. Quranic repetitions can be classified into verbal, semantic, and verbal- semantic types. These repetitions sometimes occur regularly and immediately in successive verses, sometimes in one Sura with regular intervals, and occasionally in two different Suras. The present article deals with verse refrains repeated with regular aesthetic forms in the Quran. Giving it the name of “Quranic refrain”, the present article seeks to present it as a beautiful literal form peculiar to the Quran distinguishing its position among similar literal forms. In Quranic verse refrains, after verses or a part of the Sura, a verse or a phrase is repeated in a particular order, giving the Sura a harmonious and elegant feature. Stating wise and aesthetic points of Suras, the present article seeks to study the quality of these repetitions in seven Suras i. e. al- Rahman, Mursalat, Shuara, Qamar, Saffat, Naml, and Kahf.

Contrary to the look of the contemporary criticizers, it seems that religions and holy texts could negate violence and have a crucial role to create peace. Specially, to access the opportunities which holy texts in this field have made before today’s men, violence and peace theories can be used to determine a specific framework. The present research tries to consider the Quran verses through the pioneering theories in this field. The noble Quran in his verses disagrees with cultural violence and gives recommendations and suitable access to set cultural peace. In the field of cultural peace creation can be centralized under the harmonious factor which the noble Quran states more than anything else in one-word language. The common bases are divided in to three categories: metaphysic, biological and historical.