نشریه جستارهای نوین ادبی
سال پنجاه و چهارم شماره 2 (پیاپی 213، تابستان 1400)

The archetype of the killing Jamshid has been represented in different forms in Shahnameh. Why this archetype appears in the story of Jamshid and how Kei Khosrow prevents it tend to be the main point of this research. Textual data have revealed the good and positive characteristic features of Jamshid; therefore, his ingratitude issue has been studied analytically and descriptively and disapproved. Before Kei Khosrow confronts with the ingratitude and deceived people and lose throne, he ponders over the dark future and leaves throne for Lohrasb. Although clan of Zal and other champions do not agree with him, he informs them about the serious situation of the country and himself with his own wise speech. After Kei Khosrow implemented his duties and surmounting of Afrasiab, he decided to leave the throne to prevent the killing Jamshid disaster which leads country to serious damages. Therefore, the the goal of this study tends to explain the issue which exists in the racial collective subconscious and disturbs the country.

New poems of Forugh Farrokhzad unusually used artistic eroticism. This woman witting has several erotic functions. The representations of this multiplication were suggested in four general groups: 1) sexuality personification 2) sexuality lyrics 3) body embodiment 4) Freudism. What is investigated in this article, resulted in that forms of Eros regarding to lyric emotions, Imaginative capabilities, feminine features in context and sexuality personification of inanimate nature The poet has given the poet a lethargic and genuine sense of meaning, It is as if femininity has illuminated the light of her universe. All the bitter experiences of the poet can be interpreted and interpreted through his femininity. Also the poet has put his mischievous thoughts in the back of erotic images as an attachment to his daily and daily lives, in order to show the same and indivisibility of these two opposites in ma . We aim to analyze and analyze these low forms of history with influential examples of two sets of "other birth" and "believe in the beginning of the cold season".

Loitering is a form of leisure in advanced urban communities that is often done individually with the intention of enjoying and thinking. The cultural and political discourses that govern the city affect the quality of the Loitering experience. Following the modernization of Iranian cities, Loitering has become widespread among various social strata, especially the youth. Based on the cultural studies, we examine how the experience of Loitering is represented in the novel chark-dande-ha (2009). Since our goal is to study and interpret the interactions of subject and social space in the literary text, in this study we have used the method of content category analysis with a thematic unit and seek to answer the question what is the motivation and departure point of the subject for Loitering? What interactions does it have with itself, others, and the city during the Loitering, and what is the end result? In the story how do the prevailing ideologies affect the quality of the Loitering experience? The results show that the selective approach of society towards modernism has a destructive effect on the subject perception of the city and makes the experience of Loitering bitter and disturbing. The loiterer subject is deprived of the culture of urbanization but demands the benefits of the urban world. His main motivation in this novel was prosperity, fun and regaining lost youth. What he experiences is humiliation, alienation and abnormality. He finds a way out of violence, revenge and insanity, and eventually commits suicide.

Life writing has been a most common historical-literary trend in Persian writings in the contemporary period. Persian Life Writing as a general genre consists of the different writings. All of them contain a realistic account of the life of Iranians. Life Writing of Memory Includes "Single- emory'', "memoir", "autobiography" and "personal history" . in this paper, we focused on the "memoir". a memoir is a type of memoir-based personal writing that describes human life in writing, about only the most prominent part of his/her life and experiences. Memoirs are often written by celebrities, politicians, the military, and those whose jobs and careers are very effective. in memoirs, the order of time and continuity of events are observed, and they are accompanied by an emotional and personal arc, if they are successful. the similarities between memoirs and autobiographies are such that even in the West, their distinctions are not properly recognized and observed. while skilled critics and writers note that in an autobiography, the author is the target; however, in the memoir, the goal is not the author himself, but the event / events of his life. after studying hundreds of life writings, the author realized this common type and decided to to present the most important sub-types in the following article, while introducing and expressing outstanding features.

One of the most important functions of narratives and national epics is identification. Governments as communists try to always use identity elements to advance their goals. In this article, we are going to show, by way of example, how non-Iranian governments tried to weaken the elements of national identity by constructing and consolidating religious affiliations in order to legitimize them. These efforts were made to undermine the elements of Iranian identity was found that by introducing the news and allegorical traditions below various hadith and interpretation texts. Still, part of these identity conflicts can be seen in ancient religious texts. This paper tries to study the decline of one of the Quran verses in the interpretive texts and its association with the Iranian epic narratives, to investigate the process of confronting non-Iranian governments with Iranian epics, and to show why and how, part of the interpretive texts throughout history and unconsciously served in the government.

In Iranian culture, Abu Sa'id Abolkheir has possessed a similar stand as that of Socrates in Greek culture. They have both been mentioned and cited in a large number of books, even though they have not written a single text. Abu Sa'id Abolkheir’s roles in ancient Persian literature can be seen in three different ways: his remaining works have either known sources, with no discrepancy between them and their sources in term of content, have no specific sources, or have specific sources but with a great discrepancy between them and the sources. The aim of the present investigation was to identify the so-called discrepancies and the reasons behind them. The obtained results revealed that among the several main factors which caused such slips of the pen, untidiness and shuffle of people’s lives along with quotation of what has been heard, instead of citing valid sources, and also using second hand sources instead of original sources, have played the most significant roles.