فهرست مطالب taghi amini mofrad

Lyrical poetry is emotional poetry that comes from the depth of the poet's being and expresses his most original and intimate feelings. This type of poetry is a mirror of the whole interior view and expresses the poet's conscience, and it has different types, all of which are taken from the poet's emotional and fragile self, and their impact is due to the fact that it arises from the depth of being and sits on the heart. . One of the types of lyric poetry is Bath-al-Shakvi, which literally means complaint and heartache, and in it the poet rises to glory from all the factors that messed up his emotional, social, political and existential philosophy and the human race. And she undergoes changes and distortions, and sometimes she sits with the audience with tears, sometimes with reproaches, and sometimes with lamentations, and she expresses the causes of her suffering and distress. Simin Behbahani is one of the contemporary poets who has spoken in her poems in the form of complaints about the disorders of life such as the neglect of feelings, romantic resentment, as well as protesting the conditions of the society in which she lived and the suffering of the people of the time. In this article, the authors try to describe and analyze the types of complaints in the books of poems "Chalcharagh" and "yek dariche azadi" written by Simin Behbahani. The findings of the research show that personal complaints have a higher frequency than other complaints in both collections, and the reason for this can be seen in the failures of the poet's family life and her sensitive and feminine spirit. These complaints are the best way to find out the poet's mental and psychological characteristics and present a picture of her personal life to the audience

The school of Romanticism is a European literary school which was born as a result of turning away from the logic and wisdom of the school of Classicism and was inspired by passion and excitement. This school has also had considerable influence on the development of various nations, including Iran. One of the important effects of the school of Romanticism on Iranian poets has been the development of their worldview, which has, in turn, broadened the scope of their protests and complaints regarding various social issues. This issue shows its effects in a more tangible way, especially when injustices, challenges, and social and individual disorders in a society are intensified. Simin Behbahani is one of the contemporary poets who has complained in her poems about injustices, deaths, and abandonment, and has protested against the existing situation of the society and her fellow human beings. In this article, authors have tried to use the descriptive-analytical research method to analyze the Romantic discourse of complaints in the works of Simin Behbahani. Findings of the research indicate that personal complaints are more prominent in the above-mentioned poetry collection, the reason for which should be found in her sensitive spirit and femininity; since she has experienced bitter and unfortunate events at some point in her life, her frank talk about pains and failures in her poetry attracts the sympathy of her audience.

Image is one of the important elements of beauty in poetry. Using this element, the poet obtains his emotional experiences and mental perceptions with the help of literary industries and rhetorical methods such as similes, metaphors, ironies, metaphors, etc. in an artistic and captivating way. Sa’adi has also benefited a lot from this kind of expression. Therefore, in this article, the image of the lover in Sa’adi"s lyric poems is discussed from the perspective of two images of simile and metaphor.

This article explains the images in a descriptive-analytical manner. First, definitions of the image are given, then the images related to the lover in three hundred and sixty Sa’adi ghazals from the book "Saadi"s lyric poems" have been studied by the efforts of Khatib Rahbar (1998) from Mahtab Publishing.

The result of this research, after examining the images in Sa’adi"s three hundred and sixty sonnets, indicates that the images that mean and They better represent the mental minutes in Saadi"s poetry, they are classified into three groups related to emotions, body, and lover traits.

Lover traits (61%) have the highest frequency and images related to the lover"s body with (6%) have the least use. These images - which reflect the poet"s conscience in the form of words and form the basic element of his poetry - show the power of words, eloquence and pleasantness of his words.