جستجوی مقالات مرتبط با کلیدواژه "ابراهیم نصر الله" در نشریات گروه "علوم انسانی"

The concept of stability, presented in the format of text and image, has always been bound to the subject of Palestine as the main paradigm in resistance literature. This meant, language, despite being originally presented in written form, can be visualized as an image in multiple aspects. In contrast, buried underneath the visual concept of acaricature,is its inseparable linguistic feature. The existing commonalities between the two artistic styles of caricature and poetry such as; hidden signs, metaphors and metaphoric symbols, metaphors and other layered signs, as well as the undeniable influence of these two types in public has led to a parallel comparison of the work provided by Ibrahim Nasrallah and Naji Al-A regarding the critique criteria. The present study, using a descriptive-analytical method and a comparative approach addressing the sign-semantics and narrative-conceptual patterns, has sought to identify the commonalities and differences between the two aforementioned types of art. As the results from reviewing caricatures and poems with a single theme revealed, there existed multiple commonalities with respect to the layered signs such as substitution, metaphorical and allegorical effects, the commonalities of companionship, synonymy and contradiction, and the use of metaphor. However, regarding the narrative-conceptual patterns, there exists multiple differences and distinctions between the two. In this respect, Nasrullah's poems, considering the graphical movements and color, the narrative aspect is more dominant. However, in Naji Ali's caricatures, the conceptual aspect and stability and continuity are more predominant.

In his narrative text entitled “The Second War of the Dog”, the Palestinian novelist, Ibrahim Nasrallah, has reviewed the Palestinian people’s hardships in an imaginative way and used language forces to reveal those hardships. The text of this novel deserves syntactic and rhetorical analyses due to the aesthetic revelation of its questioning style, which, together with its varied types, accounts for the most important questioning styles utilized for arousing the audience's emotions, improving aesthetics of the text, further impressing the audience, and strengthening the meanings in their minds. Therefore, men of letters have constantly wanted to employ this style in their literary works because of its wider range of inferred virtual meanings compared to other styles. Using a descriptive-analytical method based on statistical stylistics, this study sought to reveal the hidden rhetorical meanings of its questioning style and assess the extent of fit between its question tools and three levels of language, i.e., storytelling, description, and dialogue, as well as expressing the most important aesthetic aspects of this style for conveying meaning to the audience. One of the major results of this research was that the narrator had often employed a questioning style at the level of dialogue since the characters of the novel often used to dispute for being surprised by the existence of similaritis and doubts and not being able to distinguish between them and reach the truth. This style was found to be mostly used for conveying the two meanings of negation and denial since they so well fit with the pessimism atmosphere prevailing in the novel as they could reveal the political, economic, and cultural opportunism of the novel's characters depicting a new generation that worked only for its own interests, regardless of the public interest of Palestine.

What is worth noting about Naji Ali’s caricature is that the two types of interconnections between literature and art are evident in these works, because the scenes and illustrated images are often associated with multiple expressions. The Images also have semantic and readable dimensions. In the novel, "Zaytoun al-Shawarah" (Ibrahim NasrAllah) we find that in his descriptions, satire and symbolic expressions are vastly used. The author, who innovatively recreates and uses these borrowed caricature images all over the novel, signifies his creative thinking. The cryptic symbols of both authors are not merely summarized in the description of the scenes but in the symbolic characters of the two works, for example, the character of a woman as a symbol which also appears. Hence, Naji Ali symbolizes the home of the woman, with an idealistic view and she represents Palestinian stability and he portrays the character of a woman as a sacred person. This is while Abraham NasrAllah imposes bitter realism and naturalism on the character of his work to symbolize the occupied land, and he reflects the reality of the life of the Palestinian refugee. In the symbolization of the character of a woman, occasionally common symbols in Ebrahim NasrAllah's novel and the caricatures of Naji Alis are found and sometimes these symbols contradict each other. This research employs a narrative analysis method in the analysis of personality. It also relies on describing.

Identity is the most challenging subject in the modern world due to the flood of technology in the second half of the twentieth century, coupled with other post-modernist phenomena which have impacted our lives. Ibrahim Nasrollah, the renowned Palestinian author, in a novel titled: Harb al-Kalb al-Thaniah (The Second Dog War) has addressed this challenge through literature. In this novel, he has depicted the future of human life through an imaginary world, using magical realism. The basic concept of the novel is “Simulation”. This phenomenon enters the world of the story and spreads among the people. Day by day the people become more and more like each other and step by step, the fraudulence, violence and conflict in society increase and begin to take over. Through magic realism and using the descriptive –analytical approach to the novel, this paper seeks to study this process as an individual action leads to great human disaster.