جستجوی مقالات مرتبط با کلیدواژه « qajar houses » در نشریات گروه « علوم انسانی »

The houses of the Qajar period of Yazd have many historical, cultural and architectural values as architectural texts comprising signs and codes, as the main propositions of traditional architecture. Perception and discovery of the hidden secrets in architectural texts is achieved through reading and through semiotics. This research has explained the syntactic codes as one of the semiotic codes using the space syntax method. First, in-depth studies were carried out in the field of theoretical foundations and the influential components and indicators in space syntax were identified, and then a number of ten bab houses of the Qajar period of Yazd were tested as selected samples for reading and analyzing the spatial structure, based on the space syntax method. The upcoming research analyzes the syntactic components of the spatial structure through a case study in two parts of field studies and Depsmap software to discover the syntactic codes of the selected houses. In this analysis, the samples are measured based on the components of interlinking, relative depth, visibility, entropy, and visual connection, and after analyzing data and field studies of space syntax, results lead to the discovery of syntactic codes of houses. The results show that the syntactic codes of these houses are explained in the form of concepts and meanings derived from the relational systems of the texts, based on spatial hierarchy, cohabitation, order and disorder, mystery and secrecy.

The purpose of this research, which was carried out with interpretive-historical method, is to investigate the effect of the owners' living conditions on the brick decorations of the interior courtyards of Qajar houses in Tabriz. To achieve this goal, an attempt was made to answer a question with this theme: What is the relationship between the form and geometry of brickwork decorations and the economic level of people's lives? By dividing the houses into two spectrums related to the affluent and normal strata, with field observations, the brick decorations - the view of their inner courtyards were investigated from the two perspectives of execution form and general geometry, and then the ratio between these decorations and the livelihood level of the owners was investigated. According to the findings of the research, from the point of view of the implementation form; Repetitive patterns have been among the common patterns between both strata. Expanded patterns are only specific to the affluent stratum of the statistical society, and single patterns and multiple patterns are also often used in the houses of the affluent stratum. from the dimension of geometric form; Also, some specific geometric patterns are common between both layers and some patterns clearly belong to a specific layer.

Approaching the history of Iran's domestic architecture with regard to its social history is still a nascent interdisciplinary knowledge; While the evidence related to the architecture of the houses is not lacking among the historical sources. The logical way to do this is to understand and explain the methods and tools of historians who wrote the social history of architecture. In this research, firstly, through internal criticism of the text of one of the authentic social histories of Western architecture, about the house and domestic life, some familiar concepts in the field of social sciences including household and family, sex and gender, power and dignity, social mobility in relation to the architecture of houses. The English suburbs and manners were obtained; Then, to measure the possibility of applying this approach in the social historiography of Iranian architecture, these concepts were presented to texts related to domestic life in Qajar Tehran. Relying on the historical evidence based on these texts indicates that with scientific considerations, some of the theoretical tools and methods of social science scholars can be used to develop historical views and interpretations of Iranian architecture. Achieving this goal requires re-reading the historical sources of each period - here the Qajars - in terms of the evidence they provide from both the categories of social groups and architecture. In addition, there are some specifics in facing this issue, which is related to the difference in the social and cultural nature of the British and Iranian societies.

Places clearly have values, one of which is cultural values. The decorative methods of Qajar houses had pure structural values with a realistic content in its own time. Not enough study has been carried out on the factors affecting the cultural value of these places, despite the great value of houses in the Qajar period. The purpose of this study was to investigate the aspects of the originality of Qajar period house decorations and their role in the cultural values of this valuable heritage. The present study is a descriptive-analytical survey. The research area is the houses of Imam Jomeh, Vosough Al-Dawlah and Mostofi Al-Mamalek in Tehran. Statistical population of research is visitors of selected houses and the sample size is 384 people. Data were collected by library and field method (researcher-made questionnaire) and analyzed using factor analysis and regression methods. The results showed that the special characteristics of the decoration of the architecture of the houses under study are carving, tiling, plastering, painting, brickwork, trainings, Mogharnas, mirror work, lambing, sash and knitting, sash and wooden masonry. aspects of the originality of the decorations used in these houses; are original, exceptional, referential and influential originality. Influential originality with a coefficient of 0.466, the most important aspect of originality and referential, exceptional and original originalities are in the next priorities, respectively. In general, it can be concluded that the cultural values of Qajar houses in Tehran have been influenced by the characteristic features and originality of the decorations used in these places.

In recent years, the subject of Visual quality analysis of residential building walls and its ability to be translated into the language of environment and architecture in historical works, has been considered by researchers in this field of knowledge and experts in this field have tried to apply these concepts in Today's architecture, to deal with the excellence of modern buildings arising from the knowledge of historical buildings. For this purpose, the main purpose of this study is to investigate and develop an analytical model of visual quality of residential building walls in Qajar historical houses in Tabriz in order to assess the impact of quality factors between residential wall elements on visual, physical and mental attractiveness. In this regard, the present study is applied based on the purpose and descriptive-correlational in terms of data collection in which 50 experts were used in the research process. Accordingly, in order to achieve the objectives of the study, two software SPSS 26 (to provide descriptive information) and 3 Smart PLS (to provide a model of structural equations and measure the effect of variables) were used. The results of the study show a positive, strong and significant effect of elements with visual quality (Route coefficient 0.667), a relatively strong and significant effect of quality elements on the physical factors (Route coefficient 0.567) and finally a moderate and significant effect of quality factors (Route coefficient 0.447) It is based on the mental components in the residential walls of Qajar houses. The approach selected in the present study is one of the new approaches whose results can re-read in today's residential buildings in the way of expressing and introducing physical communication and the continuity of outdoor space.

After the Safavid Government, the importance of the city of Isfahan diminished and many buildings were abandoned due to the transfer of the government center and the government compound fell into ruin. After the beginning of the Qajar dynasty and the efforts of the ruler of Isfahan Mirza Hosein Khan Sadr Isfahani, Isfahan began flourishing again and wealthy families of merchants and landlords were formed. As a result, the construction of houses with common architecture and influenced by the social status of its owners began. This research has been done with the method of historical interpretive research. The required data have been collected and analyzed from documentary sources, field studies, annexes and oral histories. Findings show that the meaning of social status is manifested through spatial characteristics in three scales: micro (home), medium (neighborhood) and macro (district).