جستجوی مقالات مرتبط با کلیدواژه « ادبیات پسااستعماری » در نشریات گروه « ادبیات و زبان ها »

Dialogue is a signifying tool to show the content of the story and introduce its heroes to the audience. Hoda Barakat, a contemporary Lebanese writer who wrote the novel Brid al-Lil and won the 2019 Arab Booker Prize, is the narrator of letters that express the feelings of Arab immigrants and by unveiling the most important components of post-colonial studies, including the outstanding legacy in the field of fiction. has created. This essay with a descriptive-analytical method, by extracting the types of internal speech in the novel "Brid Al-Lil", how to relate the types of monologues in connection with the characters of Faroodestan, establishing a relationship between the crisis-stricken characters of the story with different strata of the narrator's society and raising awareness Readers have been written about the ominous idea of colonialism on the sovereign lands of the third world. The text of the research is full of different social, political and cultural messages in the crisis-stricken Arab land, which are presented in the framework of various internal and external discourses in the form of various monologues. The narrative style of this novel and the use of different types of narrators along with diverse viewpoints lead to the unveiling of many problems of the people of the author's land; At the top of all the problems, the continuous conflict of the people of Lebanon, the displacement and inferiority of the people of that land can be seen, and these topics are depicted in the form of a variety of idioms.

The present paper aims to study John Maxwell Coetzee’s novel Foe in the light of Pramod K. Nayar’s concept of “anti-spectacle.” Nayar employs the term anti-spectacle to refer to those segments of reality that are systematically and silently omitted from the content of the mainstream media representations due to the gap they create or the rupture they cause in the dominant official spectacle-making currents. In Foe, which is a rewriting of Daniel Defoe’s Robinson Crusoe, Coetzee changes the narrative point of view and employs a circular multifaceted narration to intermingle the Robinson myth, which is the product of narrative spectacle-making, with anti-spectacles that are themselves the offspring of imperial and colonial discourses as well as of the ethics of Protestantism. He re-narrates the protagonist-oriented myth of Robinson from the perspective of European woman and non-European man, as two subaltern groups, to demonstrate the links between Daniel Defoe’s novel and the colonial discourse of the eighteenth-century Europe as well as the interrelatedness of European patriarchy and imperialism. The results show that, in his Foe, Coetzee deconstructs the conventions of Realism and realistic novel in an attempt to emphasize the inability of the colonial language in representing the experience of the other as well as to demonstrate the capacity of the postmodernist novel as a site for anti-spectacle.

In this research, colonialism in the novels The Kite Runner written by Khaled Hosseini and Homeless by Reza Amirkhani was analyzed comparatively. These two novels, which are formed in Eastern culture, have a deep-seated relationship which is the continuation life of the first persons, Amir and Armia, in the west (America). Imigration to this country is a forced one for both of them, during which the author discusses colonialism and its manifestations. The cultural correlation of these works and their formation in a parallel manner have given some similar elements which was why they were selected to be studied comparatively. In this article, which was done in a descriptive-analytical approach, the hero's migration from the homeland, which is associated with a kind of alienation, and the role of colonialism in creating this alienation were discussed. The purpose of this research is to present a new understanding of the concepts and origin of the formation of these novels comparatively. The main issues which were found in these works were: character journey from east to west, Homeland (the depth of the main character in the homeland), the presence of the helping element of the hero (killed by colonialism), Nostalgia, culture (purity of character), The double face of religion, alienation and negation of capitalism.

A post-colonial criticism approach is considered as comparative literature and cultural studies to analyze the colonial feedback in literary contexts and explore the component of the post-colony in the literature. This theory deals with the conflict between Eastern inferior and Western superior thought foundations and tries to show the results between colonialism and the colony. Ahmad Saadawi, the writer of “Frankenstein in Baghdad” novel, is among those authors who has put a high priority on struggling against colonialism. He depicts the consequences of the occupation of Iraq by the U.S. Army and his writing is considered as a complex allegory of tribal violence in Iraq following the U.S. invasion. Therefore, the analysis of this author’s thoughts is significant in postcolonial literature. The present result reveals that how the author could present the political, social, and economic effects in Iraq in a fictional novel by turning into the anti-colonial perspective. The author illustrates the feeling of chaos in his land and creates an imaginary character that has a fragmented identity. Saadawi endeavors to presents the effects of colonialism in its modern form by making this imaginary creature that aims towards the establishment of justice. This study written as the perspective of post-colonial criticism using the descriptive-analytical approach investigates the components of post-colonialism, such as Western centralization, moral issues, and identity fragmentation. Besides, this study highlights the reliance on beliefs and religion to achieve a former identity to oppose the belief in the superiority of the Western race and anti-colonialism.

Literature of a nation consists of components that serve as the best and most visible means of understanding the attitudes and the worldview of that nation. When it comes to recounting the intellectual foundations of a nation in the field of literature, post-colonial literature has a great contribution. This is because it expresses the attitudes and positions of that nation against foreign colonialism. The long-standing presence of French colonialism in Algeria has led to the emergence and prosperity of post-colonial literature in that country. The novel "Ghadan youmon jadid" by "Abdol Hamid ibn-e Hadouqa" narrates the effects of colonial racism on the people of Algeria. Using a descriptive-analytical method, the present research seeks to analyze the most important fields of colonial racism in the novel and interpret them with examples. It also addresses the reasons for the emergence of colonial racism in the characters of the story and the way the author resolves this problem. The post-colonial analysis of the novel suggests that colonial racism has been practiced in the biological, religious, judicial, and internal aspects of the society. Vocational monopoly is another manifestation of racism. The author's strategy to get out of this crisis is to rely on indigenous culture and history, to gain knowledge about Europeans, and to reinforce the spirit of unity, resistance and oppression in the people.

Colonial literature refers to a branch of contemporary literature that emerged during colonial domination or afterwards with the purpose of liberation from the yoke of colonialism in the colonized countries. Of the main themes of this literature, one can mention the confrontation between characters and the themes that set the oriental writer’s ‘self’ as confronting the western ‘other’ and the interaction between them. In the literary fiction in Iran and Egypt, many writers have written on this subject. The present investigation is a comparative study of the two novels, namely the Mysteries of My Land by Reza Barahani, and Palace Walk by Naguib Mahfouz. Both works date back to the occupation of the writers’ lands by western countries. The findings of the study, obtained through content analysis, adopting a comparative approach, suggest that, by expressing and evaluating such fundamental and post-colonial concepts as ‘other’, the core and the periphery, gender, beliefs, freedom-seeking, and the fight against colonialism, the writers have sought to show their “selves” and “other” or the core and the periphery.

Abstract Each literary work is a sign of its writer’ ideology and thoughts, and is based on the social and political context of the community. Reza Baraheni, the author of the Novel “Mysteries of My Land”, as a social reformer, influenced by the atmosphere of the ruling community in Iran, especially Tabriz during the years from 1959 to 1979, expressed his social-political ideas with the aim of reforming society. Thus analyzing the writer’s thoughts is important from the point of view of post-colonial literature. The present study is done via the content analysis method to investigate the intellectual themes of the novel, such as tradition and modernity, social disadvantages, status of women in society, Self and the Other, apolitism, lack of self-esteem, and subaltern and hegemony, and anti-colonialism .The research results depict that this novel, drawing on the components of post-colonial literature, illustrates themes such as the confrontation between tradition and modernity, the male dominance of the traditional society, western subaltern and hegemony, moral issues, lack of self-esteem, and identity fragmentation. But, on the contrary, relying on mythological beliefs and ideas to achieve the former identity, the novel also promotes the struggle against the belief in the supremacy of Western race as well as anti-colonialism.

Les Soleils des Indépendances, est considéré par beaucoup de critiques comme le livre fondateur de la littérature africaine de la langue française. Ce roman a représenté une rupture radicale, par sa forme et son contenu, avec des règles courantes chez les écrivains africains francophones qui depuis longtemps étaient restés fidèles aux modèles anciens. Ahmadou Kourouma a transgressé la structure de la langue française pour y mêler sa langue maternelle. Par cet acte il a inventé une nouvelle forme de roman africain. Avec ce roman, Kourouma a critiqué le règne despotique de ses compatriotes parvenues à la richesse et au pouvoir politique après la colonisation. Dans cette étude, en nous inspirant de lOrientalisme dEdward Saïd, penseur palestinien et Littérature francophone et Théorie postcoloniale de Jean Marc Moura, nous avons essayé de trouver une réponse à ces questions: Comment peut-on trouver les caractéristiques de la littérature postcoloniale dans Les Soleils des Indépendances dAhmadou Kourouma? Comment Kourouma a représenté sa société africaine? De quelle manière il a fait un mélange de ces deux langues dans son roman?

The post-colonial literature often opposes the instructions of the Colonialism Era and discusses the impacts and consequences of the liberalization, and investigates the procedure of the developments and the political-cultural independence of the people who have torn the chains of the colonialism. This literature also literarily analyzes the texts of colonial and ethnic tendencies. With its background of colonial experiences and its present post- colonial culture,Indiais a comprehensive subject for post- colonial studies and the resulted impacts. In fact, the post- colonial literature inIndiameans freedom from the old cover of the Western thoughts and paradigms, and the emergence of awareness and new intellectual concepts that make "self- expression" important. The post- colonial period inIndiahas resulted in shaping new identities and cultures that through studying and surveying the colonial period attempt to re-explore their marginalized identities and cultures and to constitute a modern society by creating new mental and analytical structures based on the Indian culture. Indeed, the Indian writers have challenged even the post-colonial definitions and parameters, and although in the majority of theBritain’s colonies the English language has been the language of the literature of the post- colonial stage, the Indian writers have developed their indigenous languages along with it. Emergence of the post-colonial literature inIndiais the authentic representation of these attempts and developments. In this article, the authors examine peculiarities of the post- colonial Indian literature, as well as the language, culture and identity in the post-colonial literature inIndia.