جستجوی مقالات مرتبط با کلیدواژه « خاک » در نشریات گروه « ادبیات و زبان ها »

In this article, the nature of the four elements that make up Giti (water, wind, earth, and fire) is examined in the view of ancient Iran and Iranian mythology, and according to the belief of the divine (Ahriman and Ahuramzda) hidden in the four elements; The specific class position of these elements has also been investigated. In this essay, on the basis of masculinity; Also, the clarification of the mythological and Pahlavi texts on the femininity of the two lower elements of water and earth against the masculinity of the elements of wind and fire has been extracted with the reflections of this belief in the national epic and in the stories of the Shahnameh, and based on that, the parts of Nemur are dark, dirty and German and have Undesirable features are associated with inferior elements that are considered feminine and are considered demonic manifestations. According to the distance and proximity from Ahuramzda and Ahriman, the four elements have a noble position and are divided into male Ahurai, female and lower Ahrimani elements.

In this research, a descriptive-analytical method based on the library method has been used.

The dualisme face of the elements is manifested in three forms in Ferdowsi"s Shahnameh including divinity face ,dualisme face and devilish face .This paper has extracted all three different forms and faces of these elements through the poems of Fersowsi Shahnameh .

The present paper has concluded that there are all three faces of the four element including divinity ,devilish and dualisme face in shahnameh.

In ancient beliefs, the four elements of nature formed the basis of the world, and in fact, they are the elements that are tied to the creation of existence in human culture.
The aim of this research is to compare the topics related to the four elements of nature in the selected poems of Afshanah Shabannejad (Persian poet) and Suniye Saleh (Arabic poet) after brief introduction of these two authors. Nature is separately investigated and the method of dealing with these concepts is mentioned with examples
In this article, the frequent interpretations of the poets in question about nature are discussed, and from a quantitative point of view, Arab poets create works more than Persian poets, while Persian poets use soothing and cheerful words in contrast to Arab poets' use of words. Harsh, fear and illusion, he has created more qualitative works
Undoubtedly, nature and its manifestations are one of the main foundations of the poems of Suniye Saleh and Afsan Shaban Nejad, and in this article, using the selected sources of two child and adolescent poets, a comparative study of the four elements of nature (water, wind, earth, and fire) and some words and Interpretations related to the elements of nature have been discussed.

One of the fundamental and abstract concepts in literature is the concept of who and what God is and how it is semantically reflected in the world surrounding it. The poems of poets are the most obvious manifestations of this perception. The four elements are among the objective and natural creatures whose origin of creation goes back to a constructive thought. God, birth and death, resurrection, etc. are manifested in various reflections of natural elements. This article presents a summary of a detailed research on the soil in children’s poetry and its semantic reflection in some poems by Mostafa Rahmandust, as a witness, addressing the age groups of eight to eleven. Such research can be considered in the development of spirituality, art and creativity of children, as well as educating them to form a more accurate view of the concept of God and receive a semantic reflection in nature. Indeed, it is pondered as an indirect way to make the concept of God-seeking more attractive and practical in children.

Earth is the symbol of coldness and renewal, the dead go underground to renew and reappear in a new form; in other words, the earth is the mother of the universe and the soil is a ground for fertility and human life. According to many verses of his poetry Divan as well as his Masnavi Hadiqat al Haqiqa, Sanai Ghaznavi is well acquainted with the ancient culture of Iran; the mythological themes are reflected in his poetry. By using descriptive-analytical method, the present article intends to examine the mythological themes related to earth in the works of Sanai Ghaznavi. The results show that Sanai, relying on rich sources of Iranian mythology and Islamic culture, has well illustrated the myths of life and creation from the earth in his works; also, he was also fully aware of the relationship of the four elements, including soil, with other elements and with the four temperaments.

The present paper endeavors to find a relationship between Khayam's philosophy and his mythology. Because it is found out that the selection of poetry for his ideas according to the relationship between poetry and mythology has been out of consciousness simply because there are various signs that prove his mythology such as mythological time, rounds and cycle of drinking wine, flowers and grass growing out of earth and then being turned into soil again, pottery and pot, witnessing the body parts of human beings out of suspended dust in the air, and the like. Explanation of mythological insight is not possible except through literature and poetry. Else, due to the signs related to earth, it is highlighted that Khayam's inclination is towards earth because according to mythologists every artist, writer, and poet tries to choose one of the four elements of life. We believe that Khayam's element is that of earth so that we strive to prove it via the signs extracted out of his quartet. Thus, the research methodology has been quantitative and descriptive and the relevant information has been provided through library studies. The purpose of writers has been more on proving Khayam's mythology with an emphasis on earth. The outcome has been Khayam's inclination on such a generative element as earth.