جستجوی مقالات مرتبط با کلیدواژه « شگرد » در نشریات گروه « ادبیات و زبان ها »

Humor is one of the most effective critical strategies in poem and prose. Some humorists use this kind of literature in order to reveal and reform the discursive, behavioral and intellectual deficiencies of a person or society. In so doing, they use a sugar-coated pill so that the audience would willingly accept it. Akbar Eksir is a contemporary poet whose works intermingle with humor through the employment of a simple, mild, and artistic language. He reminds us of the individual and social problems, hoping that they would be resolved. This research project aims to study the techniques of humor in Eksir’s poetry, trace some samples for each and then analyze them. The results of the study show that his books "Please Sit Down, Dear Chair", “Honeybees Have Got Diabetes", “Dead Pistachio Is Crushing Silence", “Fertile Grasshoppers", “Malaria", and “Makataonashim” have used some methods like hyperbole, understatement, incongruity and comparison, linguistic plays, surprise, inverted collocations, etc. The results show that linguistic plays and incongruity/comparison are the most widely used methods.

Humor is one of the most important literary genres, which has been the subject of criticism of social issues throughout the history of literature in the land, especially after the constitutional movement. In addition to analyzing themes and targeting humor, the study of satirical works can also explore humorous techniques, which are effective in understanding and understanding audiences and in furthering their study of satirical works. Reza Rafi is one of the contemporary satirists of our country, who has satire on poetry and prose. He uses a variety of humorous techniques to convey his critical views of the country"s economic, social and cultural disruptions, which both make the audience laugh and punish officials. Although Rafi has a passion for social justice and freedom of expression in the role of a committed comedian, his humor is sweet and unmistakable. The present paper, organized in a descriptive-analytical manner, examines the themes and objectives of the Harf e ezafe book, the triple linguistic, rhetorical, and situational techniques of humor. The result of the present study, however, is that the benefit of most of the humorous techniques, especially the use of slang and colloquial language, in linguistics and transcendence, and the rhetoric of transcendence and the creation of humorous situations have been profited by the description. The authors have not been unaware of other satirical techniques such as irony, novel writing and contradiction in Rafi "Harf e ezafe" and have examined appropriate examples of the mentioned categories.

Folk tales and lyrical literature are of the most extensive areas of the fantastique. «Homaay and Homaayoun»، one of the oldest love poems، has been able to bring these elements together though the presence of these elements in works of poem is less than that of the works of prose because there are restrictions in terms of weight and rhyme in the verse. Providing a brief introduction on Khajoo-ye Kermani and his works، the author of the present paper attempts to review the type of the story، semiotics of Fantastique stories، pattern of the fantastique، imagination of the real and imaginary characters، tips of the pattern، supernatural places and buildings، etc. in the lyrical poem of «Homaay and Homaayoun» and show the intellectual and cultural richness of the lyrical literature in the area of ​​Iran، and the superiority of this story over its contemporary verse and prose fictions.

Since a long time ago, poets and orators used various knowledge sources and human sciences to express thoughts, intentions, and their intellectual achievements. For instance, they utilized natural and supernatural elements and names of geographical places as the sources of their artistic creation. The old poets and orators, which are known as the laureates and frontiers of classic literature, used the names of the cities, mountains, rivers and famous places like palaces and places of pilgrimage in their poems to make their works more elegant and more artistic. Using these geographical names for making images in the poems not only preserves and saves the name of these places but also it facilitates the reader’s comprehension and understanding. This article aims to investigate and analyze the imageries created by geographical names in Naser Khosro poems, the representative of Khorasani style, and Khghani poems, the representative of Iraqi style, to show the changes in the contents involving geographical names and the frequency of geographical names in these two styles. The analytical method is used in this study and some verses have been collected from Khaghani and Naser Khosro poems then they have been categorized and compared and finally analyzed.

The look, feel, vision, interpretation, all these factors are combined in a common area: The point of view. It looks like a great camera and guide us to enter into the most hidden aspects of previous worlds or characters, sometimes it keeps us away from all this happening, like spectators in a stadium. Can we reach a common definition? Like all definitions related literature or discourse, the notion of perspective has a definition uncertain.
Each story is told in a way that could be presented under different points of view. This shows how the author presents his story, his history to the reader. In fact, the point of view itself is the story with which we present and tells the subject of the fiction. Types of point of view will be varied according to the type of narrative. It should be added that the point of view that the author chose will have a remarkable influence on the personification, the genesis and development of the plot, style and staging.
In this article, we will introduce some concepts and theories of some theorists, semioticians and French contemporary critics and, perhaps most important, the notion of point of view, its margins, its role in the story or in general in all contexts, whether literary or political, social or communicative.
The purpose of this article is to study the role of point of view in the narrative configuration and acquisition strategy from which we can analyze the speech in the deepest layers.