جستجوی مقالات مرتبط با کلیدواژه « لف و نشر » در نشریات گروه « ادبیات و زبان ها »

Aesthetics is an ability to better understand perceptions as well as phenomena such as music that causes a change in a person's mood and attitude. In fact, the definition of beauty can be very broad or very narrow. Some have tried to define beauty in an objective matter especially to search: for example, in different types of art, objects, nature and other subjects. But the aesthetic value of a work becomes perceptible when it can present itself to the observer as an art independent of the mind and make her mind active. Because the areas of aesthetics are one of the prominent theories in aesthetics, which is considered a subset of linguistics. This research was conducted with the aim of investigating the content elements and functions of Qazdari's poetry and their effect on the prominence of the concept of her poetry and inducing its meanings to the audience has given a special meaning and its purpose is to explain what beauty is and how we understand it and also to analyze those beauties has been used. The data of this research has determined that: Qazdari has never sacrificed the content and theme, including the beautiful features that can be mentioned in Qazdari's poems in order to induce concepts and content. They talk about the science of her poetry.

The essence of art, including literature and poetry, beauty and Scholars of rhetoric know, a novel as an arrangement of words .The clever poets in beauty secret are aware of the requirement Words and this article is going to be reviewed  and analyzed the poems of Mazandarani Fadaee which is decorated by Ashoraee’s flavor from the aspect of Oratory, arrays, opacity, and Epanodos (traditional novel) and Paradox (New Novel). In Fadae’s poems, array of amphibology has a special prominent and it has the most frequency. And proportion opacity was observed in some lines. In his poems, array of opacity in the form of nature elements and religious ritual are artistically seen. It sometimes used expression and musical positions in the form of opacity for declaring the thoughts and religious Contents. It is concluded in “Epanodos ” section that Epanodos has the most frequency in the lines which the beauties of Ashoraee was investigated and in this realm ,the poet also writes  the nature elements and its relation to the enormous event of Ashora and sometimes the other components. More “Paradox” is presented in two cases of Documentary s and expressive composition which Ashoraee has no frequency in the aspect of beauty and finally the array is investigated which sometimes apparently sense is related to mental and sometimes both of them which totally has a middle frequency.

All poets, more or less, Pay attention to the beauty of language in their Poetry. However, figures of speech are much more frequently used by poets in sonnet and ode and less in other literary genres, especially in couplet-poem. Nesari Tooni, a poet living at the time of Saffavid dynasty, has mixed the beauty of language with eloquence and rhetoric in his couplet-poem anthology entitled`Sarv & Tazarv` (cypress & pheasant). This has made his poetry, in this couplet-poem, beautiful, elegant and artistic. This article intends to investigate instances of rhetorical language in his poetry.

In the verses 30 to 33 of Chapter Sad of the holy Qur’an, the story of displaying the high-breed horses before Solomon has been explained. In the verse 31 of the same chapter, we confront with two idioms i.e. Safenat (horses stood on three legs and the extremity of the fourth leg's hoof) & Jiad (high-breed horses) that have different meanings from the viewpoint of their exegetes. And, the verse 33 points to wiping of legs and necks of horses. It seems that there is a fine relationship between verses 31 and 33. This relationship is a kind of sorted complication and explication which is between "Safenat & Jiad" in the verse 31 and "Legs & Necks" in verse 33. These rhetoric figures of speech not only beautified the verse but also enriched its meaning.