جستجوی مقالات مرتبط با کلیدواژه « baroudi » در نشریات گروه « ادبیات و زبان ها »

Music is one of the most prominent poetic elements in the literature of any nation. Meanwhile, the literature of some nations such as Persian and Arabic literature have the same musical elements in their poems. In this study, we try to analyze the poems of two prominent and contemporary Arabic and Iranian poets, Mahmoud Sami Al-Baroudi and Malek Al-Shoarai Bahar to reveal the use of music-making factors in the poems of these two poets. To achieve this goal, the music of their poems is examined from two important aspects: external music (weight, rhyme and row) and internal music (Jenas, repetition with the sub-branch of phonology, repetition of the word and repetition of syllables, as well as Rad Al-Ajaz Ala Al-Sadr and Sadr). By this hypothesis, both poets have been able to compose sweet songs on their strings using musical instruments. The results of this study show that there are many similarities between these two poets.

Composing poetry originates from the refined soul of the poet and his subconscious mind. This artistic creation, since ancient times, has been of appeal and praise for mankind. A poet who finds himself at the pinnacle of art and literature becomes proud enough to kneel down to praise the glory of his art. This poetic Narcissism is remarkable in Baroudi's poetry, the pioneer of contemporary Arabic poetry. In this regard, the present study applies a descriptive-analytical method to analyze the phenomenon in his poems through identifying and explaining the artistic expressions of Narcissism there. The factors influencing Baroudi's Narcissism should be sought in his trainings, ambitions, career in military positions, and pursuit of the classical school. These features are manifested in his words and utterances with which he boasts about his modernism, reviving the poetic tradition, power of expression, gift of poetry, and supeiority of his poetry to that of others.

Mahmoud Sami Al-Barodi is one of pioneers of modern Arabic poetry and one of leaders of literary movement that his purpose was to revive the old poetical inheritance and to return the literature to its e honorable past. It was the school converting to prominent and unique one ,later. He attempted to compose wishes and to show the realities of society in his poetry. He must really be considered as the poet with classic style. He had all characteristics that the classical poet has to engage in political , social and cultural issues of the society. Although this approach prevents from attending to feelings , internal affections and its expressing in his poetries. This approach can be seen in his collected poetry whether the description of nature or love , sadness, and eagerness to homeland. This study seeks to reveal such characteristics in his collected poetry on the basis of descriptive-analytic method.

One of the common features of two nations, Iran and Egypt, in the contemporary era is literary and political awakening that has led to the emergence of committed poets who have always followed the interests of the people and society. Among the most prominent of such poets are Egyptian poet Mahmoud Sami el-Baroudi and Iraian poet Mohammad-Taqi Bahar. They can be the most prominent Mahmoud Sami Al-Baroudi and Bahar noted. This article aims to explore common vocabulary used by the two poets. The most important items include: vocabularies of nature, political awakening, grief and unity.Both poets use revolutionary, motivating, and pure and non-pure political rhetoric effectively. Mahmoud Sami el-Baroudi uses more verbal sentences whereas Mohammad-Taqi Bahar focuses on the vocabulary of national spirit and the invoking of historical figures. Furthermore, both poets deploy direct and indirect vocabularies of unification in the form of plural pronouns to lead the society toward empathy and unity. The two poets also use nature vocabulary in metaphorical terms or as symbols in political and social poetry. Grief vocabulary in the poems of the two poets manifests itself through truthful expressions associated with a sense of bitterness and despair about the future.

In this article, we have tried to clear the concept of Baroudi’s poetical oppositions. Because there are some disagreements among many critics about the fact of his poetical oppositions as some believe that it is a pure imitation of past poets while some others believe that it made an innovation in his poetical oppositions. So we are going to find the fact of his poetical oppositions. In this respect and to discover the truth, odes with which he opposed past poets were studied and at first his poetic style was dealt. And then we expressed the most important features of his poetical oppositions. Finally, we compared one of his poetical oppositions with Abouforas's poems to determine his style in poetical oppositions with past generations. With these introductions, we analyzed his oppositions in imitation and creation and tried to characterize his success level in poetical oppositions with emphasis on two key elements of literary action: “form and “content”. At the end of this study it was concluded that Baroudi has kept his own poetical style and characteristic in his poetical oppositions and that most of the time the ode with which he opposed were the only sources of inspiration for the flourishing of his poetic experiences.

Intertextuality is one of the new criticism approaches which studies the relationships between texts. This new approach entirely changed the attitudes toward texts. According to this theory there is no constant text. Texts are the result of some former works or the works that are contemporary whit them. Mahmud Sami Barudi who is the leader of modern Arabic poetry with his going toward Arab classic texts especially poetry of Jaheli, caused modern Arabic poetry revolution in the view point of intertextuality, his going toward poetries of the age of ignorance and ancient Arabic valuable texts, has a beautiful and unique form and confirms this theory that Barudi with his going toward Arabic classic texts, could revive Arabic poetry. When the reader look at these two poetries would found that the claim of Baruodi poetries intertextuality whit the poetry of the jaheli is true.. According to his intertextuality criterions are in the appendin of parallel negation.

Mahmoud sami baroudi, a celebrated Egyptian poet wasa pioneer of innovation. He could bring back the beauty and freshness to the Arabic poetry. Since he was brought up in a religious family and since he considered moral refinement as an output of literature, he tried to teach principles of Islam in his poetry and to propagate social, religious, and moral values among people such as: romise fulfillment, virtue, orayer, trustworthiness, liberality, bravery, and so on. Thispaper will try to discusssomeof thesevaluesin thepoet sworks.

The Egyptian Neoclassic poets were the first poets who could save poetry from the calamities befallen them during the age of decadence and put it back on the right course once more. In this article attempt is made to analyze the poetry of three well known Neoclassic poets, namely, Baroudi, Shawqi, and Hafez Ibrahim. Traces of modernism is more evident in their works than their contemporaries.
While using the classical Arabic system of meter and rhyme, and also forms, the poets wrote to express new ideas and feelings unknown to the classicists.