جستجوی مقالات مرتبط با کلیدواژه « charles baudelaire » در نشریات گروه « ادبیات و زبان ها »

Romanticism is a literary movement that developed in Europe in the late 18th century and had a considerable influence on the literature of various countries around the world. This movement emerged in Iran after the coup d'état of 28 Mordad, 1332. Prominent features of this movement in literature include an interest in the past, nature-oriented themes, imagination, and fantasy. However, "Black Romanticism" is slightly different from these features. Among the most striking characteristics of this trend, we find pain and despair, poverty and hardship, sin and hell, thoughts of death, opium, and so on. For this reason, it sometimes happens, when studying literary works from different cultures, that the poems of certain poets bear a striking resemblance to each other. For example, one can mention Charles Baudelaire, a 19th-century French poet, and Nosrat Rahmani, a 20th-century Iranian poet. Reading the poems of Nosrat Rahmani evokes certain verses of Charles Baudelaire, which attests to his influence from this famous French poet. Charles Baudelaire and Nosrat Rahmani are both famous as "poets of the black city" because they were primarily influenced by the social and political conditions prevailing in the society in which they lived. In fact, both poets provided a platform to express the suffering, sadness, and melancholic atmosphere of their time. The purpose of this article is to examine the salient and common features of "Black Romanticism" in the poems of two French and Iranian poets in order to show why these two poets are recognized as the "poets of the Black City".

Defamiliarization is a mode of expression different from everyday language in order to highlight an expression, make it strange and different from everything that is familiar and known, and includes all the process that the writer or poet uses to make a text unusual in the eyes of its audience. French symbolist poets, including Baudelaire, began to create a new literary expression and abandon the traditional technique of poetry, thus giving priority to form; by using unusual and unfamiliar structures, they tried to challenge readers' normal understanding. So, since symbolic poetry is full of literary, linguistic and semantic ambiguity, it seems necessary to address its obvious and doubtful aspects. The present study seeks to analyze the poem "Swan" by Charles Baudelaire, French symbolist poet, in order to discover, according to an analytical and descriptive approach, its foregrounding and the defamiliarization processes used, based on a formalist perspective. Thus, within the framework of this article, the processes of defamiliarization and the linguistic enhancement of mentioned poem were studied at different levels: lexical, syntactic, semantic and phonetic. The research results indicate that in this poem the deviation from lexical and semantic norms is used in its broadest form, and the use of mythological images, figures of speech, alliteration and assonance has led to the foregrounding of this poem.

The nineteenth-century French poet, Charles Baudelaire, always sought a utopia towards which he could set out on a journey and leave this corporeal world of pain and sorrow behind. And this journey was possible only through death.
Baudelaire, the forefather of modern poetry and also the founder of the Symbolism school, with his creative mind, composed symbolic poetry through which he presented novel and symbolic concepts of death.
Symbolism means to use a concept to represent another and also to use tangible and concrete images to express abstract emotions and thoughts. A word or a picture is considered symbolic when it refers to something different from its direct meaning and literal sense.
Despite an unpleasant image of death depicted in many works of world literature, he warmly embraces death. In his poetry, not only is death a nasty and life-taking concept, but it also enjoys a high status and is particularly regarded.
The question is which words symbolize death in the book of poem “The Flowers of Evil”. This research studies not only the exact word of death but also the other words that are symbols of death.