جستجوی مقالات مرتبط با کلیدواژه « ibrahim nasrallah » در نشریات گروه « ادبیات و زبان ها »

Literary genres in the contemporary period, especially since the use of narrative techniques by contemporary poets, have got intertwined, and poets have used narrative techniques for aesthetic purposes and connecting them with meaning in poetry. With regard to this, this study examines the contemporary prose-odes of Ibrahim Nasrallah and the interaction between contemporary poetry and narrative techniques in order to analyze their aesthetic and semantic features. The study adopts a descriptive-analytical framework in order to both extract narrative techniques from contemporary prose odes and explain why the poet does not depart from the structure of poetry and prose odes despite the use of story-telling techniques. It finds that the mixture of real and emotional dimensions in Ibrahim Nasrallah’s poetry is due to the Palestine case which forms the main real part of his poetry. The poet's narrative techniques are aesthetic devices to communicate the aesthetic and semantic dimensions of his odes. In this regard, the poet’s poetry responded to narrative elements, built upon several techniques and methods that express his vision, ideas, and emotional state. His style consists of literary aesthetic and semantic development in order to cover spaces, contexts, and semantic gaps, as well as a dense plurality of transferring images and narrative profiles in order to expand the poetic text towards worldview.

In this study, we want to discuss analytical method and relying on structural and semantic aspects of empowering palestinian poet lyrics nasrallah , To understand how the beautymaker axes the superstructure, and the construction of deep thoughts and emotions to induce resistance towards Palestine and reflect the concept is used? And how these axes is distinct language and content of his poetry. The results show that the surface structure to avoid recession fades nasrallah in ordinary language, the art techniques, rhetoric and composition to highlight new vocabulary word is used and has provided beauty of poetry. The readings also showed deep structure is based on his poems Palestine, Palestinian suffering and human tragedy, resistance, defiance and hope for the freedom to form. The construction of meaning is one of the tools that conscious poet richness of poetry, to contemplate forcing the audience and instill a sense it is used.Keywords: aesthetic, structural-semantic axes, resistance poetry, Ibrahim Nasrallah.

Grimmas' semiotic approach focuses on the relationships between the actant in the text to identify the poles of conflict and what helps them and what opposes them, the motives that motivate the emergence of the conflict.The novelist Ibrahim Nasrallah foresaw the future danger to the fate of man in his conflict with those who are similar to him as well as those who disagree with him, in his novel " The Second War Of The Dog, and he used a lot of emperical methods and techniques, and intertextuality was one of the techniques employed by the writer keeping pace with the continuous human conflict throughout history.This study came with a descriptive analytical approach adopted the semiotic approach according to the theory of factors of Grimas, to reveal the forms of religious and literary intertextuality in the novel and how the writer employs them to produce semiotic connotations, and to indicate the areas of innovation in treatment, and the application of mechanisms of work of the actantial model and the semiotic square in analyzing the semiotic relationship between the narrative structures selected from the novel with the story of the two sons of Adam at the religious level, Brecht's play "The Rule and the Exception" is on a literary level. Some of the results of the study is that intertextuality was substantive, dialogical, external and internal, declared and hidden, and evoked the ideas, actants, connotations and contents, in a new style, technique and treatment, exaggerated violence and savagery

In his narrative text entitled “The Second War of the Dog”, the Palestinian novelist, Ibrahim Nasrallah, has reviewed the Palestinian people’s hardships in an imaginative way and used language forces to reveal those hardships. The text of this novel deserves syntactic and rhetorical analyses due to the aesthetic revelation of its questioning style, which, together with its varied types, accounts for the most important questioning styles utilized for arousing the audience's emotions, improving aesthetics of the text, further impressing the audience, and strengthening the meanings in their minds. Therefore, men of letters have constantly wanted to employ this style in their literary works because of its wider range of inferred virtual meanings compared to other styles. Using a descriptive-analytical method based on statistical stylistics, this study sought to reveal the hidden rhetorical meanings of its questioning style and assess the extent of fit between its question tools and three levels of language, i.e., storytelling, description, and dialogue, as well as expressing the most important aesthetic aspects of this style for conveying meaning to the audience. One of the major results of this research was that the narrator had often employed a questioning style at the level of dialogue since the characters of the novel often used to dispute for being surprised by the existence of similaritis and doubts and not being able to distinguish between them and reach the truth. This style was found to be mostly used for conveying the two meanings of negation and denial since they so well fit with the pessimism atmosphere prevailing in the novel as they could reveal the political, economic, and cultural opportunism of the novel's characters depicting a new generation that worked only for its own interests, regardless of the public interest of Palestine.

The novel Sharafat al-Aar narrates the lives of characters with different inherent and acquired capitals and talents who compete and play together in the common field of cultural production based on their character and capitals, or on the opposite side. They play a role to achieve a symbolic status in the social space. The nature of this research method is descriptive-analytical, relying on Bourdieu's sociological concepts. Findings show that the discourse of debauchery is weak in terms of ownership of cultural capital and very rich in terms of social and symbolic capital. Negative social capital in this discourse becomes actions that reproduce betrayal and violence, and the true discourse of religion, despite its intellectual character, achieving social status and the acceptable richness of cultural and economic capital, Faced with a hot crisis of stigma, the “murder for the defense of dignity” rule is removed from the scene under the rule of legitimacy.

What is worth noting about Naji Ali’s caricature is that the two types of interconnections between literature and art are evident in these works, because the scenes and illustrated images are often associated with multiple expressions. The Images also have semantic and readable dimensions. In the novel, "Zaytoun al-Shawarah" (Ibrahim NasrAllah) we find that in his descriptions, satire and symbolic expressions are vastly used. The author, who innovatively recreates and uses these borrowed caricature images all over the novel, signifies his creative thinking. The cryptic symbols of both authors are not merely summarized in the description of the scenes but in the symbolic characters of the two works, for example, the character of a woman as a symbol which also appears. Hence, Naji Ali symbolizes the home of the woman, with an idealistic view and she represents Palestinian stability and he portrays the character of a woman as a sacred person. This is while Abraham NasrAllah imposes bitter realism and naturalism on the character of his work to symbolize the occupied land, and he reflects the reality of the life of the Palestinian refugee. In the symbolization of the character of a woman, occasionally common symbols in Ebrahim NasrAllah's novel and the caricatures of Naji Alis are found and sometimes these symbols contradict each other. This research employs a narrative analysis method in the analysis of personality. It also relies on describing.

The Study of the Rhetorical Aspects of the Image in the Collection of 'al-'Amal al-Sha'riya "by Ibrahim NasrallahAbstract:Ibrahim Nasrallah is one of the prominent personalities of the Palestinian Resistance Literature who, through the arts and rhetoric of the image illustrate human experiences and a narrative of love and struggle, suffering and grief, perseverance, hope and all that The Palestinian man goes to the audience for his works. In this regard, he has used the potential of language and literature to interpret and adapt poetry to meet the needs of his audience. This research, in a descriptive, analytical, and statistical manner, presents a rhetorical study of Nasrallahi's "al-'Alma-al-Sha'ri'a", which explains how the influence of the poet's poems on how to transfer his thoughts to the audience has been made? It's worth considering that Ibrahim Nasrallah has consciously benefited from a wide range of images in order to beautify the poetry and thus induce his thoughts and affections towards the Palestinian people. His portrayal of poetry reflects the power of the poet's semantic and imaginative transfer of emotions toward Palestine and serves the supreme human values and, as a result, has a greater influence on the audience, thereby leading to the rhetorical and rhetorical beauty of his poetry. .Key words: Palestinian Poetry, Visual Effects, Collection of al-'a'mal al-Sha'ri'a, Ibrahim Nasrallah.

Fiction literature is constantly changing, and various schools have emerged in this field. The novel is the most prominent type of fiction and the product of a new era that has been accompanied by a wide range of progress and innovation in social, cultural and economic fields. Fiction literature evolved under the influence of this multidirectional growth. According to the requirements of each period, various literary schools emerged in the field of fiction. At the beginning of the eighteenth century, due to certain social and cultural conditions, realistic novels gained more attention. They focused on people and issues such as poverty, misery, jealousy and suffering and considered the reality of the matter and observation of accurate details regardless of innovation and imagination. With economic progress, cultural growth, and the emergence of modernism at the beginning of the twentieth century, however, novelists shifted from socialism and simple expression to individualism, attention to man himself and his mind, and complex and difficult language. Therefore, the writers of modern novels abandoned the common traditional language because they saw pleasure in unconventional expressions. After the world wars and the growth of population as well as the complexity of man’s life, modernist ideas became monotonous. So, with the advent of postmodernism and the requirements of the new age, a revision of modernist thoughts and lifestyles became necessary, and postmodern writers creativel started writing new works with different plots, narrative styles and writing techniques against normative rules. Meta-fiction is a type of postmodern story that is very different from pre-modern novels. Its most important feature is a conscious acknowledgment of the fabrication of the story. The postmodern current gradually entered the Arabic language and literature, and many Arab novelists such as Najib Mahfouz, Zakaria Tamer, Amjad Nasser and Majid Tobia turned to this new style of storytelling and wrote original postmodern works. Ibrahim Nasrallah, a well-known Jordanian writer with a Palestinian origin, is one of the authors whose postmodern background is evident in some of his works, such as "Barari al-Hammi", "The Child of Al-Muhamah" and the novel Harb al-Kalb al-Thani. This novel won the Arab Booker Prize in 2018 as a work that has fantasy and imaginative themes and narrates a full-fledged world war known as the Second Dog War. This article seeks to examine the storytelling technique of Ibrahim Nasrallah in this novel, to criticize its meta-fiction features, and to explore the purpose of using this storytelling technique.

This study is done in a descriptive and analytical manner based on library references. First, by enumerating the features of meta-fictions and explaining the structure of such novels, some meta-fictional features in the novel Harb al-Kalb al-Thani are examined. As a definition for meta-fiction novels, meta-fictions, unlike pre-modern novels that tried to depict the external and real world, do not reflect the real world. In fact, they consciously draw the reader's attention to their artificiality. Exposing industry and mocking precautions of fiction are the most important features of meta-fictions, which raises ontological questions about the relationship between the world of the text and the world outside the text (i.e., the worlds of the writer and the reader) (Waugh, 1996: 4).

The results of the novel analysis are as follows: - The novel Harb al-Kalb al-Thani is a genuine meta-story that has the main components of a meta-fiction. - The author has used meta-fiction techniques of short connection, multiple ending and printed and written playfulness to connect the text and the reality. He has also created a short connection in this novel by entering the text, assigning a role to the audience, using literary criticism terms and referring to the method of storytelling. - The author of the novel shows the reader that the novel has been made using meta-fictional techniques and reminds him/her that he/she is studying a pure story. The events of the story and the characters are imaginary and do not exist in the real world. - By entering himself and the reader to the story, the author denies the god-like authority of himself. Also, by creating a free ending, he has culminated the uncertainty that is visible in the whole structure of the novel, giving the reader the ability to make many different interpretations and to contribute to the creation of the story. The author emphasizes the novel's visual and physical dimension and the storytelling in general through printed and written playfulness in the text. He shows that the novel is a collection of printed words; the words and characters that flow from his mind. With this narrative style, he puts his audience between imagination and reality, hegemony and extravagance. He depicts the destructive competitive sense of humanity in the 21st century. By avoiding mere realism, he conveys his messages in the text of the novel in such a way as to challenge the reader's mind.

Sociological criticism of literature is one of the new methods of literary criticism, the systematic and scientific formation of which dates back to the beginning of the nineteenth century. According to the experts in the field of sociology of literature, each literary work is an artistic expression of the social events of its time. In this method of criticism, the structure and content of the literary work and its relationship with the conditions of the social and political environment, the worldview and attitude of the author of the work, and how the image of society is reflected in his fictional and artistic world are examined. Postmodernism is also one of the new approaches of the contemporary century, which implies a broad semantic sphere, including art and literature, culture, politics, and economics, and represents a new phase of developments in human history. This research tried to study the socio-political ode of the Fadhihat al-Thalab by Ibrahim Nasrallah, one of the most prominent poets and writers of the Palestinian resistance, and to evaluate the aspects of ideological postmodernism in it. The research method is descriptive and the data analysis method is qualitative. The results showed that although the poet has used the formalities and techniques in terms of formal and technical aspects that make his poetry one of the postmodernist works, but in terms of content and semantics, relying on his ideological attitude, he has strayed from some rules of postmodernism and has used them for spreading his beliefs. In this ode, Ibrahim Nasrallah has tried not to leave the framework of his beliefs while creating a literary work in a new form. Thus, by highlighting the various aspects of American arrogance, he has criticized the imperialist thinking of this country.

As one of the achievements of modernity in culture, the novel has been able to be a suitable literary expression tool for the inhabitants of different cultures to represent the events around them in an imaginary space with metaphorical language. Ibrahim Nasrallah (Palestinian Author) won the 2018 Booker Prize for this novel: “Harb al-Kalb al-Taniyah” (The Second Dog war). This novel focuses on the human capacity for savagery. The strange events that take place in the novel are symbolic of the social changes that have taken place in recent centuries around the world, and provide us with an insight into the future of humanity. The novel uses the science fiction genre or magical realism to narrate its plot. The story line addresses the social anomalies and savagery of buying and selling human souls and the destruction of human and moral values, not only in the Arab world but also globally. In this paper, the novel is examined from the perspective of deconstructive critique using the descriptive-analytical method. Accordingly, after a preliminary presentation of the novel and constructivist theory, the conflicts within the novel are identified and analyzed.

Indeed, the thought that forms the artistic egation in Syntax to Negation of Revolutionary Values: Aesthetic Analysis of Negation in The Second Dog War
view of the literary text organizes the syntactic composition in the text, so the only way to reach that thought is to understand the syntactic meanings derived from the syntactic composition. That is, whenever the view of pessimism prevails over the text, the meanings derived from the syntactic composition appropriate to that view prevail over the text. We observe this in the novel "The Second Dog War" by Palestinian novelist Ibrahim Nasrallah, which is dominated by pessimism, because the characters in the novel are very negative and opportunistic, In particular, the protagonist of the novel, Rashed, who transcends all moral and social values in the pursuit of her own interests, in such a way that she fights against the revolutionary values she fought for in the past, So she rejects all those values to the point that with the help of the officer, she changes from a prisoner to a jailer and cooperates with the officer with full skill in trading with humans. This denial of values and their rejection linguistically fits the style of denial So, this style has been used more in this novel than other syntactic styles in order to fit the pessimistic view of the novel and the three levels of language, including Narration, dialogue, and description. It is because of this pessimistic view that the style of negation has a high status in the novel, especially in the matter of similarities, which are becoming more and more present in the novel, to the extent that the distinction between the original things and their similarities despite their differences in nature, it becomes very difficult. This article seeks to examine the aesthetics of the negation style in order to reveal the appropriateness between the negation tools and the pessimistic view along with the three linguistic levels using analytical descriptive methods with the help of statistical style to conclude that the narrator in this novel, The negative style has been used 1759 times, thus 52%, which is quite commensurate with the prevailing pessimistic view of the novel and the resulting corruption of oppressive Palestinian systems, because in the novel there are negative opportunistic characters who do negative things in the way of realization. They benefit, especially the protagonist of The Novel Rashed, whose character is completely negative, to the point that he turns his positive character into an opportunistic negative character.

The most prominent literary characteristic of Ibrahim Nasrallah is the fact that he attempts to make unique works which attract readers and make them reflect on his poetry which has Palestine as its main theme; deviation from literary norms is considered as one of the tools consciously used by him to reach this goal. This study examines his poetry collection Green Wood in order to highlight the way his utilization of artistic methods and linguistic deviation, i.e. leaving the rules of standard language, provides him with a distinct poetic language which is able to consciously convey his ideas and feelings about Palestinians and express their pains artistically. The findings demonstrate that Nasrallah uses various ways to deviate from the common language in order to foreground his text. Reading the poems in the aforementioned collection affirms the fact that metaphor and hyperbaton are used by the poet more often than simile, synesthesia, and paradox and this shows his considerable attention to semantic deviation—a technique which he frequently uses in his works. This focus on semantic deviation demonstrates his power to create meanings for his ideas and feelings about Palestine and to present these thoughts and emotions to the reader. Furthermore, using new collocations and visual aspects of writing imply the power of his creative thought to visualize the meanings and transfer his concepts to the reader. Thus, in Green Wood, foregrounding and creation of new meanings by relying on linguistic tools lead to creation of dynamic speech and improvement of the literary value of the work; and while it makes the process of understanding of meaning lengthy, it makes readers distant from superficial understanding and involves them in a deep exploration for understanding substrata of meaning. So, semantic deviation plays a constructive role in this respect and as it has great influence on the reader.

Ibrahim Nasrallah, a contemporary Palestinian poet and novelist can be considered a famous and owner of a style writer in anti-colonial and resistance literature. One of his most important works in fiction is "Alhzyan progress" novel. The importance of this novel is due to the author success in challenging the American discourse on democracy and human rights claims, promising a new era of global village with a post-colonial view in line with theorists and critics such as "Edward Said" . He asserts that the result is nothing but increasing the sphere of influence of America in the dominant neo-colonialism postmodern literature and by taking advantage of the most important contemporary events such as Collapse of the World Trade Center, Occupation of Iraq, the death of Muhammad al-Doura, George Bush Presidency and combining the real images of the events of the century and some texts. Ibrahim Nasrallah, referes to increasing awareness among people and strengthening the morale of resistance as the only practical solution to exit and escape from a world dominated by imperialism. This paper attempts to explore and analyze the critical and anti-colonial discourse in Ibrahim Nasrallah's novel "Alhzyan progress”.

Ibrahim Nasrallah is one of the renowned and prolific novelists and poets of contemporary Arabic literature who have been pioneer in both the fields. Nasrallah is one among modern novelist who in his work, through modern novel methods, highlights the pain and suffering of the Palestinians. The novel “Birds of Caution” is Nasrallah's first masterpiece of his six-volume collection "Palestinian Comedy", and is one of the outstanding examples of the contemporary Arabic fiction. In this novel, Nasrallah has revisited Quranic and religious characters. One of the structural and contextual features of "Birds of Caution" is the application of numerous heritages, specifically the religious heritage. Using this feature, he examines factors and events that led to the enslavement and displacement of the Palestinians. The concepts of caution and learning from other's misfortune are foundations of incidents and anecdotes in the novel where Nasrallah by merging them with hereditary concepts in the form of a comedy, expresses his thought. In the present study, the authors attempt to examine the indications and use of Quranic figures in the novel “Birds of Caution”.

This article tries to introduce Ibrahim Nasrallah one of the prominent Palestinian novelists along with his pivotal works. Nasrallah’s works which have been taken into consideration in the present research include “Birds of Caution”, “Baby of Eraser”, “Amene’s Brides”, “Only 2” and “The Watchman of Lost City”. In his works, Nasrallah has used various anecdotal methods such as magical realism, multi-anecdotal techniques; stream of consciousness by taking world’s famous novelists such as Saramago and Kotedra as his role models. We selected five above works of Nasrallah for introduction and literary analysis. In the literature written about Palestine and its events seems to be the best contemporary Arabic literary works. The method in this research is brief sign to themes of these novels then surveys the aesthetics sides and technical power point of this works.