جستجوی مقالات مرتبط با کلیدواژه « linguistic features » در نشریات گروه « ادبیات و زبان ها »

the Charonsor (four elements) of Bidel Dehlavi was written in Golestan following Saadi's style, Bidel's method in each of the chapters is the same as Saadi's method, i.e. mixing verse and prose. In terms of language, Bidel has used more market and slang words and has been more successful in making them real. In this research, the authors try to introduce the structure of the Charonsor of this work and compare it with Golestan in two linguistic and literary sections. The results of the research, which is carried out by the method of content analysis, show that the Charonsor are rich in verbal and spiritual arrays, the presence of different types of saj' and, accordingly, the balance, enriched the music of speech and made it poetic, and from this point of view, about It is very close to the prose of Golestan. In terms of language, despite the complexities and difficulties of the prose of the Charonsor, there are no unfamiliar and strange words - except for a few Indian words and expressions - throughout this work. One of Bidel's stylistic coordinates and innovation in the Charonsor is special combinations that have been very effective in creating words.

Mosarrahat ul-asmā’ is a bi-lingual dictionary‚ Arabic to Persian‚ written by Lotfullah ebn abi Yousef Halimi‚ ottoman lexicographer and philologist of the ninth and beginning of the tenth century AH (15 century AD). This book written in 872 AH (1466 AD) ‚ has nearly 17112 headwords, considering some of their Turkish equivalents (nearly 1180 headwords), we can somehow call it a tri-lingual Arabic to Persian and Turkish dictionary. Considering to emersion of this kind of dictionaries in the ninth-century‚ we can enumerate Mosarrahat ul-asmā’ as a pioneer in this field.In addition to carrying a variety of definition language, we can mention other features of this book including: presenting a comprehensive and complete definition of some headwords which is distincting from similar dictionaries, recording Arabization (to indicate pronunciation) of some of the Persian and sometimes Turkish equivalents that display outdated pronunciation of words, their local dialect or Turkish dialect, Using some rare and alternative pronunciation of words that represent their phonetic changes, Using rare and compound words, recording specialized medical words.

Haghaegh Al-Akhbar which is written by Mirza Jafar Khan Khormoji is one of the most important historical resources in Qajar’s era. Historians and researchers have often focused on the historiographical features of this work and have not paid much attention to its stylistic and linguistic features and place of this work in Qajar prose. Considering the importance of the discussion, knowing the linguistic and stylistic features of the book of Haghaeh al-Akhbar and its relationship with the historical prose of this period is a subject worthy of discussion, which requires a comprehensive and independent research to explain its dimensions. Therefore, this essay with its descriptive-analytical method tends to answer these questions: What were the stylistic and linguistic characteristics of Haghaeh al-Akhbar and what was its place among the prose and historical literature of the Qajar period? The findings show that Khormoji's stylistic and linguistic characteristics in Haghah al-Akhbar such as: the author's dominant tendency to simplistic writing, realism, while there are some prose and linguistic characteristics, the penetration of Turkish and Mongolian words, the use of Persian and Arabic proverbs and astronomical terms, the author's use of some literary arrays, the use of poems, Quranic verses and hadiths. It also shows that despite using some stylistic and linguistic features of the past texts, the author often kept his commitment to simple writing in different forms and by applying it in historiography, he created a fluent and He has created far from the usual artificial and complicated prose.

Mirza Nasrolah Ardabili is one of the most famous poets and mystics of the Neamato lahieh cult in the 13th AH century. He used Nosrat as his pen name and Nosrato lah as his mystic nickname. The subject of this research is to introduce one of the past intellectuals and some scripts of his Divan and his opems style. Also we wanted to find aneswers for the question whether there are significant figures of speech in his poems, if so, whate are they?

An analytical-library metod has been used for this article to be written and to introduce Divans different scripts and Nosrats poetic features. Also it is based on the intellectual literal linguistic features of Nosrats Divan.

Considering that Nusrat Ardabili is one of the poets of the literary return period, like many poets of that period, he used the characteristics of Khorasani language style; But with care and accuracy in his divan, it can be said that Nusrat"s attention to this issue is too moderate, and since its function and effect are not very significant in terms of semantics and literary features and delicacies, it can be said that Nusrat uses the features of Khorasani language style. It is one of his weaknesses

Based on the above findings, Nasrolah Ardabilis Divan is linguis tically important especially for its Korasani style, because it is in the Renaissance lage of literature. It is also important on the intellectual, mystic and religious features because Nosrat is a mystic poet. From the literal view he is moderat because he versifies for intellectual aims not to show his poetically skills.

Style means a special method that a writer or poet uses to explain his thoughts and emotions, and stylistics is the knowledge that study a work in choosing words and phrases, in use of grammatical rules, imply literary techniques and figurative speech, and explainthe thought, ideology and views of creator’s work. The present article introduces Saeed Naqshband Yazdi, the 11th century mystic poet and his stylistic poetic features.

This descriptive-analytical study was conducted by collecting information with a documentary and library method in the study of the corrected text of Saeeda Naqshband Yazdi"s poetry collection and tried to identify the stylistic features of his poems while introducing the poet.

Saeed Naqshbandi Yazdi known by sobriquet Saeida is one of the poets of the 11th century A.H., Whose year of his birth and death is not clear. The Yazidi poet is said to have left the birthplaceduring the reign of the Safavied Shah Suleiman (1666-1696) and settled in Isfahan. According to Saeida’s poetry and memoirs, he was a follower of the religion of Abu Hanifa and the mystical way of Naqshbandiyya, and for a living he was engaged in Naqshbandi and Sha’arbafi, which were among his occupations at that time. Saeida has reflected his mystical thoughts in the guise of exquisite illustrations and precise fantasies with the help of literary devices and imagery. His collection of poems, which has a total of 4815 verses, has been composed mainly in the form of sonnets.

Authors argue Saeida is one of the worthy poets of the Safavid period who, using the ancient and sometimes colloquial language, new compositions, beautiful illustrations, special use of similes, metaphorical personifications, allusions, contradictions and proportions, all kinds of equivoque and combines love, ethics and mysticism with complaints of hypocrisy and therefore remembers Hafez"s poetry.

Examining  She’r-e Noo (new poetry) and its poets in the course of history of Persian Literature, one can found the vast majority of these poets had developed a particular style or language, or sought to do it. The  most simple and productive task in this direction is breaking from the  traditional rhythm and rhyme, as well as being influenced by  the atmosphere, experience and images of Western poetry. These poets have also deliberately disrupted the standards of normative language and as a result, the goal of these poets was to bring their poetry as close as possible to colloquial language. Farrokh Tamimi is one of the lesser-known poets of Nimayi or Azad (free) poetry, from whom five books of poetry have been published. This article deals with Tamimi's creativity in different fields of nouns, verbs, adjectives, etc., citing examples and explaining the linguistic and stylistic novelty in his poetry. Collecting notes and documents, the researcher has used descriptive and comparative method.

In the midst of the written legacy of the past, we sometimes come across valuable copies that have been left unknown and neglected for some reason.One of these works is the manuscript of "Jame Al-Loghat" by Mullah Mohammad Jafar Nodushani, of which only a unique copy is in the author's own handwriting.He completed this three-volume dictionary in 1258 AH, during the reign of Mohammad Shah Qajar.This dictionary is a kind of bilingual dictionary that has been translated from Arabic to Persian based on "Sahah" and "Qamoos" and using other dictionaries.In compiling this dictionary, in contrast to Arabic words, the author has mentioned its Persian meanings, which is on his own, and among these bilingual synonyms, pure Persian words can also be seen, which is one of the key values of this dictionary and is one of Through them, one can know the original Persian dialects and words. The present study, with an analytical-descriptive method, examines the written, structural and linguistic features of this version and then expresses its slips and values. One of the important features of this book is the use of simple, short sentences, avoiding confusing and elusive language, and avoiding rhetoric and homework. It is valuable in terms of Persian equivalents for Arabic words.

Language of science, as a tool for transferring knowledge, experiences and exploring news concepts and scientific innovations, is interconnected with word formation, terminologisation and academic writing. Since the representation of scientific language is highly different from general language, knowing the specific characteristics and linguistico-communicative features of this language deems necessary for maintaining an unequivocal and accurate scientific communication. Thus, the paper investigates quantitatively & qualitatively the frequency of these features in scientific language of geology. Hence, a corpora of 36 geological texts published randomly taken from peer reviewed journals is analyzed according to two distinctive features: “textual organization” and “linguistic structures”. The results illustrate a fully-fledged representation of scientific language in geology affirming that the abundant usage of repetition, encapsulation, hyponymical classification ensure the gradual semantic development. Simultaneously, the effervescence of modal verbs, linking verbs accompanied by nominalization and passive statements reinforce the transmission of scientific message in an objective and economical language. Moreover, our statistical analysis over 13805 linguistico-communicative statements illustrates that the most frequency belongs to textual cohesion (morphological and syntactical), and in the second run, to what corresponds to linguistic economy (nominalization, resumed statements), while the modal verbs and instances have scarcely configured in the studies corpora 

The study of children´s mental processes is not possible except by studying its manifestations. The narration of a story – as an external manifestation- can be good evidence of a child’s prior (background) knowledge and language abilities. Experience shows that children exposed to adequate and appropriate interaction with their mothers have more mental abilities in comparison with those who are poorer in this area. Accordingly, assessing existence or lack of correlation between the interactive input from mothers with the richness of content schemas formed in a child´s mind and also with a child´s language abilities in narration, is the goal of this research. The research is descriptive (specifically correlational). Data collection has been made in the first academic semester of 2011 – 2012. Statistical samples of this investigation consists of one hundred (100) children of five (5) years of age, who live in Ilam city and have been shown a short three minute narrative cartoon, and have been asked to narrate it. Propositional content and some of the linguistic features of the children’s narrations are explored separately based on two criteria. From another standpoint, the interactive input is studied by using a structured interview which has been determined by comprehensive studies. The results of the study reveal that children exposed to adequate and satisfactory interaction with their mothers are more capable in terms of conceptual background knowledge and linguistic outputs.