جستجوی مقالات مرتبط با کلیدواژه "sepideh kashani" در نشریات گروه "ادبیات و زبان ها"

The elements of nature with their impressive varieties have always had a considerable role in communicating various contents to audiences and making literal illustrations, especially in poetry. Sometimes, these roles are so extraordinary that it is impossible to find out their semantic and formal values without deep analysis. This efficiency is also at work in resistance poetry. The current descriptive-analytical study aims to analyze the efficiency of natural elements in the poems of Sepideh Kashani and Nasrollah Mardani. These poets are chosen due to the considerable quality of their poems, pivotal benefits they take from natural elements, and relevant issues to the topic of present study. Findings reveal that foliage and astronomical objects have the highest frequency in their poems. Among the foliage, tulip denotes martyrs. Besides, the sun and stars denote leaders and martyrs respectively. Pigeons symbolize martyrs, while vultures and hyenas represent enemies. Semantically, both poets use natural elements to make the contents of leaders, martyrs, and enemies. However, Kashani has also made characteristic Iranian devoted ladies, hypocrites and betrayers that are not found in Mardani’s poems. Unlike Kashani, Mardani has made characteristic warrior. Furthermore, martyrs and leaders have the highest frequency in the poems of Kashani and Mardani respectively.

Titles in literary works include aesthetic and spiritual meanings and concepts and play an important role in attracting the reader's attention. In fact, due to revealing a part of the poet's mental state and inner nature, a title reveals aspects of his/her thoughts and makes it easy for the reader to understand the poem. This study examines and analyzes the mechanisms of the titles in the poems of "Sepideh Kashani" and "Somayyeh Esam Wadi" as two female poets in the resistance literature of Iran and Palestine. This research has adopted a descriptive-analytical method and is based on the American school in comparative literature. The results of this study show that both poets, in the light of using the title mechanism in their poetry, try to instill in the audience the idea of resistance against the occupying enemy, and on the other hand, increase the aesthetics and innovation of their works. Both poets seek to pave the way for the audience to access the structure of their poetry and to unveil their symbols and establish a link between the title and the theme of the poem through the title. Accordingly, this mechanism in their poems reflects various implications and goals that remove the veil from the form of their poems and encourages the reader to achieve the poetic reserves, inner emotions, and aesthetic effects of their poems. In the structure of the poetry of these two poets, titles revolve around a central idea, which is to continue resistance and sustainability.

In the period of the Islamic Revolution, committed and committed poets to defend the values of the revolution and promote revolutionary ideas have expressed the facts and criticized the problems and issues of social, political, cultural, religious, moral, economic, etc. of their time, which These poems have been called "protest poems". Protest poetry as a nascent literary movement, a kind of social poetry and originates from the foundations of sustainability poetry. Among the poets; Tahereh Saffarzadeh, Simin Behbahani, Sepideh Kashani and Fatemeh Raka’ei are among the women critical poets; This research tries to study the themes, methods of expression, tone and format of protest in the poems of famous poets after the Islamic Revolution in various fields (political, social, religious, moral, economic, cultural, etc.) and the common denominator and Examine the differences between their poems in this regard.

This research has been done in a descriptive-analytical, statistical manner using library studies.

Poets have a realistic and at the same time cross-border attitude in criticizing the problems of the country or human society; As their protest poems are a reflection of the socio-political conditions of society and time, and such poems in addition to the active presence of women poets in the political and literary arenas of society is a confirmation of the sociological theory of literature that always affects art from social and political contexts. Ultimately, the purpose of protest poetry is to preserve Islamic values, reform society, and combat injustice.

The highest frequency of reflection of protest themes in Tahereh Saffarzadeh's poems and the lowest frequency is related to Sepideh Kashani, which has been composed in the form of Sepid, Nimai, Ghazal, Rubaei, etc. in political and social fields, respectively. These protests are global (foreign) and sometimes domestic, where the first type of protests revolves around protests against the policies of world powers, and domestic protests are related to injustices in society.

This article discusses the structural and thematic aspects of poetry by Sorour Azam Bakouji, known as Sepideh Kashani. Her poetry contains not only revolutionary poems before the Islamic Revolution in Iran but also those about imposed war on Iran by Iraq. Regarding this fact, the writer of the current study tries to discuss which types of genres, figures, images, as well as language have been used to convey the poet’s feelings in such situations through an analytical-descriptive approach. It is argued that Kashani has written her poems to admire Iranian soldiers’ bravery, to raise their spirits of martyrdom, and to encourage them to bolster their defense of their own land. To this end, she has wielded a simple, fluent, realistic, and tangible language while putting it into classic and contemporary genres of poetry to reflect the zeitgeist. Among the figures of speech employed by Sepideh, personification and simile are the most frequent ones due to their potentiality to create and convey the intended impression.

In the sociology of literature as one of the branches of sociology of art studies, the composition and function of literature and the relation between society and literature, the external elements are mostly considered when analyzing literary works. From this viewpoint, the literature of every nation can present hypothetical illustrations from existing realities and provide general points of society’s history as a social document for researchers and thinkers in this field. In the present study, political poems of Sepideh Kashani and Nazik al-Malaika (two of the Persian and Arab modernist poets) are analyzed by using a descriptive-analytic and statistical method. The analysis indicates similar political themes like war and related issues, which refer to political events, political issues of other countries, important political figures, women, struggle, etc. in the poems of both poets. The results reveal the differences between the two poets which are due to the special environmental conditions of both of them. Undoubtedly, both poets are influenced by social and political contexts of their own time. In addition, referring to active participation of women in social and literary fields can be a clear confirmation of literature’s social theory.