جستجوی مقالات مرتبط با کلیدواژه « ادبیات عرب » در نشریات گروه « ادبیات و زبان ها »

Nowadays, digital technologies have strongly influenced all aspects of our daily life via redefining our communicative practices and habits of text reading and textualizing. Accordingly, a need to change the role of literature and literary discourse in the contemporary media space of Iran and the Arab world has been felt and steps have been taken in this respect. By adopting a descriptive-analytical method, the present study sets out to make a scholarly account addressing the experience of Iranian and Arabic digital literature, exploring certain works produced by them comparatively, and discuss their degree of aesthetic creativity in terms of form and content. As the findings revealed, despite the historical precedence of Iranian digital poets and writers over Arabs, there is a significant digital division between Iran and Arab countries. Although the Arab countries are highly distant from digital literature of the West, they have produced aesthetically more creative literary works, compared to Iran. These works more actively follow the processes of participatory or collective creation, and being aesthetically creative in form and content.

The revelation of the Holy Quran in Arabic geography provided the platform for the efforts of religious scholars and commentators to understand the nuances of meaning of the Holy Quran with the tools of Arabic literature. An effort that has been manifested in all areas of the guidance of the Word of Revelation with the range of beliefs, rules, ethics and personal and social issues.The current library research, which is organized in a descriptive-analytical way, by examining the interpretation of "Ruh al-Ma'ani" as one of the valuable interpretations of the later centuries of Islam with a comprehensive approach and special literary effects, this is important in the study of verses. followed with contempt.The findings of the research indicate that humiliation is an undeniable style in the Quran that has been used with several orientations and goals. The maximum and purposeful use of the context and its connection with the meaning-giving styles of Quranic vocabulary is the most important method used by the author of Ruh al-Ma'ani in explaining the verses containing contempt.This fragmented approach is as follows: the use of our relative instead of me, the mention of the noun zahir instead of the pronoun, the use of a noun indicating nearness, the use of nouns, the meaningful use of the first person, the mention of the redundant word us, leaving the interrogative out of The real meaning to figurative meanings, the exit of the verb to figurative meanings and ambiguity and twisting of meaning instead of explanation and expression.

The emergence of the miracle of the Holy Qur'an in the Arabic land has laid the groundwork for the role of Arab literature in understanding the angles and nuances of the meaning of the Qur'an, and demands the maximum efforts of religious scholars and commentators in this field. The current library research, which is organized in a descriptive-analytical way, examines the interpretation of "Gharaib al-Qur'an and Raghaib al-Furqan" as one of the valuable allusive interpretations of the middle centuries of Islam with a comprehensive approach and special literary effects. The findings of the research indicate that the author's ability in the field of Arabic literature has helped him in receiving precise and sometimes innovative meanings from the Qur'an. Considering the origin, derivation, interpretation, choice of words, good interpretation and differentiating between apparently similar words, explaining the Arabic aspects of the verses by mastering the supporting documents of Arab literature and presenting sometimes different explanations with priority given to Quranic literature, and Revealing the noble style and order of the Holy Quran in the two areas of eloquence and eloquence are the most important literary features of this commentary. Also, the special discussion of "waqf" and its connection with Arabic literature and the musical aspects of the language with the focus on "nabar and tanghim" is also a new path that has been clearly followed in this interpretive heritage. It connects the path of literature and interpretation of the Qur'an to understanding it and has made the communication of the meaning smoother for commentators and Quran scholars.

Each word has a specific meaning or meaning in the dictionary, but when the same word is placed in the text, it finds its exact meaning, and therefore the best way to determine the meaning of the word is to pay attention to the verses of the word and the texture and the context. This research, through descriptive analytical method, seeks to provide a precise definition for the sykes and express its functional effects in explaining the words of the Qur'an and has achieved the following results Siaq is any other reason that is located in the space of words and phrases that we want to understand and is divided into verbal and spiritual, continuous and discrete and has these functions. : The impossibility of meaning of words without the help of siaq, providing the meaning of the word more precisely than the meaning provided by the people of the word, determining the meaning of the common word in the verse, explaining the difference or downing between seemingly synonymous words, recognizing the elimination and content in the verses, determining the grammatical role of the word in the text, determining the instance of common spiritual words, determining the meaning of words with multiple aspects, preferring and determining one of the readings related to words, accepting or rejecting interpretive narratives related to the meaning Words, determining the meaning of the words of annijds in verses, discovering the lexical miracle of the Qur'an, determining the correct meaning of words ...

Prison poem is a poetic text that describes the sufferings of a poet. However, for Ibrahim Moqadami, a Palestinian martyred poet, like other intellectual, this type of poetry is not only a reflection of sufferings and grief’s but also an inspired citation of the passion of resistance and the struggle of oppressed Palestinians to open the doors to hope, freedom and victory. This research is a descriptive-analytical study that aims at the fertility of the prison poems of the poet based on the elements of layer stylistics and seeks to realize how this committed poet has used the capacity of layer linguistic resources to deal with the concepts of struggle and perseverance. The study confirms the layer effectiveness of stylistic components to better understand the underlying layers of meaning in literary texts. The wide use of Bahr-e Ramal in his poems denotes the attention of the poet to gentle rhythms so as to provide the reader with an atmosphere of peace and relaxation. At the lexical level, abstract and concrete items are equally used. At the syntactic level, statements and imperatives are parallel, which serves to embody the truth and impart the feelings of a combatant. Rhetorically speaking, the sensory images in the poet’s text excellently reflect the sufferings of a Palestinian captive. Ideologically speaking, however, his poems depict the firm faith of a jailed combatant who believes in the effectiveness of resistance and the victory that follows.

Satire in literature means a piece of poem or prose which stands against eulogy and meets personal purposes. It bears a caustic, explicit and sometimes insulting tone, but if it is to express the socio-political pains, it employs a softer language. Satire is constructed based on caustic and painful criticism, and sometimes, it is led to sarcasm and painful insult. Any form of emphasis on ugly aspects of a phenomenon, whether voluntary or involuntary, is a satire. Satire is a piece of prose or poetry which tends to ridicule or insult somebody. Due to the literary definition of satire and the difference the critics considered between satire and abusiveness, dissolute and indecent writings – which disgrace people - can be excluded from satiric ones. In this study, the authors have tried to analyze satire in Arabic and Persian language and its impact on Arabic, especially on Bashār ibn Burd

The Calling myths have prominent role to deepen and enrich the literature of different nations including Arabs Iranian myth, "Zoroaster", one of the myths That there is not often in classical Arabic poetry. But some contemporary Arab poets inspired by Friedrich Nietzsche (1844 - 1900), German poet and philosopher, In the framework of "Qna" and the mask of the Zoroastrian myth, Seeking element for social and political struggles In the wake of people with superhuman slogan Thereby uprising Against the evil tyranny and corruption of contemporary oppressors .the Purpose of this article is a comparative study of the Zoroastrian myth In ancient and contemporary Arab poetry To show what is the symbolic thought of this Arabic poets About this archetype? And basically for what purpose, each of these poets has been used of this Myth in their poem? Achievement of this study that is written Based on the Descriptive analysis method shows that in the old Arab literature, it is very hard to find a Poet that mentioned the myth of "Zarathustra" in his poem. And only observed a few references to the Magi and the religion of Pre-Islamic Persian in The poetry of this period. In contrast, in contemporary Arabic literature, Zoroaster has come in the formation of a national savior in to the form of a political ambassador that emancipated the Contemporary human of the Political Pains and suffering.

Comparative literature is history of international literature relations. Scholar of comparative literature is like someone who sits in ambush on the border of the territory of the national language to record and review all intellectual and cultural exchange between two or more nations. With the knowledge of the works of world literature and comparing them with each other, we can achieve to a broader horizon of the look and thought. The study of Linking between literature of Iran and the Arab world and its various aspects, is one of the most important branches of comparative literature. In this research, to investigate the social conditions in the two Scholar’s works and discover some similarities to two in their social views, after a brief discussion about comparative literature, and an overview of the life of Mustafa Lotfy Al-Manfluty and Parvin and also investigating of social conditions during their life, we will study comparative their Social visions. Among the similarities between the two are: Look to women's issues, cynicism, politics and finally, the problem of poverty. They are allowed Sublime dignity for women and they have an undeniable pessimism to the time and the political and social issues and in the field of politics. Finally, they are always standard-bearer in opposition to the oppression and tyranny of rulers and continually emerge anti-poverty in their works.

Jean de La Fontaine – the French poet and author – is one of the most effective literal characters in the world in his era. The literary critics and the researchers know him as one of the greatest fable writers in the world with the aim of educational and instructive works. Ahmad Showqi – the Arab behaviorist poet – who owns many educational and instructive works, is known as a brilliant poet. His Divan contains the fables which were created with educational aims for people, to transmit the behaviors, patriotism and protecting the social values. The present article studies some of these two literary men’s fables.

Here I want to introduce Iranian celebrities in Arabic literatures. In order to achieve this purpose, I study periods of literature history and finally it was found that Iranian contribution in formation of Arabic literature was impressive. By entrance of Islam to Iran, many followers turned to it. And the association of Arabs and Iranian people caused the mutual influence on both countries culture. This influence is less visible in Umayyad caliphate. Because Umayyad caliphate, prefer Arabs to non-Arabs especially Iranian people. And this preference causes less contribution of Iranian in literature domain in that period. This humiliation finally led to down fall of Umayyad. After revolution of Abu-Muslim Khorasani, the ground for Umayyad downfall and formation of Abbasid caliphate was provided. Abbasid begin their insurrection by accepting Ahl-Al-Bayt and enjoy the total support of Iranian. This matter had beneficial consequences for Iranian; they gain important positions in Abbasid caliphate. This high contribution and elation in their position had a great effect on emergence of religious, literary and scientific faces. In this study we will be familiar with some of these celebrities which most of them are literary people.

The holy Quran and texts of Arabic literatures have wider and multi-dimensional outlook the heart and its synonyms. The main question is whether heart in these texts, is same which beat inside a human body or it used for mind, and or for any other virtual meaning? This article tries to respond to some of the queries that heart mentioned in the holy Quran and other Arabic literatures is not imagery rather has been used correctly. Interesting point in this arena is that thinkers during the last three decades have approved that human heart consists of about 40000 nervous tissues that store information and send the necessary command to the brain. Therefore, Quranic description and other Arabic literature about heart as a place of love, guidance, relaxation, knowledge, secrets, heroism, truth, brutality, etc are well approved.

The presence of Ibn Hāni-al-Andalusi (326-362 AH) gave a tremendous impetus to Arabic literature in Andalus and North Africa in the first half of the fourth century. The impressive and delicate poetry of this talented poet called for the attention of a great many critics, hence giving a push to the enterprise of critics and criticism.The present article concerns analysis of the critics of Ibn Hāni, leading on to the approaches and historical development of literary criticism in Arabic language and literature.