جستجوی مقالات مرتبط با کلیدواژه « Impression » در نشریات گروه « ادبیات و زبان ها »

Molana Fakhredin Ali Safi, an author of the 10th century AH, has created many works including the valuable book “Lata’ef-o-Tava’ef”, which is a collection of satirical tales about different social groups and classes, decorated with Quranic verses, hadith from the Prophet Mohammad and the Imams, and Arabic proverbs. This study examined the 867 tales, stories, and proverbs of the book, and found the origin of 399 of them in Arabic sources; 222 cases were traced into Persian sources before them. “Lata’ef-o-Tava’ef” takes advantage of Arabic sources like “Rabi-ol-Abrar”, “Tazkereh Hamdouniyeh”, and “Mohazerat-ol-Odaba”. He uses different methods like zero-alteration, semi-alteration, tale sequence, and translation. He has also used Persian sources such as “Resaleh Delgosha”, “Javame-ol Hekayaat va Lavame-o Revayaat’, “Baharestan”,… .

In most comparative studies، the imitation and adaptation of Iranian contemporary fiction from western literature have been so emphasized that a large proportion of historical and social developments in this land in the emergence of seeking modernistic enthusiasm and innovations taken place in fiction has been neglected. However، given that the literature at any society and at any historical period has been affected to a certain extent by the existing currents at that period and environment، one can look for the emergence of modernity elements in the Persian fiction within Iran''s social and cultural infrastructure. Thus، we believe that Persian contemporary fiction and its modernistic developments have not been formed merely by being influenced by western literature; rather، they have always been ready for self-actualization and innovation. To prove this hypothesis، and as a case study، we selected Bahram Sadeqi''s works، which، as he claims، were written before the emergence of «New Novel»، and as almost all believe، are considered important sources of modernity in Persian fiction. Thus، the present study has taken into account two major functional goals: first، it seeks to prove the existence of modern and modernistic elements in Sadeqi''s works، and second، by applying a within-territorial approach، it seeks a reason that can justify the emergence of these elements in Persian contemporary fiction.

With respect to the great impact of the One Thousand and One Nights on various literary and cultural arenas of the world nations, this study is conducted in order to investigate its role in flourishing modern Arab plays. For this purpose, after investigating roots and origins of plays and different forms of dramatic arts in Arab countries, this paper introduces One Thousand and One Nights and its dramatic capabilities. In concurrence with the formation of modern arab theatre and its foundation by great arab dramatists, a new wave of impression of One Thousand and One Nights on Arabic literature emerged, this time in the play area. Investigation and introduction of the most important plays written on the basis of this book constitute the next section of this research. This study tries to show the daramatic capabilities of One Thousand and One Nights through investigating the samples as well as introducing the wave of impression of Arab authors in the booming era of drama since the second half of the nineteenth century. This paper also intends to prove that the attention of the pioneers and founders of Arab drama is more focused on the historical heritage of the Arabic literature in general and One Thousand and One Nights in particular as compared to European literature.

Both estrangement and alienation press in certain mental and physical complications in man’s life and force him to experience mental deficiency, and feel a lack of positive communal or individual sense of belonging. However, the Jahili sense of these terms is quite different from their modern application. In the Jahili period, old age and senility are the main reasons for such inconveniences which would well reverberate all through a poet’s being and work. These poets, then, would treat their problems in peculiar ways. Some would surrender and some would violently push themselves and their poetic expression to extreme limits. Introversion and extroversion are the key moves assumed by either group. However, modern Arab writers, unlike their Jahili counterparts, experienced imperial and colonial hegemony since the beginning of the 17th century, and were introduced to extreme changes in life style and world views. This overwhelming alien influence has been remodeled in the form of a more repressing global force. The crushing mark of such influences has led to great waves of migration and self-denial among Muslim and Arab elites who have failed to reconcile themselves with a heritage and legacy once firmly established in the spirit of human life.