جستجوی مقالات مرتبط با کلیدواژه « محمود حسن إسماعیل » در نشریات گروه « علوم اجتماعی »

The poetry of alienation and nostalgia is one of the topics addressed by poets, ancient and modern, and it is embodied in the feeling of anxiety, discontent and social isolation and the accompanying sad and sincere emotions. This phenomenon has many manifestations in the souls of poets, as each of them expressed it according to his point of view and his circumstances. Among the poets who tasted the bitterness of alienation and expressed the feelings of sadness and pain in their souls, is Mahmoud Hassan Ismail, the contemporary Egyptian poet whose language of sadness, alienation and nostalgia became clear in his poetry. This article aims to study the manifestations of alienation and nostalgia in Mahmoud Hassan Ismail's poetry and how they are distributed in his poems and their role in arousing emotions and feelings according to the descriptive-analytical method. The importance of this research appears in observing the extent of the injustice done by the British occupation towards the Egyptian people, led by the hard-working peasants, as a result of inhumane acts that prompted them to present the fruits of their efforts to the tyrannical colonialism. One of the most important findings of the article is that the poet has excelled in expressing his feeling of internal and external alienation by drawing a tormented conscience and a bleeding heart, but the intensity of his pain and alienation gradually eases by turning to his Lord through mystical meditations. The poet also yearned for the land, the homeland and the beloved

Sufi literature is a kind of transcendent literature that contains sublime meanings as well as high spiritual attributes and characteristics. Mahmoud Hasan Ismail inspired by the Sufi experience, which represents a special stage in the evolution of his poetry has represented transcendental themes in his work Soot Min Allah (The Voice of God), which is the manifestation of his thirsty soul in reaching the absolute divine essence. This study through a descriptive and analytical method represents the components of the Sufi discourse in the poetry of Ismail and examines its brightness and visions through his collection "The Voice of God". The most important finding of the study is that the poet in his mystic speech exceeded the limits of intertwining with the ideas and references of Sufism. This is reflected in the construction of his poems, images and compositions, turning it into a mystical vision where the soul flew in new worlds and rid the body of its material. On the other hand, an absolute self-love is the basic principle in “The Voice of God”, whose spirit is emancipated from the flesh of the flesh, so he goes to the ends of existence and calls it towards union with the divine self and its annihilation. In linguistic terms, the Sufi language of Ismail was characterized by the employment of some mystical symbols that have visible and hidden connotations, including flute, light and wine, which abound in his poetry compared to other symbols, in a manner that has increased the meaning of beauty and splendor.