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جستجوی مقالات مرتبط با کلیدواژه « هندسه » در نشریات گروه « فلسفه و کلام »

تکرار جستجوی کلیدواژه «هندسه» در نشریات گروه «علوم انسانی»
  • احد نژادابراهیمی*، مینو قره بگلو، امیرحسین فرشچیان

    هنر و معماری اسلامی حاکی از جایگاه و کاربست علمی و حکمی هندسه است. آموزش هندسه از جانب نظر و عمل به معماران توسط حاکمان و ریاضی دانان اسلامی انجام شده است. مهم ترین هدف، استفاده صحیح براساس اصول معرفتی و حکمی، جهت شناخت حقیقت است که با اتصال و آموزش آن با حرف و صناعات، هنر و معماری را دارای جهت و طریق معرفتی و علمی نموده است. موضوع اساسی افتراق شدید بین متخصصین ریاضی و همچنین گسست فراوان با حکمت و فلسفه اسلامی در معماری و هنر در دوره کنونی است که لطمات شدیدی بر ارکان معماری وارد نموده است. شناخت هندسه از جانب اساسی هنر و معماری اسلامی و طریقه کاربست آن اهمیت نگارش را نشان می دهد. روش تحقیق به صورت قیاسی در خصوص تحلیل منابع ریاضیات و هندسه عالمان و ریاضی دانان اسلامی جهت رسیدن به نتیجه و زمینه گرایی در بحث بستر فکری حکمی دوره چهارم الی یازدهم هجری می باشد. یافته اساسی این نگارش حضور فلسفه و حکمت نظری و عملی از جانب فرد صاحب حکمت در ارتباط با ریاضی دانان اسلامی است که در بررسی علمی و معرفتی هندسه در بعد نظری و عملی جهت هندسه مند شدن هنر و معماری اسلامی است. از این رو حکمت به واسطه هندسه در هنر اسلامی براساس مبانی جهان شناختی عالم مثال به سوی حقیقت متافیزیکی خود سوق داده می شود.

    کلید واژگان: حکمت, ریاضی دانان اسلامی, هندسه, معماری اسلامی}
    Ahad Nejad Ebrahimi *, Minou Gharehbaglou, Amirhossein Farshchian
    Introduction

    In Islamic architecture, the architect must be face all the issues in architectural design. Create quantitative & qualitative issues by observing the principles & rules of the process. The architect must create the architectural structure with geometry through art & based on theoretical reason. Architecture has numerical & theoretical dimensions, because it is for the human being as a thinking being, it has qualitative dimensions. The architect must pay attention to the quantitative & qualitative dimensions in creating the architectural building. Traditional Iranian architecture has quality dimensions that include the wisdom of philosophers & Islamic thinkers of Iran. These topics are combined with the basics of other topics to work. Islamic architecture is called Islamic because it combines with the principles of Islamic wisdom & philosophy in uses it. In order to underst& Islamic architecture, wisdom must be examined in the process of creating an architectural building. The truth of the function of wisdom in the process of creating an architectural structure is an important issue. Wisdom in the science of architectural geometry can mean Coded truths that include the Coded structure of architecture. The Coded truths in Islamic philosophy are the same as the divine truths. God provides knowledge of divine truths to thoughtful & knowledgeable human beings who seek the truths of the universe. Thoughtful human beings become aware of the divine truths of God to the extent of the power of their intellect & perception. Islamic architecture in the l& of Iran has always used the principles & subjects of geometry in external & internal science. The use of geometry is superficial in maps & decorations & inwardly it is an architectural building in general form & body. The geometry used in the Islamic architecture of Iran has been done by Islamic thinkers, mathematicians & Scientists. Geometry in architecture increases the strength of the architecture & its beauty. Geometry has used wisdom in creating the beauty & function of an architectural building. An architectural structure is successful when human beings can meet their biological & spiritual needs through it. A skilled & professional architect can use all external & internal issues in creating an architectural building with wisdom. Geometry must also consider beauty in creating an architectural building through wisdom. Knowledge of geometry & wisdom is very important in creating an architectural building. Architecture as a traditional profession needs wisdom in geometry. In this article, the subject of geometry has been studied & analyzed from a scientific & artistic point of view. Also in this article, the subject of wisdom in geometry in creating an architectural building has been studied. Wisdom in this article is in the form of theoretical wisdom & practical wisdom. The point is, how does mathematics in geometry combine with artistic & aesthetic subjects? & How to create architecture using wisdom? In the present age there is no connection between the subjects of mathematics which are used rationally & the subject of wisdom. This is also seen in the science & art of architecture today. In the past architecture of Iran, there was a deep connection between mathematics & wisdom. In the past architecture of Iran, the connection between wisdom & mathematics in creating geometry has made the architecture of beautifuly & also its proper functionaly. In the science of wisdom, geometry has a meaning in the form of a code & this code has external & internal meanings & truths. The facts in the codes are not normally recognizable by human beings. The code of geometry is in the structure of the universe & has divine truth. Geometry in this world has a trend towards beauty. Wisdom in science belongs to Islamic philosophy. The meaning of wisdom in Islamic philosophy is knowledge & awareness that has been created through reasoning. Argument arises through deep thought in the human mind.

    Methouds & Material:

    In this research, the views of Islamic mathematicians in the form of mathematics & wisdom have been studied. Islamic mathematicians include the following.Mohamad Bouzajani; Abu Nasr Farabi; Ibn Sina, Akhavan Al-Safa & Jamshid Kashani. The subject of the research method is to obtain geometry & wisdom from the perspective of mathematics. How to transfer geometry from visual and numerical dimensions to the practical world has been analyzed in this method. The success of riddles in the past must be examined in terms of wisdom and geometry. The research method of writing in mathematics and numerical subjects is deductive. The Grounded theory method has also been used in dealing with historical situations.

    Result & Discussion

    In Islamic architecture, geometry has been associated with wisdom. Wisdom in geometry has created a beautiful and functional architectural space and decorations. Geometry in the wisdom of Islamic architecture has a sacred place & has hidden secrets. Wisdom & geometry in architectural building, in addition to creating decorative roles in a general & specific way, has led to the recognition of the divine truth in the hidden layers of architectural construction. Accordingly, geometry in Islamic architecture has caused the symbolic identification of the truth of existence and the display of the hidden world. The geometry inside the architectural building is like a code that must be known. In Iranian Islamic architecture, geometry has been used to be aware of divine knowledge as well as to reveal the hidden truths of the divine world in the external world. Geometry has used wisdom for this issue.

    Conclusion

    Geometry is hidden in Islamic architecture as a mystery & truth. Geometry in its process shows real tangible subjects along with hidden subjects. Geometry creates awareness of the external & internal codes contained in the architectural building. The geometry of the codes in creating the architectural building in which wisdom plays a role can be identified & informed. In addition to a few topics in Islamic architecture, geometry deals with many qualitative issues. Theoretical wisdom & practical wisdom in understanding the science of geometry can in fact distinguish the outer world and the inner world. Geometry causes the objects that exist in the world of imagination and mentality to become a visible world & human beings can see it with their physical eyes. Geometry creates a logical connection between the external world & the internal world. This logical connection creates a balance between the worlds. Using the balance of geometry, he can distinguish the facts of existence. Geometry in Islamic architecture makes quantities & qualities conscious to man externally & inwardly.

    Keywords: wisdom, Islamic mathematicians, The geometry, Islamic architecture}
  • فاطمه اکبری*
    هدف
    هدف نویسنده در این مقاله، دستیابی به خاستگاه توحیدی زبان رمزی الگوها و ساختارهای هندسی برخاسته از سنتهای آسمانی و ملکوتی در خلاقیت حاصل از آفرینش کعبه و آثار هنر و معماری اسلامی بوده است.
    روش
    راهبرد این پژوهش از نوع کیفی بوده و با رویکرد توصیفی تحلیلی و تفسیری به انجام رسیده است.
    یافته ها
    تبیین شواهد قرآنی عالم مثال و ویژگی های شکلی نقشمایه ها و نظام ترکیب بندی حاکم بر آرایه ها و احجام آثار هنر و معماری اسلامی با ابتنا بر وجاهت رمزی شکل خانه کعبه و مرکزیت آن در عالم.
    نتیجه گیری
    شکل کعبه از دلالتهای رمزی کعبه و برخاسته از الگوی بیت المعمور در عالم مثال و الگوی عرش در عالم ملکوت است. از دلالتهای توحیدی هندسه کعبه، ابتنای آن بر ارکان چهارگانه توحید، تنزیه، تحمید، تهلیل و تکبیر است. از دلایل وجاهت رمزی آثار هنر و معماری اسلامی، کم رنگ بودن انگیزه های فردی، تجلی حقایق باطنی جهان محسوس در صور شهودیافته عالم مثال و وجود سبکی منسجم و قدرتمند طی قرون متمادی جهان اسلام است. از دلالتهای توحیدی هندسه حاکم بر آرایه ها و نظام ترکیب بندی آثار هنر و معماری اسلامی، تجلی صور تنزیهی آرایه های هندسی و نقشمایه های اسلیمی و ختایی و ایجاد وحدت از طریق حضور هندسه ای کیفی با ابتنا بر اصل مرکزیت در ساختار کلی اثر با رعایت تناسبات لازم در هم نشینی عناصر سازگار و مکمل و سازمان بندی مرکزگرایانه فضا و پیوند میان فرم و فضا از طرق مختلف محوربندی فضایی، رعایت اصل تقارن و سیال گردانیدن فضا با حفظ استقلال بخشهای مختلف بناست.
    کلید واژگان: قرآن, هنر و معماری اسلامی, توحید, هندسه}
    Fatemeh Akbari*
    Objectives
    The present research aims to reach the monotheism origin of symbolic language of the patterns and geometric structures resulted from heaven and celestial traditions in the creativity resulted from the creation of Ka'bah [cube-like and sacred temple at Mecca] and the Islamic art and architecture works.
    Method
    The methodology is descriptive – analytic and the method of analysis is deductive by the approach of comparative.
    Results
    To explain Qur'an evidences of the example world and the shape features of drawings and the system of combination dominant on the presentations and volumes of the Islamic art and architecture works based on symbolic beauty dominant on the House of Ka'bah and its centricity in the universe.
    Conclusion
    1- Of the symbolic implications of Ka'bah is shape of Ka'bah, the best sample and an example of all holy places that has been built on the earth and driven from Bait al Mamoor pattern in the world of example and that pattern of the heaven in the world of celestial world. This points to Quran document of example world. 2-Of monotheism implication of Ka'bah geometry is the secret of square of Ka'bah and Bait al Mamoor and heaven based on fourfold principles of monotheism, purifying, praising God, glorification, eulogy. 3-Of the reasons of symbolic beauty in the Islamic art and architecture is personal motivations pallor, manifestation of inner of the sensitive world in the evident figure of example world and presence of coherent and style during continuous periods of Islamic world. 4-monotheism implications of geometry dominant on the arrays and the system of combination of the Islamic art and architecture, manifestation of  figures of geometry purifying in the geometry arrays and islimi and Khatayi drawings and making unity through presence of quality geometry based on the principle of centrality and general structure of the work considering necessary proportions and principles and regulations accompanied by adapted and supplemented elements and organizing the space centrism and bond between form and space by several ways of spatial axis, considering symmetry principle and make the space fluid by keeping the independence of several sections of the building.
    Keywords: quran, islamic art, architecture, monotheism, geometry}
  • حسین صابری ورزنه
    نوشتار حاضر به علل و پیشینه ظهور مسئله روش و اهمیت یافتن آن در قرن هفدهم و بخصوص نزد دکارت و اسپینوزا پرداخته شده است. هجمه هایی که در قرون وسطی از جهات مختلف بر تفکر ارسطویی وارد آمد (از جمله بواسطه بحث کلیات، ظهور دوباره شکاکیت پورونی، کاربردگرایی در علوم و پیشرفت علوم دقیقه)، باعث شد تا مرجعیتهای فکری پیشین متزلزل شوند و صحبت از معیار حقیقت و روش تفکر صحیح مطرح گردد. کسانی چون ککلنیوس، زابارلا و اوستاکیوس درصدد اصلاح منطق ارسطویی برآمدند و صحبت از روش های تحلیل و ترکیب، فرایندهای تعریفی و انسجام و پیوستگی مطالب به میان آوردند. دکارت و اسپینوزا در ادامه همین سنت و البته با تاثیر از ارسطو ستیزان، روش هندسی را در اشکال تحلیلی و ترکیبی آن در پیش گرفتند و سعی نمودند از این طریق، ضامن صدقی برای گفته های خود تامین کنند و عقیم بودن قیاس اقترانی ارسطویی را به تفکر روشمند زاینده مبدل سازند.
    کلید واژگان: ارسطو, شکاکیت, روش تحلیل و ترکیب, دکارت, اسپینوزا, هندسه}
    Hossein Saberi Varzaneh
    The present paper deals with the background and causes of the rise of the problem of method and its importance in the 17th century, particularly, in Descartes and Spinoza. The criticisms advanced against the different aspects of Aristotelian philosophy (such as the discussion of the universals, the re-emergence of Pyrrhonian skepticism, functionalism in sciences, and the development of exact sciences) wavered the foundations of previous philosophical schools and gave rise to discussions regarding the criteria for the truth and the correct methods of thinking. As a result, some logicians such as Zabarella and Eutyches decided to revise Aristotelian logic and began speaking of methods of analysis and synthesis, definition processes, and the cohesion and coherence of matters of discussion. Following the same tradition and, of course, under the influence of Aristotle’s critics, Descartes and Spinoza advocated the geometric method of analysis and synthesis. In this way, they tried to provide a guarantee for the truth of their words and transform the infertility of the Aristotelian categorical syllogism into an invaluable, fertile, and methodic kind of thinking.
    Keywords: Aristotle, skepticism, method of analysis, synthesis, Descartes, Spinoza, geometry}
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