جستجوی مقالات مرتبط با کلیدواژه "ادراک فضا" در نشریات گروه "هنر و معماری"

Technological development, organization of space based on functional approaches and modern visual modeling have led to the emergence of mold products in the urban landscape of contemporary Iran, dealing more with physical requirements and visual effects. In late architecture, however, there are manifestations of human themes in relation to the space which are due to the existence of a bond between architecture and literature. In order to re-establish such a bond, this article seeks to investigate "Hafez’s Lyrical Space" to reexamine the concept of space in architecture.

The space of Hafez’s poetry is interrelated with man’s experience so in its relation with human experience and phenomenological studies. This study is informed by Phenomenological methodology. In order to recognize human experiences germane to Hafez’s lyrical space and to understand the concept of space, this article has investigated human experiences of a number of professionals in different fields.

The findings suggest that the concept of "Hafez’s Lyrical space" is constantly intertwined with human embodiment (body- mind) in his poetry, so human being becomes meaningfulness in lyrical space and vice versa. This space appears with the presence of human embodiment in a multifaceted dialectical relationship, i.e. visible and invisible layers, separate from a concentration and centralization on human or other phenomena.

Based on the concepts extracted from mediating, multidimensional and embodied lyrical spaces of Hafez's poetry which were considered with unique connection with human, the process of formation of lyrical spaces embodied in contemporary urban landscape and architecture emerged.

Masque and school of Agha Bozorg is one of the most magnificent Islamic buildings of Kashan that is account into most interesting historical buildings of Kashan by beautiful architecture of garden of hole and tegular great dome, a balcony with two finial. This building is a valuable set from architecture and frilly elements and a combination of these volumes and adopted organs; which it has less pay attention to abstract dimension and it has pay to skeletal dimension description of this building. In this context, writer has tried to pay attention to spiritual dimension of this masque and school and considers the relationship between skeletal and spiritual dimension of this building and in this context it was proved the hypothesis of architecture glossing of this building in Islamic thought and beliefs which is the factor of better understanding of this building by Muslim partner and spiritual relationship with building framework and in proving this hypothesis context, it has expressed on the basis of accompanied studies, the concept of gloss, gloss approach, how understand this area and how understanding Islamic architecture which is a spiritual and encoded architecture and so prove the expressed hypothesis by saying the reliable reasons from Quran, traditions and Muslims linked beliefs and logical argument method. Information collection method in this writing is library method and field observation and it has used from some tools like graphic images and charts for data analysis. At last, this writing concludes that arbiter gloss text in glossy approach on the basis of thoughts and mental principles of text and may be different their adjudication because of different believes, individual thoughts and mentality.

One of the factors that gives quality to residential spaces in different periods, is decoration which is appearing in various kinds. In diverse periods, architecture provides a decent foundations for several other arts. Such as Calligraphy, Plaster molding, mirror decoration, Paintings and etc. These kinds of art have an important role by giving quality to the architectural spaces. According to this fact, lots of relics from Iranian famous artists are left as a memorial in historical places. Nowadays, different approaches of architecture and decoration disunites these arts, consequently, the role of each one in giving quality to space, is separated from each other and become less important. In this regard, a relevant question is "What was the role of decoration in giving quality to residential space?" and another question related to it, is; "Is there any relationship between decoration and architecture?" the other question is also, "Was there any system or organization for the presence of decoration in the residential space?"
To answer these kind of questions this paper investigates the state of decoration in past architecture. The authors had been using descriptive, analyzing and measurement methods in order to present the relation of decoration and architecture quality. On the other hand, evaluating the role of decoration especially wall-painting in the quality of residential space is the main purpose of this article. To achieve this goal, Yazd Shafipour house is chosen as a worthwhile case study. The authors have been used questionnaires, conducted interviews and documented their observations in order to obtain a precise investigation. Investigate the role of these decoration especially paintings in the quality of spaces and describes how these various “Art” is an uncountable noun. Replace “kinds of art” to make it countable. Appear in different spaces of Yazd Shafipour house. After that, by considering the decoration of this house, this paper classifies and describes all kinds of decoration that is used in Yazd Shafipour house. At the next step to evaluate the role of Yazd Shafipour house's decoration in the terms of its spaces, some questionnaires has been prepared and given to architecture students. Finally an analytical strategy has been has been employed and the result of these studies presents in the form of charts and tables. These results indicate that decorations have had a significant impact on the quality of the spaces in this house.
This article presents the order of facing with decoration for space designing. It also determines the importance of decoration in residential spaces. The final result indicates that decoration has a significant role in residential spaces. The most important role of decoration, especially wall-painting, is improving the quality of architectural space. It also has important components that play a fundamental role in the design process of architecture design for legibility and identity to the spaces, and designers must pay attention to the type of decorating and its amount proportional to space. The results of the studies showed that decoration have at least three different roles in the quality of a residential spaces: 1. Decoration promote the qualitative characteristics of space
With the advent of decorations, many qualitative features of space, such as artistic, imagination, complexity and diversity, are promoted.
2. Decoration moderate and then promote the qualitative characteristics of space
Decoration in the first stage acts as a moderator of qualitative characteristics of space, and in the second stage it improves the quality of space. The traits included in this category are: dignity, beauty and perfection.
3. Decoration moderate the qualitative characteristics of space
Decoration actually moderate some qualitative traits of space, and with increasing decorations the definite traits do not change. Traits that are balanced by decorations are: order, unity, calmness and greatness.
The results of this article will be used by designers and artists to give quality to the spaces they create.

In modern architecture there is a sort of visual disorder. It lacks identity. The need is highly felt to turn to eclecticism to establish appropriate literature and designing principles. To achieve it, a sort of consensus among users are needed because what architects create is a potential environment for human behavior which can influence them. The users’ role is so great and their attributes can be the establishment of the architecture principles. It can be said that these patterns and principles are the factors that contribute to identify and distinguish the environment and turn it into a specific locality and neighborhood and form its place identity. Constituent elements and their combinations have the capability to associate meaning, create mental image, and form sense of place and identity. On the other hand, these features can be deemphasized or excluded. Planner as a person who deals with city or place anatomy, first directs his attention to external factors that influence on observer and then forms it in his/her mind. It is evident that everyone perceives the images that the planner forms in the environment. However, it seems that there is a great deal of similarities between perceptions of the same groups. These similar and common images which result from a great number of individuals’ agreement on the importance of a specific image are what attract a planner’s attention since the environment created by a planer is used by many. In fact, space users agree on what elements and patters are desirable and undesirable, what elements are bold in their collective memories and what are not be used to trace desirable behavioral and anatomical patterns. Environmental Psychology can be used to answer such questions. Many studies in Environmental Psychology have been done on issues like individuals’ cognitive – mental images of environment by focusing on constituent anatomical criteria of memorable, readable and understandable spaces in a holistic view of city. Lynch’s study can be named as a remarkable example in which he collected individuals’ mental images and by focusing on individuals’ plans, he attempted to understand their mentality of place and select the elements that lead to legibility and durability. In fact, in the area of environmental psychology and in particular mental image of the environment, by focusing on physical criteria of legible and memory maker spaces on an urban scale, many studies have been done, butthere are few studies on the importance of the criteria in scale of a building. Since the aim of this study is identification and comparison of effective elements in making the mental image of Shahzade gardeg in Kerman, the mental images of Statistical Society were gathered and analyzed by Delphi method. As a result, the effective organizing principles on mental images of visitors were recognized. The findings are analyzed and compared accordingly. Finally, we tried to develop the anatomical criteria which influence on mental images. This paper tried to answer two questions:1) What is the mental image?
2) What are the organizing principles that effect on common mental images of visitors?
This research used qualitative and quantitative methods and data was collected in a library and survival ways. Statistical population of this study was 30 female students of architecture that are in the first semester. They were asked to draw their mental images of Shahzade Garden. Then the Delphi method was used to image analysis. Finally, the results were analyzed. These results indicate some effective organizing principles on mental images of visitirsin the Shahzadeh Garden are: 1) the symmetry, rhythm and repetition in the building; 2) overall geometry of space and layout; 3) relationship between the main building, entrance pavilion and the linear path between them; 4) the difference in level existing in garden and the relationship between ponds and also water movement during its; 5) Some details such as stairs, rails and divisions doors and windows And other effective principles on mental images of this building are in next categories of importance. The result of this paper is just related to a case study of linear organization buildings. These results help to develop more appropriate and efficient design criteria as a link between architectural design and environmental psychology.

This paper investigates the role of spatial design in satisfaction of about 240 waiting patients and their company in three hospitals in Shiraz City. The chemotherapy waiting room was selected for study in these three hospitals. These waiting rooms have more or less similar conditions and differ only in their spatial arrangement and relation to circulation corridors. The results indicate that visitor satisfaction increases as the sitting areas are more detached from corridors. Blocking view towards the chemotherapy area also has a positive impact on user satisfaction. Views towards green spaces, or at least peaceful posters has the same effect, too. So does the demarcation of spaces with different functions. Nevertheless, gender was found to have insignificant impact on spatial cognition.

There is a wide variety of landscapes that represent different regions of the world. One type which consists of natural and man-made landscapes recounts a long and friendly relationship between humans and the natural surrounding environment.Perhaps, it could be said that in the whole process of civilization formation, human development and activities were the dominant side and the generated landscape was more cultural than natural. To understand the relationship between culture and nature, it is necessary to identify landscape patterns.Natural landscape is a place on which no human interference can be seen. Where human being starts to interfere and manipulate for securing its nature, cultural landscape emerges. In general, culture scale causes a tendency for getting into places, with the difference that it aims at preserving the natural elements.Cultural perspective is a natural landscape shaped by human. It can vary from extensive historical and urban areas to a small farm. This type of landscape expresses visual visage, man-made space and the governing relationship, artwork, texts, stories, verbal culture, and the effects of indigenous identity in a regional platform with which it is related. The cultural landscape is a geographical landscape in which culture and nature combine in touch with historical events, human activities, and performance of ritual rites based on the old beliefs of the locals of a region which has aesthetical values.In certain art societies and from the viewpoint of theoreticians, the concept of cultural landscape is a contained surface same as a plan or text in which the social and cultural concepts are taken into consideration in a society which holds interaction between human activities and natural habitat. In a larger sense, the entire surface is occupied by interaction techniques, beliefs, rituals, concepts and traditions of the people in a cultural perspective. Pir-e Morad shrine yard accompanied by the surrounding nature of Baneh city is a historical example of cultural landscape. The geographical characteristics of this landscape and its close connection with nature on the one hand, and being in the margin of the city on the other, have made it a milestone in the locals’ life from religious and recreational point of view.As the beating heart of the religious-recreational complex, Pir-eMorad Shrine is the converging point of nature and modern urban landscape. In comparison to other shrines in Baneh City, Pir-e Morad has a special potential in terms of its yard limits, which is the product of its history. This has generated symbols which are both concrete (Pir-eMorad springs, old sycamore tree, etc.) and abstract (culture, history, etc.) The particular identity of this old cultural-religious center of Baneh City was not the basis of its spatial organization. Preservation of the identity, history, culture and religious characteristics of Pir-e Morad is a must for survival of its perspectives and landscape. The main objective of the present paper is to study the principles and concepts of cultural and natural landscape reflected in Iran’s natural perspective with different ritual thoughts in pre-Islamic and Islamic periods.This paper studies Pir-e Morad shrine and its cultural-ritual practices and emphasizes this fact that the legacy of this cultural landscape has its origins in the ritual thoughts of this land. The connection with nature fulfills the physical and spiritual needs of visitors, and insures their stability and survival with the passage of time and their rising to prominence as a unified entity. A better understanding of these structures can help us in organizing cultural perspectives and harmonizing them with the global systems in order to make the most out of these natural-cultural sites.