Analyzing rule synergies in poetry of Arar

1. General Introduction Wahbi al-Tal whose pen name is Arar that he was born in the 1899 in Irbid city in the north of Jordan, in a cultural family. In that time the Arab world was in a cultural isolation and it was immersed in silence, pain, seclusion and backwardness, which was subordinate of the Ottoman Empire and was begin to decline and demolition. His father was a Jordanian educated and Arar learned Turkish language which was official language in educational period he also was familiar with Persian language which was taught at that time (al-Tal, 1957, 49). He got his title from, Arar Ibn Amro Ibn sha'as al-Asdi that was a poet of the era of ignorance (Bekar, 1990, 31). 1. corresponding author: 17.hoseynii@gmail.com Arar's poetry consist of themes such as love, attention to the woman, win and drunkenness, being and nothingness, life and death, debauchery and pleasures, repentance and committed lyrics and resistance. Defamiliarization is one of the significant feature of his poetry which has been done in variety of ways including the addition of rules, transgression in rhymes, elegant imagery and new combination and cohesion and harmony. 2. Theoretical framework Addition of rules unlike deviation (from the norm) is not deviation from rules of language but also it is exercising additional rules on the rules of norm language. Addition of rules can be investigated and classification according to harmony in phonetic, lexical and grammatical levels and analytic levels of phonetic harmony and lexical harmony in Mostafa Wahbi al-Tal's poetry in this way that is one of defamiliarization's practices, would analyze and investigate in this research. After discussion about addition of rules, this article seeks to answer this question: how much addition of rules could make foregrounding in his poetry and what is his goal of this literary approach? This research is based on this hypothesis which Arar has missed from rhythms of prosody and phonetic harmony in some the odes. 2-1 Review of Literature Upon exploring the history of the study, no essays regarding the criticism of Arar's poetry were discovered; however, a number of essays about the poet himself have been found including: - ،،عرار: شعریه التجربه لا شعریه الذاکره،، by Ibrahim Khalil, - "Epistemological origins of Arar" published by Ziyad al-Zaabi, - "The efforts of Arar, the great Jordanian poet, within the realm of Persian literature" by Bassam Ali Rababe'e, - "The influences of the Sage of Neyshabur upon Arar, the great poet of Jordan" by Bassam Ali Rababe'e. - ،،اللغه و الاسلوب فی شعر عرار،، by Mahmoud al-Sammarah, - And ،،وجوه تاثر مصطفی وهبی التل (عرار) بعمر الخیام النیسابوری،، Published by Behrooz Ghorbanzadeh. 2-2 The scope and focus of research The focus of this studies is different from the aim of this research. The present study is a literary research on addition of rules with regard to the aforementioned poet. It is worth noting that findings of this research are examined through the examination of his poems (divan) called the Asyat Valley yabs. 3. Methodology This study investigate addition of rule practices based on the theories of formality in an analytical-descriptive method. 4. Discussion results Defamiliarization consequently, addition of rules and deviation cause foregrounding in his poetry, which this research achieved the following results in this regard: 4-1 Phonetic and lexical harmonies is one of the most important features of addition of rules. by using these harmony the poet has done habit breaking in the field of addition of rules, of course using of deviation and addition of rules in Wahbi al-Tal's poetry are very effective and in this way he has been able to bring foregrounding to his words in the eyes of audiences. 4-2 The element of repetition is one of the most important music features of Arar's poetry which has doubled his poem's music and has given his poetry a certain coherence, repetition in his poem has much frequency and appears in variety forms such as phoneme, word and sentence repetition. 4-3 Given the harmony between rhythm and content and between rhythm and words, the poet was keen on modernism in rhythm and deviation from poetic metres, and about transgression in rhymes, one can point to enter pantastichs in his poem. 4-4 He uses the following sound and fricative continuity in his poetry to express feelings like vitality, happiness, complain, sadness, and transferring them to the audiences, and these leads poem to being foregrounding and musicality. 4-5 Derivative pun has the highest frequency in Arar's poetry. 4-6 Breaking the syntactic or verbal rules and ignoring them and combine words or vocabulary association is pleasing for him, in fact the language he uses is literary and the audience will notice a new massage and Arar's speech causes defamiliarization. 5. General Conclusion Addition of rules is one of the significant features of Arar's poetry which can be observed in form of harmonies (phonetic, lexical and grammatical), deviations, innovation and revival in a number of rhythms of prosody, attention to coherence and harmony in poetry, transgression in rhyme.