Subtlety in Saadis language of elegy

One of the aspects of literary activities of Saadi, the great poet of 7th century, is related to ghaside. Many years ago, when Saadi steps into poetry arena, odd has been reached perfection, and other poets with his same language were progressing. Saadi's poetry life is associated with the cadence of elegy and his tendency is more to lyrics. In this research we are going to show Saadi's art in this little arena. We look up his adds according to linguistic Persian concern. He speaks as a brevity language. At the same time his words are clear and without ambiguity. Subtle language is as a result of Iraqi style. In which the oldness of inflexions and syntax has been seen less in old coordinates complicated of odds language. Saadi enlists soft words in his odds and he doesn't have any tendency in abbreviation language. Mystical themes with its words and terms has been seen same as singular or merged in his odds. Sometimes we find colloquial language and words in his literatures. Syntactic techniques which cause eloquericy in his lyric poems has been seen in his odd and meter of his poems has become soft and consistent. Consonants and vowels in his odds can pronounced easily and nothing will be diminished in his poems. In this opportunity we look up Saadi's odds in 3 levels of phonetics, lexical and syntactic based on descriptive and analytic method and with the use of statistical table that we try to clear the subject