Reflection of the cognitive narrative of prayer in the poems of sixth century poets Based on the poems of "Sanai, Nezami, Attar"

Narrative studies from the perspective of structuralisms studies the nature, form and role of narrative and tries to show the ability and understanding of the narrative text. In all heavenly religions, according to human perception of religion, there are ways to reconcile with the deity. Poets, as possessors of gentle and sensitive souls, have included in their poems sweet and pleasant prayers, which is one of the most delicate phrases of their works. The narrative-cognitive perspective of prayer acquaints itself with the artistic manifestations of this type of literature, and deals with possible connections between prayers and the narrative text, especially "order, continuity and frequency, aspect and sound". The present article examines the place of the narratology of prayer in the poems of poets (Sanai, Nezami and Attar).

This research is a descriptive-analytical method and examines a number of narrations of the prayers of these poets based on the topics of "order, continuity, frequency, aspect and sound" in the framework of narratological theory. At the beginning of these discussions, the theoretical foundations of the research are explained, then many examples of prayer poems are reviewed and evaluated.

The poets of the sixth century, or the Iraqi style, have the delicate and sensitive spirit and emotions of Persian poetry. What shines in the poems of these poets is the use of prayer and supplication as an emotional escape Prayers and supplications, apart from expressing emotions, can be a means of escaping emotions, expressing suspension, order, continuity, frequency, aspect or sound.

The use of prayers and supplications in the poems of these poets is sometimes used in a concept other than its original meaning; The prayer poems of these poets, by traveling to the past and bringing it to the present, in addition to being beautiful and influential, give people hope for immortality and mastery of time, and by adapting the time of prayer and the volume of prayer, with relatively high rhythm and acceleration. Cause the reach and effect of prayer in the minds of their narrators. Also, the relationship between the number of repetitions of an incident in the story and the number of times narrated in the poems of these three poets is mostly expressed as a single frequency. The distancing of the levels of the story, the report and the small presence of the narrator in the prayer poems of these poets, have sometimes caused relatively more details and information to be provided.