Stylistic research in Gonabadi Heravi's divan

 One of the most common methods of scrutiny and evaluation of poets" poems is research in their rhetorical style. The subject of this research is the stylistic analysis of Mir Haj Gonabadi Heravi’s poems (d. 923 AH) from three perspectives: linguistic level, intellectual level and literary level. This article tries to evaluate the style of the poems of the poet, to explain the extent of his influence from other poets, to explain his influence on some poets after him, and also to determine the poems of other poets in his divan.

 The present study is a theoretical study that has been done in the style of library research. The area and society under study is the divan of Mir Haj Gonabadi Heravi, editted by Abbas Rastakhiz, which has been published by Movarrekh publications in Qom city.

 Gonabadi Heravi is a Shia poet who wrote his poem in praise of the family of infallibility and purity. His skill is composing of introductory odes. He is interested in Arabicism, especially in the position of rhyming poems. In his divan, he was influenced by the poems of several famous poets before him, and at the top of them, Zahir Faryabi and Hafez Shirazi and his poems have had an impact on the poetry of Khajeh Hosayn Marvi, Kalim Kashani and Feyz Kashani.

 Gonabadi Heravi is an imitator, not a master of style, who follows the style of Iraqi style poets in his poems. His skill is in simulated and metaphorical illustrations in the introductions of odes Due to the religious-praiseworthy nature of his poetry and Shia religious tendencies in it can be seen from the influence of Shia poets of previous centuries in his poetry. He is most influenced by the sublime words of Hafez, which the poets of the centuries after him have considered imitation and similarity to be the criterion for recognition. Theism, praise of the family of purity, Human love, sorrow and despair and sometimes moral concepts are the main themes of Gonabadi Heravi"s poems.