Study of Dahrimaneshi in Contemporary Poetry with an approach to the poems of Nader Naderpour, Fereydoon Moshiri, Nosrat Rahmani

In the literary institution of contemporary poetry, with the break from classical literature and socio-cultural changes after the constitution, the themes of materialism, secularism, and Dahrimaneshi grew up as poets. In this article, with the aim of analyzing DahriManeshi in contemporary poetry, its most prominent components in the poetry of three poets have been studied.

The method of studying and reviewing resources is library. The writing of the article is descriptive-analytical with a selection of poetic examples of poets. The statistical population of the study is the poems of Nader Naderpour, Fereydoon Moshiri and Nosrat Rahmani.

The themes of DahriManeshi in the poems of all three poets, especially in the first period of poetry in the thirties, have a light frequency. Pleasure with carnal and erotic loves, pub and opium, emptiness of life and ending with death, disbelief in the other world, atheism, complaining about the times and death thinking are the most prominent components of DahriManeshi in poetry. They are. In comparison with poets, the components of DahriManeshi in Nosrat Rahmani"s poetry are more than Naderpour and Moshiri.

The thought of DahriManeshi in contemporary Iranian literature, especially in the thirties after the coup d’état of August 28, 1943, is seen in the intellectual style of poets. Poets look at man, God and the world with a materialistic tendency and see the cause of everything from time immemorial.