To measure the narrative tempo, Gerard Genette, the outstanding theoretician who focused on the role of Time in narratives, divided the number of the pages in a novel by the chronological time represented in the text. In Shāzde Ehtejāb of Hooshang Golshiri, movement of time is very slow chronologically but so fast in the minds of the characters. In the outer levels, where the chronological time is more at work, the movement slows down which is in accord with Genette’s suggested patterns. Whether we take the whole life, or just the last night of prince’s living as the narrative focal point, there will be no change in the existence of the factors that accelerate or decelerate time, but the narrative tempo will change, and in fact it will increase in the former and decrease in the latter.

The comparative literature is a field of knowledge which compares the similar and different aspects of literary works in the different society and analyses the effects and influences of two or several works of art. These kinds of researches are usually done in different languages but other factors such as cultural and sociological background and lifestyle differences are taken into consideration in them. In comparative studies of narration, the similar and different aspects of themes, narrative elements and approaches are investigated. Khosrow & Shirin of Nezami Ganjehei and it’s imitation Padmavat of Abd-ul-Shakoor Bazmi Dehlavi are two great literary works in Iran and India. This research shows that they have similar and different aspects of narrative structure. Both of them have originated from historical events and characters; however, Nezami’s narration pays more attention to story and Indian narration pays more attention to history. The narrator of Nezami’s story is an omniscient and the narrator of Indian work is a limited omniscient. Both of them have made use of the chronological and mental time but the chronological time is more dominant. There are some differences and similarities in both works In transmission of the time and place of the narration. The description of natural views and ritual ceremonies and characters in different forms play an important role in realistic aspects in both works.

“Salvation” has always been both an implicit and an explicit concern in literary works; it has often appeared as a well-interpreted ending and sometimes under the guise of the afterlife. An investigation of A Stone upon a Grave and Prince Ehtejab in light of such concepts differentiates between “the end of time” as passive apocalypticism and “the end time” as active apocalypticism. The two works are located in the tension created between these times. Golshiri’s inexhaustible and cycloidal time inspires the protagonist, though death, as calendar time, blows his dreams away. By accepting the authority of linear time, Al-e-Ahmad forgoes confronting time through qualitative or cycloidal time, and seeks salvation through breaching the linear time, which is manifest in childbearing.

Narration of time is one of the important topics in the science of narratology. Gerard Genette is the greatest theorist of the time in the narrative and has given the most comprehensive discussion in this regard. He distinguishes between the time of the story and the time of the text and examines the path of the story from the calendar time to the narrative time in three categories: "order, duration and frequency". The present study tries to examine the various components of narrative time in the story of Zakaria in the Holy Quran in a descriptive-analytical manner and using Gerard Genett's theory about narration time and explain how the element of time is used in this story. The results of the research show that in the component of order, prolepsis and analepsis have been used a lot in the story of Zakaria; But prolepsis has the highest rate compared to analepsis and is in the first place. In the duration component, dialogue, summary and omission are evident in the story. And the dominant frequency in the story is repetitive.

Every wide-scope and progressive phenomenon is naturally provided with a simple narrative structure in which the components move from A to B, and from B to C, as if a seed grows to be a tree. In fact the narrative structure takes form trough transformations applied to the corpus by the author/narrator in order to be analyzed in their temporal sequences.This article, through analyzing the temporal dimensions of narrative, lays emphasis on the time of narration as well as the time-span in which the story is narrated. As to the former, the article deals with the linear time, sensual time and time of narration; concerning the latter, the paper pays attention to the opsis, story development, précis, ellipsis, and historie ethique. Finally all the topics discussed are supported with the examples of modern novels, and at the end of each section the related anecdotes of mathnavi are presented and analyzed.

The development of new narrative techniques in the past two centuries has led to the growing progress in narratology. In this field, "Time" is one important element. The French scholar, Gerard Genet, has discussed it in terms of three categories: "Order", "Continuity", and "Frequency". Exploring elements of narrative and the rules governing them will help to better understand their internal relations and mechanisms. The present article, in Genet's framework, shows that how in Mathnavi-I manavi, Mowlana as a classic narrator, uses all poetic-narrative potentials of "Time" in telling the story of "the King and the Maid".In the shift from the Real Time to the Narrative Time, Mowlana makes appropriate use of disturbing the linear order of the plot Time, and detailed, repeated description of some events. In this way, he creates a specific kind of Time that is directly and significantly related to developing a sense of suspension in the readers.

By adopting an analytic –descriptive research methodology, the present study analyzes the narrative acceleration in the “Stone of Patience “novel. To assess acceleration of narration, Gérard Genette divides the time of narrative text’s reading in the required time of novel’s events to be happened in real time. In this novel with stream of consciousness narrative technique, the future comes back in advance. From this view point, frequent retrospections along with several long shows guaranty the existence of novel. In this novel, temporal limit of fiction is not clear and the measurement or assessment of narrative acceleration based on speculation is not realistic. Since fictional axis of this novel except the shows are the result of two or more characters’ monologues. To assess narrative acceleration in each fictional axis, it should never ignore this phenomenon in the narrators section of that part. It is expected that narrative acceleration in this novel be fix and neutral due to this fact that the “Stone of Patience” is a text with numerous scenes. But, this novel is full of descriptive and explicative pause, retrospection, the representation of characters’ internal world and outer fictional narratives making the narrative acceleration slow.

Accreditation to fact and absorption in objectivity , that start with Nima , had a great impact in the moving of contemporary poem , with all its physical specification and inner and the modern poet realize that can collected the compatible components in the semantic wholeness by the narration , and obtained the possible of regularize to scattered elements , and changed the calendar time to ontological time.
In this Article , the poems of Tahere Saffarzade , be checked According to library method and content analysis and comparison and based on Roland Barthes's theory from the perspective of structuralism and the function narrative analyzed in this poems. The most important results obtained of this survey are as follows: - The statistical analyses of the narrative and non- narrative of Saffarzadeh's poetry , shows the poets tendency to narrative expression.
- the accession of notional logical connection and fluid motion, is rated of the features of Saffarzadeh's poems.
- the movement of Saffarzadeh's poems show us that she tries to make a move in the mind of audience,

In the long-run event studies, the measurement of abnormal performance due to specific events in the long run is done according to different methods. The calendar - time portfolio approach is one of those methods used to calculate the abnormal returns resulting from the effect of the event being investigated on the stock price of the firms. In this study, based on the data of 321 firms in the period of 1396-1380, the power of those methods in the Iranian capital market were assessed through simulation. The results show that following a performance appraisal of stock prices of firms in the long run, the three-year period should be taken into account. In addition, the four-factor model based on stock liquidity in the ordinary least square, and the Fama and French’s three-factor model, a four-factor model based on stock liquidity, a four-factor model based on stock beta and a four-factor model based on accruals in weight-average least squares , were identified as good models in the three-year period.