مهنوش محمودی

This article intends to study the historical mosques of Dezful in order to recognize the design of the mosque based on traditional and historical patterns in the design of contemporary mosques. The research questions are: What are the traditional and historical patterns in the mosques Dezful? What is the formal and spatial structure of mosques in Dezful in different periods? How can a model for contemporary mosques be proposed based on the architecture of Dezful mosques?The inference process consists of three stages: review of mosques in Dezful and classification and selection of mosques in terms of history, structure and form; Classification of quantitative data and their analysis; Is the conclusion. Based on the research principles, the method used to conduct the research is a combination of solutions. The data collection method is a combination of library studies and field reference. To reach the research questions using a quantitative and qualitative method in comparison between the historical mosques of Dezful in terms of structure and form has been used. Then, according to the results, their design pattern is identified and explained. Based on the studies conducted for the model of contemporary mosques, based on the study and recognition of the architecture of historical mosques in Dezful, mosques can be adapted to the climate of Dezful city using traditional architectural patterns. The historical period has its own characteristics. Finally, using the lessons learned from these historical monuments, a model has been proposed to be used in the design of the mosque

Since the formation of Islam and its spread over a wide geographical area over time, the most important building or monument in any Islamic city was the mosque, it was a symbol of the unity of the Muslim nations. Architects have worked in every Islamic land, implement their most prominent art in Islamic architecture in mosque buildings. The importance of the mosques made it possible for each historical period to have its own style of construction. In modern times, with the emergence of modern and modern styles in the design of buildings has led, despite the mosque's architectural experience in Islam and Iran, there is a significant gap between the ideal mosque - the mosque that desires the end of Islam - and the ideological types and patterns of the mosque have greatly expanded, and from the particular traditions that dominated the construction of mosques, mosques cannot be characterized as having any particular form. This article seeks to explore the historical mosques of Shooshtar in order to recognize the design of the mosque based on traditional and historical patterns in the design of contemporary mosques. Research questions are: How are traditional and historical patterns in mosques in Shushtar city? What is the shape and structure of the mosques in Shushtar during different periods? How can we suggest a model for contemporary mosques based on the architecture of Shushtar mosques?The inference process consists of three stages: Survey of mosques in Shushtar city and classify and select mosques historically, structurally and formally; the classification of quantitative data and their analysis are conclusions. Based on the basics of the research, the method used for conducting the research is synthetic approaches. The data collection method is a combination of library studies and field visits. In order to reach the research questions using a qualitative and quantitative method, it has been used structurally and formally in comparison with the historical mosques of Shushtar. Then, according to the results, their design pattern is identified and explained. Based on the research on the pattern of contemporary mosques based on the study and recognition of the architecture of historical mosques in Shushtar, mosques can be adapted to Shushtar using traditional architectural patterns. The historical period has its own characteristics. Finally, using the lessons learned from these monuments, a model for mosque design is proposed.

In the architecture of the old buildings of Dezful, artistic decorations are an inseparable element from other existential elements in the building. One of the special elements that is obvious in the construction of traditional housing and has a special beauty, which gives meaning and meaning to an element called a ledge by creating an empty space in the walls of houses, is called "nogholdoni". Accordingly, the most important research question is, what is the function and position of quotation in the architectural decorations of traditional housing in Shahrdzfol? And what role has this decoration played in improving the quality of residential spaces? The purpose of this study is to investigate the status and construction of this type of decorative and eye-catching space, which in our time is completely obsolete and excluded from the circle of building decorations.In the present study, using descriptive, analytical and survey methods with the study of traditional houses in the historical context of Dezful and studies around the ledge and its practical function in Iranian architecture has been studied to in addition to field studies and direct observations of traditional context of library studies. And articles have been used.The researcher's achievement indicates that these spaces are mainly made of plaster and have very beautiful and artistic decorations. Has been preserved in various shapes and forms and has become the background of decorative spaces such as open spaces, fireplaces, cabinets, drawers, etc

The architecture of the Orchin Dome was one of the hallmarks of the tombs in the southern and southwestern parts of Iran, Which has been less studied in scientific research. The main purpose of this study is to identify the factors influencing the formation of the dome of Imamzadeh Seyed Salahuddin Mohammad in the city of Abdanan. In this regard, the influence of historical, geometric (physical) and structural factors on the formation of the dome of this shrine has been discussed. This research has been done by descriptive-analytical research in the form of qualitative studies and its information has been collected based on library studies and field observations. According to field studies and observations, the study of the damaged dome was multi-faceted. One of the main indicators of this dome is the simplification of polygons in its corners. The dome architect seems to have used a semicircle to increase the height of the dome and to align the spiers. Other research findings show historical factors such as geographical location, historical background of Abdanan city, proximity to Elamite civilization, ziggurats and other historical tombs of Khuzestan plain (tomb of Daniel Nabi in Shush and tomb of Imamzadeh Rudband and Yaqub Laith Saffari in Dezful) as well as the physical shape of Seljuk tombs in the region, they have affected the physical shape of the study dome. Structurally, the dome of this building is mostly made of local materials and efforts have been made with the help of appropriate geometry. Prevent asymmetric and tensile forces. Therefore, numerical relationships in the proportions of their similar shapes in the floors and the proportions of the components of the dome, including the height of the floors, openings and other components of each with special relationships, create a transcendental (fractal) pattern. Also,The use of this unique geometry in the dome has prevented the absorption of sunlight into the dome. On the other hand, the height, shape and color of the dome affect the landscape and visual appearance and make the building stand out.

Today, by knowing the concepts of environmental psychology and the effects of color and light on the quality of the environment, it is of great importance to consider these issues in the design of spaces to provide a favorable and healing space for patients. It has been proven in various ways that color and light influence and affect the human mind and body and proper or improper use of them has many positive and negative effects on our lives. In designing healthcare centers, considering the significant nature of the land-user, that is associated with human’s physical and mental health, and also the complex functional relationships governing in it, attention to the requirements of proper design, including the proper use of light and color, has a key role. Due to their importance, therapeutic spaces should be a calm environment, according to the needs of clients. The present study aims to investigate how these two elements, as effective factors in improving the disease, can be applied properly. Proper color design and application of appropriate light can enhance health in hospitals. In the present study, library studies are applied to develop the theoretical foundations, and data are collected using questionnaires distributed among patients admitted to Shohada-ye Ashayer and Shahid Rahimi hospitals in Khorramabad City. This study is applied-descriptive research. In the present study, it is attempted to answer the question: What are the roles of color and light in accelerating the healing of diseases? To this end, first, the concepts of color and light are discussed and then the effects of them on physical and mental diseases and their application in therapeutic spaces are examined.

The Black Chad is a four-season residence, slightly adjusting to the changing seasons and climates of the region, in addition to observing the living conditions, taking into account the cultural and artistic aspects and adopting some form of original indigenous technology and innovation displays. Accordingly, to what extent did the most important research question, the cultural and social differences between the Kurdish nomadic and Bakhtiari tribes, have influenced the black shade of the tent? This study was conducted to identify the factors that make up this residential unit, the commonality and differences in morphology of the Black Tent between the two Kurdish tribes and Bakhtiari in the south of Ilam province and north of Khuzestan province and its impact on housing pattern and architectural structure. The data collection was based on library studies and field studies and the research method was classified and content analysis. The results show that black tents in the study area were influenced by climate factors, hospitality, happiness, protection and security, art and beauty. This difference in black hat shape is more influenced by the culture and geography of the area, although the cultural area is very close among the tribes, but there are differences in interior space divisions and in the size and structure of the black hat and the use of ornamentation and a black tribal view, Bakhtiari is more than Kurdish tribe.