رویا کمالی

Lexical cohesion, like the most prominent modern linguistic currents, deals with the text by highlighting the interconnectedness of the lexical elements and the role of these interconnected elements in the movement of the text and its development towards the desired goals. This trend helps us delve into the depths of the text and reveal how the lexical elements are organized to produce the text. Because these elements incubate ideas and meanings as they relate to the context. Nahj al-Balaghah, as a ray of the light of the Qur’an, occupied the summit of eloquence with its literary and intellectual richness. It is considered the best field for textual analysis that deserves to be examined. This noble book includes a chapter of the valuable sermons of Imam Ali, peace be upon him, that he gave in various contents following the diversity of discursive purposes. Thus, we chose the 112th sermon of this chapter, which is an ethical sermon charged with interrelated lexical indications, and we analyzed the functions of these indicators in achieving the coherence of the text as a coherent whole by shedding light on the mechanism of repetition (with its complete and partial types, synonymy and repetition of compositional formulas) and the lexical accompaniment (the phenomenon of the approach) based on Analytical. It emerged through our study that the sermon 112 of Nahj al-Balaghah was built on a tightly woven fabric with interrelated lexical relationships according to the context, and that the use of repetition and solidarity of all kinds as mechanisms that prevail over the text plays an effective role in the cohesion of textual units by creating an emphasis on the rotation of the text around it. It also contributes to the production of persuasive discourse through association, assertion, and an analogy between contradictions.

The stylistic study is a modern and influential approach that emerged following the linguistic developments of recent centuries and took the basic building blocks of linguistics and mixed with its various new currents to delve deeper into the texts. Stylistics is based on the analysis of the phenomena of the text according to the familiar levels, for the whole. On the other hand, committed literature as an important branch of literature, gives poetry high goals that affect the recipient as well as the community through the dissemination of ideas and philosophies; thought has an important role in the selection of textual phenomena of the most important branches of committed literature, the desired literary texts in love Ahl al-Bayt, especially the love of Imam Hussein (p), which has been interested in poets since the earliest ages to date, including these committed poets Abu Dahbal Jamahi, the great Umayyad poet who sang a poem in the lament of the Imam Hussein (p) and chose it because of the era of Imam Hussein (p) as He was one of the first poets who inherited the mother M (p). In this regard, we conducted a stylistic analysis in the lament of Imam Hussein (AS) and how his personality reflected in this poem according to its four levels (rhythmic, morphological, grammatical, and semantic). Our study shows that the poet was so interested in the musical element that it gives it the essential role in generating the general atmosphere and creating photography, as well as choosing from morphological elements and grammatical structures that suit the memorial and inspiration of the epic space.