فهرست مطالب aliakbar noresideh

Prayer is one of the highest religious teachings that plays an important role in spiritual education and the flourishing of the human soul. By praying, man declares his neediness, poverty, and ultimate servitude before God. The supplications of the prophets in the Holy Qur'an are among the discourses that have impact, coherence, and purposeful structure in the pragmatic and practical field of language and realize complex pragmatic meanings. The present study tries to analyze the language use of these prayers and the function of actions used in them by using the descriptive-analytical method and relying on Searle's speech act theory. One of the achievements of the research is that the language used in the verses is pragmatic in the sense that the words and sentences are not only productive but seek to implement action and change the outside world for the benefit of their users. The prayers of the prophets in the Qur'an, based on the model of John Searle, are based on three actions, which according to frequency are: 1) Persuasive action that is generally used in the form of indirect action, and the power in its statement is begging. In this action, the characteristic of power and dominance plays a fundamental role in the execution of the action; 2) Declarative action which has been used in both direct and indirect speech acts, and the power in its statement is confession and explanation; 3) Emotional action which is often used in the form of direct speech acts and the power in its statement includes remorse and regret. Of these three actions that are widely used in prayers, persuasive and declarative actions have the aspect of public expediency, and emotional action has the personal aspect and mental draining of the supplicant.

Muhammad Saeed Al Mansouri focused his poetry on the Prophet’s Famely, praise and lament. Among the poetry of lamentation, we chose the poem “After the Prophet” in the lamentation of Mrs. Fatima Al-Zahra (AS), in order to analyze it artistically, depending on the stylistic approach, focusing in our research on the phonetic level, which is represented in the external music, where we showed the poetic meter and its slips, and rhyme and its letters, especially the letter Al-Rawi and its vowels, and the internal music, as we stopped at the creative arts and repetition in all its forms. The research concluded that the poet was successful in his choice of the Al-Kamil meter, with a lot of benefit from the slithering and broken hamza in the narration of his poem, as the coming of the broken narrator suggests a broken psychological state, introverted on itself because of the kasra and the letter (yaa) that extends to the poet used the arts of anaphora and repetition to give his poetry a sound energy that helps to enhance the meanings of Zahra’s grief. He used  three kinds of anaphora and repeated the words in three forms: The unverbal repetition to emphesise that the sorrow in Zahra’s heart is the same illness that killed her, the verbal repetition that is not for emphasis at all, but rather to find an additional meaning for an arithmetic purpose, and the repetition of the word verbally and meaningly, represented by the repetition of the words of sadness and crying to suggest the strong presence of the case of Zahra in the mind of the poet, because it is the basic element on which the text is built, as it reveals the desire of the poet. In the whispered sounds of which it is repeated (137 letters), the letter Taa (38 times) and Haa (37 times) are repeated, while the letter Lam (75 times) and Mim (46 times) are repeated in the voiced sounds.

The position of Sahifa Sajjadieh translates it. So that sixty translations and descriptions of Persian language have been provided. Mohammad Mehdi Rezaei is one of the translators of Sahifa Sajjadieh. Their translation is one of the newest translations of Sahifa Sajjadieh on which research has been done. In the present study, using a descriptive analytical method and in order to provide a fair critique, the translation of Sahifa Sajjadieh by Mohammad Mehdi Rezaei based on the theory of Vienna and Darblin has been reviewed. This theory, which has seven strategies for recognizing and examining a translation at the level of equivalence, is a useful theory and by translating different principles and components in the two main approaches, namely direct and indirect approach, it deals with the translator translation method. The findings of this study showed that Rezaei may have borrowed, borrowed, borrowed, perhaps because he wanted to provide both literary translations with specific words and interpretations of Persian culture, and because in this translation he sought to approximate cultural equations. Has used less combination and displacement of words, in contrast, has used the component of equivalence and adaptation more. In general, the melodicity of sentences and the use of Persian equations and sentences appropriate to Iranian culture is an important feature of Rezaee's translation of Sahifa Sajjadieh.

The irony of poets who were able to portray the bitter and paradoxical realities of society has a special place. Iron has particular methods for correcting the inaccuracy and decreasing extremist tendencies in society. This research tries to acquaint the reader with the situation that society suffers by expressing the humorous methods of Abdul Sabour and Shams Langroudi and based on the comparative courses, we conclude that these specific courses are: 1-When depicting some situations by image heterogeneity the incompatibility of two opposite sides become clear and from this incompatibility new concepts are created and irony becomes bitter and acrimonious .2-Visual simulation imitates literary works and then seek new goals.3-Caricature by highlighting a problem or idea, make it ugly and out of ordinary. By doing this kind of thing they want people to return to dignity, unity, endurance, and resistance and not to hand over the key to country to traitors and avoid enmity, hatred, and lies that the devil rules over but their difference is due to their intellectual orientation. Abdul Sabour depicts situations with a romantic, realistic, and ontological look but Langroudi represents with a surrealistic look that is sometimes mixed with realism.

Sign-semantics is one of the domains of the discourse system that studies the mechanisms of formation and production of meaning in texts. Algerdas Grimas, a French semantist, has tried to provide a coherent model for the study of narrative and story in the field of the semantic sign of discourse. According to Grimas, discourse systems are divided into three categories: intelligent discourse, emotional discourse, and event discourse. In this article, using analytical-descriptive method, the types of discourse systems mentioned in the story of Prophet Noah (AS) have been studied. Due to the nature of the narrative discourse, this story contains numerous value-oriented aspects and actions and is noteworthy for examining the semiotics-semantics of the ruling systems in it. In this research, the desired action of the Imam, ie communicating and promoting the legitimacy and oneness of God, is shown with the help of sign-semantics. . The analysis of the action system of the speech of Prophet Noah (pbuh) shows that the first core of the narration is the action of the divine order to call for the monotheism of religion and abandon false gods. The analysis of the emotional system of the discourse of Prophet Noah (pbuh) shows that the elements of the emotional discourse produce the two concepts of teaching the program of religion and servitude and the transmission of the hegemonic discourse of the righteousness and unity of God. The analysis of the tension system of the Prophet's discourse shows that despite his logical words and enlightening discourse, he increases the knowledge of a small number of his companions, and with the increase of knowledge, their faith in the words of the divine saints increases simultaneously.

One of the semantic methods is Izutsu theory, which is used in the field of Quranic vocabulary. In order to extract the meaning of words, Izutsu pays attention to semantic development by looking at the meaning of words in Jahili poetry and identifies focal, key and secondary words. Then he identifies the meaning of the words with seven methods. (contextual definition, replacement of words, opposite words, semantic field, negative form of words, synonyms of expressions and usage in non-religious context) This research, after identifying the type of vocabulary, has analyzed the effect of each word in the semantic field with a descriptive-analytical method. Then, the semantics of the words Za'am ", "Meryat" and "Rayb" have been done using the implementable parts of Izutsu's theory. Through this research, it was determined that the words Za'am ", "Meryat" and "Rayb" were used in Jahili poetry, but in Quranic usage, they have the basic meaning of "false belief", "stubborn doubt" and "obstinate doubt" respectively

After passing through the stage of structuralism, semiotics laid the groundwork for issues such as body, perception, feeling, and presence, and gradually shifted to a phenomenological perspective. In other words, the process of meaning-making is open and fluid, and confronts us with a presence whose biological senses, perceptions, and experiences are the source of linguistic production. Accordingly, the main foundations of meaning are sensory-perceptual perceptions that, through a physical and sensitive presence, convey their lived experience through languag. Therefore, in this study, a short poem by the Syrian poet Adonis (1930) entitled "Al-mezana" was selected and studied by descriptive-analytical method. The approach of this research is phenomenology and its tool is semiotics. The purpose of this study is to investigate the poet's life experience and how emotions are transformed into meaning and the role of subject and object in realizing the meaning of experience. Phenomenological analysis of Adonis's poem "The Al-mezana / minaret" shows thatThe phenomenology of the signs mentioned in Adonis's ode shows that meaning and experience are two separate processes that are  aligned with each other. Another important point in obtaining the meaning and experience of individualization is the direction that Adonis, as the narrator, gives to the main stage in order for the event of discourse to occur. Adonis has provided the source of the production of the signification of the forgetfulness of Eastern culture from the point of view of the weeping minaret and the end with the chimney. Thus, from the point of view of how phenomena begin, end, and are chosen, the narrator's view is taken, and as a result, a possible image of the phenomenological scene is created

Semiotics - Semantics, which is an evolved form of classical semiotics, provides an opportunity to study how meaning is produced, functioned, and received in a process system . Accordingly, the relations of signs, and the power of meanings are not enough to show the production of signs and meanings , also The conditions and nature of discourse construction are examined too. In this regard, to study the process of the cognitive dimension system of Nahj al-Balaghah and the strategies of inducing cognition in the cognitive cycle and the role of the discourse partner, letter 31 entitled- His will for Hassan- son of Ali, which he wrote to him in Harderin” - Famous for the will -was selected and examined by analytical-descriptive method. The results show that the speed and slowness of the persuasion process, strategies and tools to use it, including encouragement, warning and forbid in the letter, depends on the addressee and the existence of ethical beliefs in the archive of his beliefs reference belief. Therefore, because Imam Hassan (AS) is an addressee that has a common belief and reference belief with the speaker, cognitive variants in the cycle of cognitive process, are offered quickly. In these circumstances, In these circumstances, the existence of ethical belief precedes cognition and persuasion strategies, and the types of awareness that have the aspect of encouraging ethical action are used the most. Also, if there is a danger in the way of the addressee reaching the valuable object, pseudo-right and wrong.

Translation criticism means a comprehensive and inclusive look at various aspects of translation, which is of great importance to researchers, writers and other people who pay attention to the field of translation. Translation criticism, if it is done correctly without bias and malice and according to its correct principles and frameworks and is based on science and knowledge, it will cause a tremendous change and significant progress. Today, there are various methods and theories for translation criticism, one of which is Joseph Malone's theory. The use of new translation ideas and approaches can solve the problems and challenges of this field. For translation, Malone proposes methods such as: adaptation, regrouping, alternation and new arrangement. In this research, a part of Mohammad Hizbaizadeh's translation of the novel "Hain Turkana Al Jasr" by Abdur Rahman Manif was analyzed based on Joseph Malone's theory. The result of the research shows that the elements of matching, compatibility and regrouping are more consistent with the translation of the translator and through them the implied meaning of the word and the message hidden in it are eloquently conveyed to the reader. Therefore, these three elements compared to the other two elements (alternation and fresh arrangement) had more reflection and expression in the translation of the selected parts.

Nida, the famous American linguist and translation studies scholar, has categorized translation equivalence as two types of formal and dynamic. The formal equivalence is the literal and author's oriented type while dynamic equivalence is a communicative translator oriented type trying to send the message of the text across. The reason for the existence of various adjustments in the dynamic equivalence could be elements such as omission, addition, reduction, and words and phrases' parts of speech change. Deploying a descriptive-analytical research method and making examples of Nahj al-Balaghah sermons, the selected translations are studied based on the mentioned research model. The issue of addition or omission from the lexical elements of translation may consider factors such as attention to the context and register of the words and paying attention to the main structure of the source and target language, as these two types of translation may lead to the meaning communication from the sources text to the target. However, it could change the linguistic form and structure of the target text. Out of fourteen samples, among the studied translations, Dashti and Makarem Shirazi have adopted nine dynamic equivalences and five formal ones in their translations while Ansariyan has rendered seven dynamic and seven formal equivalences.

Pragmatics considers literature as the most effective and beautiful type of discourse. A discourse that contains not only beauty but all the functions of language communication. Therefore, the art of persuasion, as the ultimate goal of any discourse, falls under the school of pragmatics. Metaphor is a tool that has a high position in the relationship between the speaker and the sender, as well as in persuading and influencing the audience. The present study using a descriptive-analytical method tries to examine the application of this rhetorical device in selected letters of Nahj al-Balaghah with the aim of convincing the audience. One of the findings of the research is that the Imam (as) uses most of his metaphors to warn, inform and persuade the audience, and in this way, he chooses simple and tangible images that have a greater persuasion ability and impact.

Some Quranic words such as doubt, assumption, guess, incertitude, misgiving, etc., despite semantic similarities, have different connotative dimensions and sometimes translators make errors in the act of translation. One of the appropriate ways to reach the exact meaning of the words of the Qur'an is to use the method of semantics, through which understanding the true meaning of words leads to a proper translation. One of Toshihiko Izutsu's methods in semantics is to study the semantic field. Using a descriptive-analytical method, based on Izutsu’s theory, this article tries to explore the semantic field of the word assumption. First, the poetry of Jahiliyyah (Age of ignorance) has been examined based on the semantic evolution of Izutsu's theory. Then, by determining the focal, key and sub-words, the semantic relations of this field and the distribution of the repetition of the word "Za'm" and its derivatives in the Meccan and Medinan Surahs have been examined. The findings of this study show that after the revelation of the Qur'an, the connotative dimension of invalidity and falsehood in the semantic units of the word Za'm has become more prominent; its correct meaning equals false assumption, and mentioning the word "false" has a great effect on the translated text. This semantic dimension can be justified by considering the repetition of most derivatives of "Za'm" in Meccan Surahs Makki due to the connection of the content with the principles of religion, in comparison with Medinan Surahs, the content of which often relates to rulings, social affairs, etc.

The intention of the guillotine in the use of language in a discourse has an influential role so that the sender in choosing the strategy of his discourse and the receiver in understanding that discourse, pay attention to it in a specific context. Semantics and receiving the speaker's intention are the main and effective elements in pragmatics; because this theory of linguistics in the analysis of a discourse deals with its three pillars (sender, sent and receiver). The present study, relying on the intention and purpose of Amir al-Mo'menin (AS) in the verbal actions of his letters to Mu'awiyah, seeks to understand the meanings of the letters and discover his strategy in leading the audience to perform or leave an action. In fact, speech actions are one of the most important axes and tools of language application that the sender uses to achieve his discourse goals. In addition, speech actions in the form of news, descriptive and compositional sentences. And an action affects its audience and consequently changes the outside world. Therefore, this article examines the letters of Imam by descriptive-analytical method in extracting samples and analyzing them and relying on the views of Austin and Searle in the theory of speech actions. The achievements of this research are that Imam has used indirect actions in the discussion of speech actions and the implicit strategy appears in it and in persuasion action uses the condition of lexical concussion and social domination to change the theologian's positions.

The study of hegemonic semantics shows how the signs take their transcendental path and serve the hegemonic meanings. The purpose of this study is to investigate the formation, production, and reception of meaning in the field of sustainability literature. In this regard, the hegemony in the two resistance-oriented poems by Mehdi Hamidi Shirazi entitled "In the waves of the sand" and the poem "Abd al-Sabar" composed by Mahmoud Darvish was examined. Sign-semantic study of these two discourses shows how two poets, using cultural, national, and local backgrounds and archives, produce resistance-oriented meanings, distancing themselves from existing and known contexts and confronting the narrator with unexpected elements. Other findings of the study include the existence of two identical value systems, which is the praise of freedom and liberty. This value system is in the mechanisms of production in the scheme of emotional discourse in order to establish the prevailing hegemony, that is, to praise stability and freedom in society, and to marginalize other concepts.

Analysis and investigation of translation quality have long been taken into consideration. Various methods have been proposed by theorists and linguists to critique the translation of texts from Arabic into Persian and vice versa. One of the methods presented in the field of translation criticism is Vinay and Darbelnet’s model. This article raises two questions: How is the translation of Adel Abdel Moneim Suleim evaluated based on the Vinay and Darbelnet model, and which of the components of Vinay and Darbelnet is most used in the translation? In this research, using a descriptive-analytical method, a part of Adel Abdel Moneim Suleim's Arabic translation of Jalal Al-Ahmad's School Principal novel is examined based on the Vinay and Darbelnet model, and the quality and method of interpretation of this novel are evaluated by the translator. The result shows that the translator paid more attention to the elements of the target language in translating the selected samples. Also, in some cases, the translator ignores the transmission of the message and content of the original language to the target language and relies on direct and lexical translation, which may be due to the translator's insufficient knowledge of some cultural components and the basic foundations of the source language.

Relational factors are a set of linguistic elements that cause the connection of words, especially sentences, these factors are placed between the two sentences or the first of them and link them together. The most important classification of relational elements from the point of view of Halliday and Roghayeh Hassan is manifested in four types of time: incremental, causal and contradictory. The element of temporal relevance has different types such as: sequential temporal relevance, concurrent temporal relevance, referential temporal relevance and do-it-yourself temporal relevance. , Faqihi and Fayz al-Islam) and how to show coherence and coherence in their context by giving scattered examples. Finally, the temporal relevance elements used in the selected examples were more related to the semantic structure of the sentences, although these elements were apparent in most of the examples, but with more reflection on the examples and translations mentioned, it can be seen that these elements sometimes Despite their lack of appearance, the semantic and conceptual construction of the phrase and the text are intertwined.

Coherence is a semantic concept that refers to the semantic relationships in the text and distinguishes it as a text from non-text. Coherence is divided into three categories: grammatical, lexical and conjunctive. This study examines the coherent elements of the text based on the theory of Michael Halliday and Roghayeh Hassan in the Ghadīrīyeh Sermon of Imam Riḍā (as). According to this theory, what makes the text cohesive and unified and distinguishes it from scattered and fragmented writings is the factor of coherence. In this article, based on descriptive-analytical method and by drawing diagrams, lexical factors of text coherence, such as (homogeneity, contradiction, grammatical coherence and similar observance) and repetition (words and phrases) were extracted from the text of Ghadīrīyeh Sermon and analyzed by giving examples. The result is that the factors of coherence in the text of the sermon have been observed and have made it more coherent and continuous. What has made the text of the sermon coherent is not merely the observance of the principle of coherence; rather, it is due to the inner harmony between the layers of the text of the sermon, which arises from the deep understanding of the speaker and the understanding beyond the relations between words, as well as the power of literary creation and blowing the soul into the body of words; something that, if done correctly, has led to the resurrection of words.

Translators and linguistics represented many theories about translation in two different languages. In translation assembly Nayda represented equanimity theory and he belived that it is a process that follows natural equivalances in destination language. Indeed’ Nayda’s theory is completed in a few steps. Prophet Ali in Sheghsheghieh sermon pointed the right of the caliphate in Nahj-al-Balagha by some contentions. That due to attention to literary style of sermon, the exami ation of translation can help translators in future. In this sermon, there are 70 verbs that authors find the correct equivalances for them by considering the current situation. In next steps, the correct equivalances are compared with equivalances of two translators and it is defined that both of them find the best and the same equivalances for some of the verbs. Besides, in translating some of the verbs, both translators make a mistake or one of them makes a mistake. It is defined that both honorable translators find correct equivalances for the most verbs. The number of the correct equivalances in Shirvani translation was 44 and in Dashti translation, it was about 40 verbs. That is justifiable based on contemPoraneous of two translators.

Semantics is the science that, by examining the various semantic components, seeks the most appropriate equivalent for the word in the translation of the text. In other words, semantics is one of the disciplines that helps the translator to do the mission better. If the translator is dominated by semantics, it is like a building built with secure bricks. On the other hand, regarding the semantics of Qur'anic lexicon, it can be said that semantics is a level between translation and interpretation. In this study, the authors have investigated the oldest meaning of the root after extracting verses containing the derivatives of the esoteric root, by forming the semantic field of the word "esophagus". They then refer to the evidence in the Qur'an as an example and present "stubborn doubt" as the essential meaning of "the revelation." They have also suggested "stubborn doubt in monotheism", "stubborn doubt in the resurrection", "stubborn doubt in the legitimacy of the Qur'an", "stubborn doubt in the prophets' prophecy" and so on for its relative meaning in some verses of the Qur'an. After conducting this research, it was found that the association of prohibition and emphasis in the semantic field of "Mary" signified special care for the Prophet and his special superiority over other human beings.. Blasphemy and excessive dealing with the margins are the causes of the "visible" and profound misguidance and denial of the Lord's revelations. Keywords:

Modernism, in its simplest form, is as follows: transformation in all dimensions of intellectual and social life of the contemporary human. In contemporary era, economic and industrial growth has changed the traditional norms and values in human societies. Since literature reflects the whole view of the community, it is naturally affected by social change. In company with the emergence of modern art and literature in other countries, Arabic works were also influenced by these developments. But, unfortunately, there is few critical and normative debate on this issue. With the advent of modern literature, the standards governing literary works have changed. One of the broadest literary types influenced by modernism is the novel. One of the greatest literary types influenced by modernism is the novel. The novel “The Season of Migration to the North” is the work of Tayyeb Saleh's, a Sudanese storyteller, in whom the author tried to influence the components of modernism and creates a Post-colonial work. The present study emphasis on the descriptive-analytical method, analyzing the components of modernism like ‎poetics, anachronism, visibility angle variation, reality merging with imagination, and so on. The findings indicate that the poetics and anachronism are one of the most prominent components of the novel.

Symbolism-semantics, bypassing classical semiotics, which considered the production and interpretation of meaning to be a two-way patriarchal relationship, entereda new stage, the continuous discourse activist shifting the semantic boundaries. In this new knowledge, the semantic assertion and the freezing of signs place their place in fluid, dynamic and dynamic signs. In this research, using a descriptive analytical method, how the discourse was fetched in the ninth sermon of Nahjulbalaghe on the basis of senses with the help of sensory-perceptual dimension, it was investigated and shown how senses are the main basis for the formation of discourse, then the reflection of this dimension of discourse in the translation Seyyed Ali Mousavi-Garmaroodi was evaluated to determine the authenticity and defect of the translation of sign-sensory meanings in the translation corridor for reaching the semantic corridor. The findings of the research show that attention to the sign-semantics of the word in translation makes it possible to identify the semantic value of the signatures and their correct expressions. The way in which the interpreter has neglected to pay attention to it and, consequently, to equal representation.

Sign-semantics is a tool for evaluating how to generate and get meaning in discourse analysis.  This new science, with the backing of classical semiotics, provides the opportunity for signs to appear with new signatures in a forward direction.  In this paper, using a descriptive analytical method, and in order to examine the semantic sign of the discourse of Imam Riḍā (as), the “Prayer asking for rain” was selected for research.  This prayer is due to the nature of narrative discourse, which contains many acts and values, and regarding its semantic sign of governing systems, worth to be considered.  Imam as the heir and flagship of Imamate, like other Imams, has the task of transferring and promoting the concept of Imamate. To realize this, they use a number of obvious and hidden methods, but in the face of Mamūn, like some Imams, he proceed the way of taqīyah, and indirectly induces the concept of their intended meaning, the hegemony of Imamate through the prayer asking for rain.  This research demonstrates the realization of how the ideal hegemony of Imam Riḍā (as) is, namely, the advent of Imamate, and, in order to identify that hegemony, we need a precise tool to deal with the variety of our discourses. Here the sign-semantics analysis, as an accurate tools, can help us realize this.  In this research, various types of discourse systems such as system of action, emotional system and tension system, and concepts for the processing of the concept, transmission of message and communication with the audience were evaluated and shown how Imam Riḍā (as) uses in the prayer, from some discourse systems, and explains the legitimacy of his wilāyat (authority)  and his purified family, and hegemonic discourse of the authority.

The study of character and characterization in literary texts is a complex issue, which requires a comprehensive knowledge and understating of characterization methods and techniques. One reason for such complexity is the limitation of time and space in most of literary texts.  A literary character, in order to be accounted as an influential element in a literary work, should be developed within technical frameworks and equipped with motivation. The Flower Quay No Longer Answers (1961) is one of the latest novels of Malik Haddad, an Algerian poet and author whose oeuvre has influenced the literary tastes of the Algerians. In this novel, the protagonist shares common characteristics and destiny with the author. Adopting a technical method, this paper examines different layers and structures of characterization in The Flower Quay No Longer Answers in order to delineate the way the author has developed the novel’s characters. It can be suggested that an analytical method dominates the novel’s characterization structure. It can be concluded that this novel does not share common characteristics with short stories and manages to portray different images for readers due to the abundance and interconnection of characters and places.

This article examines textual fragmentation and dispersion in Muʼnis Razzāz’s Alive in the Dead Sea (1997). It can be suggested that the novel’s fragmented textually refers to a chaotic and disorganized society, a fragmentation that can be observed at textual, temporal, spatial, character, and resolution of conflict levels. In the novel the author provides an atmosphere characterized with doubt, uncertainty, lack of faith and logic to strip classic texts of their realist and logical color. Accordingly, the novel’s fragmented textually is a democratic attempt not only to reflect dissonance and disorder but also to violate all rational and realistic principles so as to achieve borderless and infinite freedom, and confusion. As such, the novel narrates a new story based on nightmares and dreams that are indispensable to modern life. Here, Razzāz attempts to showcase the chaos and absurdity of contemporary life through textual fragmentation and confusion that generates multiple narrative levels.

An Analysis of non-structural cohesion in the Sermon of Jihad and Selected Translations (Shahidi and Garmaroudi's Case Studies Among the issues raised in linguistics, the attention of analysts has always been the focus of various texts, cohesion and coherence in the text. Cohesion lies potentially in the language system tools, such as referral, deletion, succession, and relevance, which lies within the language itself. Since Nahj al-Balaghah, as a coherent text, includes different types of coherence, translations are expected to reflect these elements of coherence. By adopting a descriptive-analytic approach, this paper deals with the non-structural grammatical cohesion components in the context of the Khayad and two selective translations of Shahidi and Garmaroudi. This research examined the degree of adherence of the two translators to the reflection of these components of cohesion and finally concluded that among the many components mentioned, both translators, in the shadow of moving close to the original text and with the choice of appropriate institutions, have been able to reflect the degree of cohesion contained in the original text in translation. At the same time, it was observed that two translators were, in some cases, affected by factors such as the special style of the translator and the capacity of the linguistic-verb language of the target language in finding equivalents.