فهرست مطالب behnaz nazari

The poetry of the holy defense is mixed with the ritual poetry, especially the manners and culture of the Ahl al-Bayt (AS). The political behavior of Imam Reza (AS), dealing with the tyrannical and usurping rulers of Abbasi, associating with the masses and their deep influence with a practical model is not hidden from anyone. Accordingly, Razavi's way of life based on the culture of stability has had a tremendous effect on Persian and Arabic literature and has created manifestations of stability in Razavi poetry. Among them, "Maroof Abd ul-Majid" and "Moshfegh Tehrani" are among the poets who have expressed their devotion to the field of the eighth Imam by composing poems full of honest and dynamic emotion. The findings of this study indicate that common themes such as recourse and supplication, pilgrimage, knowledge of Imam Reza (AS), homelessness and martyrdom, birth of Imam (AS) and intercession, as well as in cases such as guidance, inheritance of the Prophet (PBUH), Jude and Forgiveness, mercy and dignity, and the elimination of oppression There are differences in the poetry of both poets. The purpose of this study is to introduce Razavi culture as one of the foundations of sustainability literature and its representation in the poems of the mentioned poets with a descriptive-analytical approach. The results show that both poets have paid more attention to the high human qualities of the Prophet (PBUH). The reason for this similarity is that both poets have used the source of the Qur'an and Hadith. Moshfegh has mentioned the beauty of Imam (AS), while Maroof Abd ul-Majid has mentioned the honor of the Imam (AS) pilgrim.

One of the most important issues of Mahdism that has manifested in the minds of poets is the issue of waiting for the reappearance of the Imam, which is discussed with various interpretations and interpretations among those waiting for the Imam.  They have been able to describe the image of Hazrat Mahdi (as) well in this great mission. In this study, citing evidence from the poems of these two poets in a descriptive-analytical manner, a comparative study of the appearance of Imam Mahdi in contemporary Persian and Arabic poetry has been conducted.  That is, the poems of limitation are tied to religious culture in a transnational form, such as the etiquette of waiting (human beings waiting, crying, praying, praying and waiting for justice). Establishing justice.  For this purpose, first the divan of these two poets explores and then examines all the existing themes related to the concept of Mahdism in terms of content, while this concept in the poetry of Mullah Hassan Arani with detailed descriptions of details and beautiful elements.  knowing  Has found an artistic format

Ritual poetry is one of the types of teaching poetry that has an ancient background in literature. The supreme position of Imam Riḍā (as) among the Shiites, and especially his presence in Iran, has caused the poets of every corner of this land to create beautiful inspirational works and make great works in this regard, and taking steps thereafter a great deal in the richness of religious literature. Meanwhile, "Mohammad Hossein Gharavi Isfahani" and "Khoshdel Tehrani" are a typical example of the well-known poets who form the majority of their poems and praise Ahl al-Bayt (as). In this research, firstly, according to the position of the comparative literature, it proceeds from the perspective of the American school, which emphasizes the aesthetic, interdisciplinary, and interdisciplinary studies of the prominent features of this theory, and then, through a descriptive-analytical method, based on evidence of the poetry of these two poets, with the aim of comparative study of the themes of Raḍavī in ​​his mediates and his successor, has been discussed. The findings of this research indicate that the two poets in the discussions such as: The expression of the moral virtues of Imam (as), the wisdom and knowledge, the dignity and virtues of Imam (as), the wilāyat (authority), the imam's signification, the dignity of the Imam, the historical events of Imam's life (as), prayer asking for rain, and the hadith of the Ḍāmin Āhū (deer guarantor), the passion of pilgrimage, intercession, etc., have similarities and different aspects; the results indicate that the Raḍavī  theme of Khoshdel Tehrani poetry, due to the beautiful literary images and its various themes, has had a more influential effect on the audience than the poetry of Isfahani, although in the poetry of Gharavi there are also some beautiful new themes.

The Shiite poetry of Ashura is one of the most influential branches of Islamic jurisprudence, which includes a divine and human message that is in harmony with the universal nature of mankind. Meanwhile, committed devotees, using the poetry and poem praise of God, have made their name on the eternal literature of eternity. Rajab al-Barsi is a Shi'ite literary scholar who has focused his efforts on reviving Shi'ite culture and tradition, and has made outstanding contributions to the religious community. The Divan of his poetry, who is a religious scholar in the exhortation of the Ahlul-Bayt (AS), can be regarded as the neglected part in his works; the most beautiful part of this poet's poetry is Imam Hussein (AS).The present study seeks to examine the issues with a descriptive-analytical approach and to open the door to his poems from this perspective. Studies from these pious ones show that the poet addresses such issues as: the description of the courage and bravery of Imam Hussein (AS), the expression of the enemy's cruelty, the expression of the universe from the tragedy on Imam Hussein (AS), drawing The impassioned Imam Hussein (AS), the grief and tongue of the tragic characters of the Karbala incident, the revenge of Imam Mahdi (AS), and so on., which is mainly based on his scientific background, and especially on the history of Islam, has been well versed in a realistic picture of Ashura's emancipation that emanates from his true affection. Offer.

The prophetic eulogy is considered one the poetic techniques that poets have written innumerably since the time of the revelation of the Holy Qur’an to the present days. Ka'b Ibn Zuhayr had extended this technique by compiling eulogistic verses and during the course of history; many poets were influenced by his techniques and content. Ibn al-Sāʻātī, a Shia poet of the Ayyubi era, to imitate the ode of Ka'b bin Zuhayr, also composed one in praise of the prophet with the same prosody and rhyme. In terms of structure and content, similarities and differences in the two are visible such as ephemeral of the world, praise of the holy prophet and demanding his forgiveness, and the historical events are the most important common themes. The main difference between the two panegyrics is that Ka'b bin Zuhayr praises immigrants as loyal companions of the prophet while Ibn al-Sāʻātī - because of being Shia- praises the family of the prophet. However, both pay particular attention to the rhythm, structurally. This study intends to investigate the structure and content in the prophetic eulogy of both poets, through a descriptive-analytic method. Of the highlights of the findings, “Ibn al-Sāʻātī” has been influenced clearly by the praise of “Ka'b bin Zuhayr” in words, meaning and method. Regardless of many common points, there are two fundamental differences: the Shia and religious color is clearly seen in the panegyric of “Ibn al-Sāʻātī” while Ibn Zuhair composed his ode to apologize the prophet. “Ibn al-Sāʻātī” has been drunk to satiety of the beauty of the Holy Quran but “Ka'b bin Zuhayr”- due to its proximity to the time of revelation of the Quran-, was not familiar with this book and except for a few references, he did not use it.

The present study aimed to investigate the female aspect from the perspective of Nasari. Addressing women's role and showing real and sometimes ethereal figures of women in all historical periods of Arab literature, is seen in the works of many poets and writers. But contemporary poets with new and different look than in the past; focused on the subject of women. Jamal Nasari of those poets whose poems in the collection of the same name in different threads to express their feelings and ideas and personal concern for the social, political and cultural benefit. This study intended to examine different aspects of women's role in Nasari poetry. Nasari in many positions held an optimistic bias towards women and at the same time his pessimistic words and ideas against women were not rare. The findings of this descriptive-analytic study proposed issues such as lack of society attention to woman emotions, a symbol of chastity, a man woman comforting, sad parting of lovers, shelter and support, etc., as well as to describes negative attitudes the poet dealt to. Therefore, by examining the lyrics of the poet the results indicated that the Nasari poems did not include describing the physical characteristics of women, but were symbols of the concepts and themes of the poet to express his feelings through it.