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جستجوی مقالات مرتبط با کلیدواژه « الاسود یلیق بک » در نشریات گروه « ادبیات و زبان ها »

تکرار جستجوی کلیدواژه «الاسود یلیق بک» در نشریات گروه «علوم انسانی»
  • شیوا صادقی*، هدیه جهانی

    النسویه هی حرکه اجتماعیه بدات فی اواخر القرن الثامن عشر فی اوروبا وامریکا بهدف القضاء علی التمییز بین الجنسین ضد المراه. هذه الحرکه، سواء فی مجال السیاسه والمجتمع او فی مجال الادب، هی نتیجه عدم الاهتمام بالمراه فی المجتمع الابوی، وفی اواخر الستینیات، دخلت الافکار النسویه مجال «النقد الادبی». یحلل النقاد الادبیون الاعمال الادبیه من خلال مقاربتین: «التاثیرات الانثویه» و«نقد المولف». فی غضون ذلک، برزت نظریه المناهج الاربعه للناقده إلین شوالتر فی القرن العشرین، والتی تتضمن مناهج بیولوجیه وثقافیه وتحلیلیه ونفسیه ولغویه، من الممکن للمراه ان تنتقد الاعمال. بناء علی ذلک، یمکن تحدید مکانه المراه فی الاعمال الادبیه والتحقیق فیها. وفی هذه الدراسه تتم المقارنه بین روایتین إحداهما للکاتبه الإیرانیه نسرین ثامنی بعنوان «گلی در شوره زار» والاخری للکاتبه الجزائریه احلام مستغانمی بعنوان «الاسود یلیق بک»، لانتقاد وتحلیل کتابات کل من: النساء للاختیار ودعنا نحلل ونتحقق من الاساس. معاییر کتابه المراه کما تراها إیلین شوالتر، لإعطاء صوره اوضح عن وضع المراه، والظلم الذی تعرضت له، وافکارها ومثلها. منهج البحث فی هذه المقاله هو (الوصفی- التحلیلی) والدراسه مبنیه علی نظریه إیلین شوالتر. اجری هذا البحث بهدف دراسه هاتین الروایتین بالاعتماد علی نظریه إیلین شوالتر الرباعیه، وتظهر النتائج المحدده ان هاتین الروایتین تتمتعان بخصائص نسویه ترتکز علی اربعه محاور: بیولوجیه، وثقافیه، وتحلیلیه، ولغویه والتی تشکلت علیها نظریه شوالتر وفیها یمکن العثور علی علامات ابعاد الکتابات النسائیه. الاختلافات الواضحه بین هاتین الروایتین تکمن فی الواقعیه السیاسیه التی یمکن الشعور بها فی «الاسود یلیق بک» بسبب الإشاره إلی القضایا السیاسیه فی الجزائر، مقارنه بالروایه غیر السیاسیه بالکامل «گلی در شوره زار»، وهی روایه اجتماعیه. فی روایه «نسرین ثامنی» الواقعیه النفسیه هی التوسط فی النزاعات الداخلیه والصراعات العاطفیه اقوی.

    کلید واژگان: النسویه, إیلین شوالتر, الاسود یلیق بک, گلی در شوره زار}
    Shiva Sadeghi*, Hedieh jahani

    The feminism movement is a social movement whose goal is to dismantle the gender discrimination of women that started in the late 18th century in Europe and America. This movement, whether in the political and social field or in the field of literature, is the result of the lack of attention paid to women in The society is patriarchal. In the late 1960s, feminist ideas entered the domain of "literary criticism" and literary critics analyze literary works with two approaches: "female effects" and "female author criticism". In the meantime, the theory of the four approaches of Elaine Showalter, a prominent American critic of the 20th century, which includes biological, cultural, psychoanalytical and linguistic approaches, has made it possible for women to criticize the work, relying on it Ability to recognize and examine the position of women in literary works. Therefore, the present article has tried to criticize a novel by Nasrin Thamni, an Iranian woman writer, entitled "Goli der Shurezar" and a novel by Ahlam Mostaghanami, an Algerian woman writer, entitled "Al-Aswad Yaliq Bek" (You are beautiful black). to choose women's writing and analyze it according to the criteria of women's writing considered by Elaine Showalter, in order to get a clearer picture of the situation of women, the oppressions that have been inflicted on them, and their thoughts and ideals. brought This research has been conducted with the aim of examining these two novels based on Elaine Showalter's fourfold theory, and the specific results of this research show that these two novels have feminist characteristics based on four axes: The obvious difference between these two novels is the political realism that can be felt in "Al-Aswad Yaliq Bek" due to its reference to political issues in Algeria, compared to "Goli Der Shure Azar" which is a completely non-political and social novel. It can also be said that psychological issues and internal conflicts and emotional conflicts are stronger in the novel "Nasrin Thamani". The research method in this article (descriptive analysis) is based on Elaine Showalter's theory.

    Keywords: feminism, Eileen Showalter, alaswad yalig beka, Gli der Shorah Zar}
  • بهنام فارسی*، فاطمه قادری، زینب توکلی

    زنانه نویسی یکی از شاخه ها و گرایش های مرتبط با مکتب فمنیسم است که بر اساس خصوصیات و خلقیات روحی و روانی زنان و ویژگی های اجتماعی آنان شکل گرفته است؛ در واقع رسالت اصلی این گرایش «بررسی جنسیت در زبان» است که تفاوت های رفتاری زنان و مردان در استفاده از ظرفیت های زبانی را مورد بررسی قرار می دهد رمان «الاسود یلیق بک» نوشته «احلام مستغانمی»، رمانی به قلم یک زن است که در آن می توان ضمن مشاهده ی مولفه های زنانه، ردپایی از مسائل مرتبط با الجزایر و موضوعات مرتبط با استعمار را دریافت. پژوهش حاضر با روش توصیفی-تحلیلی، ضمن بررسی عوامل پیدایش ادبیات زنانه در الجزایر، با استفاده از ویژگی های ادبیات زنانه، زنانه نویسی و میزان بهره گیری نویسنده از عناصر آن به این سوال پاسخ داده که از میان مولفه های این ادبیات، وی از کدام مولفه بیشتر استفاده کرده و علت آن چیست. نتیجه ی پژوهش حاکی از آن است که حضور زنان تحصیل کرده و انتشار آثار آنان، هرچند به صورت محدود، به شکستن تابوی سکوت زنان کمک کرده و منجرشده است تا آنان بیشتر به نوشتن و بیان مشکلاتشان در اجتماع مردسالار الجزایر مبادرت ورزند. در این رمان، مولفه های «بیان خاطرات و احساسات، استفاده از تردیدنماها، جزئی نگری و استفاده از رنگ ها، به کار گیری اصطلاحات زنانه» قابل مشاهده است که از این میان، استفاده ی نویسنده از دو مولفه ی «بیان احساسات (ترس و نگرانی) و تردیدنما» بیشتر به چشم می خورد که مورد اول می تواند گویای به خطر افتادن امنیت روانی زنان در جامعه ی الجزائر باشد و مورد دوم از محدودیت های خاص زنان برای اظهارنظر آزادانه حکایت کند.

    کلید واژگان: ادبیات زنانه, زنانه نویسی, احلام مستغانمی, الاسود یلیق بک}
    Behnam Farsi *, Fatemeh Ghaderi, Zeinab Tavakoli
    Introduction

    In different periods of history, women always believed that they were in second position in terms of gender and were not considered as a main character. Moreover, the believes was true to some extent due to the behavior of men in front of them and caused women to become pessimistic towards the patriarchal society and its ideas. Considerably, in the 20th century, women entered into the economic and political areas to achieve the rights that they thought had been denied to them throughout history. In addition, women’s literature and writing were among the topics raised by some experts of the school of feminism. After that, the goal of experts in defining women’s writing was that women have their own writing style like men and show their inherent differences from men well in their texts. In fact, feminism can be defined as the study of gender in language, determined the phonetic, lexical and syntactic differences, identified what issues are related to women’s language.In the field of Arabic literature, the entered of the term women’s literature can be related to the Renaissance era, in which intellectuals realized the importance of the role of women in the awakening of the society and participating in social, cultural and literary fields. Moreover, new words such as women’s education and women’s association entered the language and culture of that society. (Momtahan & others, 2011: 137) believed that women’s literature in Algeria can be considered a late phenomenon and belongs to the last century. In addition, compared to the seventies more women published their works in the eighties. Considerably, Yasmin Saleh, Fazileh Farouq, Enam Bayoud, Sara Haider, Abir Shahrazad, and Ahlam Mostaghanami are among Algerian women writers, among whom Fazileh Farouq, Yasmin Saleh, and Ahlam Mostaghnami are more involved in their activities than others. The novel Al-Asud Yaliq Bek, written by Ahlam Mostaghnami, is one of the works in which the female language and its related components can be clearly observed. This research aims to provide a brief explanation of the phenomenon of women’s writing and examines women’s writing in the novel Al-Aswad Yaliq Bek written by Ahlam Mostaghanami.In addition, it answers the following questions:1. What were the factors influencing the emergence of women’s literature in Algeria?2. How are the female writing components of Al-Soud Yaliq Bek’s novel manifested?3. What are the most obvious characteristics of women’s writing in Al-Soud Yaliq Beyk’s novel and what could be the reason for it?

    Methodology

    This research, in a descriptive-analytical way, has tried to define the components of this literary style after explaining the relationship between feminism and women’s writing in Arab countries, especially Algeria. And moreover, this research tries to define the author’s purpose of using this writing style by presenting evidence and statistics of each of the female linguistic components.

    Results and Discussion

    The author of Al-Aswad story, Yaliq Bek, tried to show her intellectual space to the audience by using skepticism, expressing memories and feelings, detailing, using different colors and feminine terms. For example, considered to the component of expressing memories and feelings, the author has made a lot of use of the components related to the expression of feelings. Moreover, there are 63 cases for Hala and 27 cases for Tala, which shows that the main character of the story, Hala, is dominated by emotions. For Hala, she has used the fear and worry component more, which may be considered a reflection of the existence of Algerian women; women who spend their whole lives in fear. On the other hand, for Tala, the characteristics of love and infatuation is more, which is due to the infatuation and love that he felt for Hala in his being. This could go back to the psychological security that men have and could easily love and care for each other, but women must always be in fear and worry.

    Conclusion

    The following results can be obtained from the conducted research:1. The presence of educated women writers and the publication of their works, even in a limited form, broke the taboo of silence imposed on them. Moreover, other Algerian women writers started writing stories to claim their rights and created the emergence of women’s literature in Algeria.2. In the novel Al-Asoud by Yaliq Bek, features such as the expression of memories and feelings, the use of ambiguous shots, detailing, different colors and feminine terms are used for the main character of male and female and the narrator.3. The most obvious characteristics of female writing in the novel of Al-Asoud Yaliq Bek is the author’s use of uncertainly terms, which has a frequency of about 143 and shows uncertainty of the author and the characters of the story, especially the main female character, Hale. Moreover, this issue can refer to the caution of women in their speech and lack of self-confidence of women in expressing their words. Considerably, speaking for women is always limited to certain conditions, and they want to go beyond that limit, they must observe the aspects of caution. The author uses the element of expressing emotions, especially fear and worry, which is repeated 60 times. This issue can point to the psychological characteristics of women and the lack of psychological security. In such society’s women are considered the second sex, and they should always use anxiety and stress to prove their existence.Keywords: Women’s Literature, Women’s Writing, Ahlam Mostaghnami, Alsoud Yaliq Bek

    Keywords: Women&Rsquo, S Literature, S Writing, Ahlam Mostaghnami, Alsoud Yaliq Bek}
  • Fatemeh Ravanshad, Fereshteh Afzali *

    .............................................................................................................................................

    Keywords: feminism, feminist stylistics, Sarah Mills, Ahlam Mustaghanemi, novel, Al-Aswad Yaliq Beck}
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