جستجوی مقالات مرتبط با کلیدواژه « feminine writing style » در نشریات گروه « ادبیات و زبان ها »

Many studies have been conducted to investigate the effect of gender on language. Some have considered elements of feminine and masculine styles in this regard, while others have considered language to be non-gendered. The discussion of feminine writing style that emerged from the views of those like Lakoff is based on feminist and postmodern ideas. In this article, while reviewing the basics of gender linguistics and a brief outline of the components of Lakoff on feminine writing style, we do a comparative study on the researches done in Iran in this field on translated and compiled literary works. Finally we study 12 articles, analyzing the general state of these studies and their results. In general, the shortcomings of researches, (translation and compilation), in Iran include the sheer field of research results, the lack or weakness of analyzes based on social, psychological, and cultural theories, and their non- generalizability. Regarding researches on the impact of gender on translation, it should be noted that in addition, the number of studies is not high and some points are ignored or the methodology is inadequate.

In the translation of literary texts, the transfer of the author’s style is of particular importance. It is the translator’s responsibility to transmit not only the author’s intended meaning but also to recreate the characteristics of the author’s style since faithfulness in translation requires it. In this article, the authors aimed to identify the characteristics of the feminine writing style of Zoya Pirzad by choosing one of her short stories named The acrid taste of persimmon as the case. The study focused on the lexical and syntactic plan before proceeding to an analysis based on the approach of several theorists who focused on the translation of style and meaning, women’s writing, etc. Therefore, fragments of the text containing the mentioned items were selected and analyzed. Apart from the analytical study of the original text, its French translation done by Christophe Balaÿ has been compared with the source text, a comparison developed by the authors of the article both in translation and lexicology.

Conceptual metaphor theory was an important issue in many areas of the humanities, such as cognitive linguistics, semantics, psychology, analytical philosophy and so on.  According to this theory the human mind is inherently  understand and states abstract concepts and experiences intangible in terms of metaphors..  We often think in terms of specific metaphors and even decide,study of conceptual metaphors at different times and in different generations can effectively determine the cognitive patterns.The present study examines a variety of conceptual metaphors in four novels “Savušun ", "my bird", "corridors of Heaven" and "I wish I was Roses"With the goal to achieve the mental patterns women writers and their cognitive style.The research is based on qualitative content analysis approach, so that first metaphorical statements mentioned in novels extracted and then classified and analyzed. In this study, all three types of metaphor direction, structural and ontological and structural metaphor has the highest frequency. The concepts of "time", "man", "Life", "Nature", "heart". The most frequency in this novel are the concepts of "relationship", "love", "objecttion," "sad," "disease," "nostalgia", "happiness" of the key concepts and style to the authors. In statements obtained from the novels explored areas of common origin are: man, machine, track, buildings, birds, product, mountains, sea, container, objects, knitting, food and glue.Data analysis shows that metaphors drawn from the novels studied these writers, in most cases, by the thought of their female identity.