جستجوی مقالات مرتبط با کلیدواژه « نشانه ها » در نشریات گروه « ادبیات و زبان ها »

This research focuses on the analysis of a certain poem titled "Your lost Joseph will return to Canaan, do not grieve". The objective of this study is to explore, present, and analyze the fundamental principles of the codes that strengthen them. Additionally, it aims to examine the connections between signifiers and signifieds and provide explanations for their meanings. Furthermore, it seeks to investigate the factors that trigger the activation of signifiers and highlight the impact of the interplay between signs and multidimensional images in the formation of layered meanings. The research focuses on exploring the significance of symbolic elements in the formation of poetic imagination and the utilization of various chains of meaning, such as symmetry and congruency. The primary aspect of the research examines these elements, extracting and presenting the findings aligned with each of these axes. We have also achieved a cohesive understanding of Ghazal.

Semiotics is a tool that can be used to examine the mechanisms of formation and production of meaning in discourses. The logical and narrative discourse is the dominant discourse on the epic stories of the Shahnameh, and often, in the narrative stories of the Shahnameh, the direction of the events, due to having cause and effect relationships, goes in a certain direction, which by examining its structure Narratives can reach the depth of those stories. "Labov;p" and "Waltsky" are among theoreticians in the field of narratology; They have proposed a model for the structure of narrations, which is known as the diamond-shaped model; This research is trying to answer this question with the analytical-descriptive method, in the form of semiotics-semantics and by using the poetic pattern and mixing it with the diamond-shaped pattern of lips. To what extent does the macro structure of this story fit with the diamond-shaped pattern and its hexagonal parts? The research findings show that; The construction of this narrative is completely compatible and adaptable with the diamond-shaped pattern of the lips, and the assessment that the diamond-shaped pattern is the most important part can be seen in most of the narrative clauses of this story. In this narrative discourse, which is dynamic, the dynamic process of meaning generation is on the one hand, due to the interaction of intra-textual factors (actors and receivers) and on the other hand, due to the interaction of extra-textual factors (narrator and listening narration). ) and Ferdowsi has been able to form special systems of narrative discourse by passing through common signs, with common functions and achieving new signs, with aesthetic functions, and form a special system of dynamic narrative discourse. has created semiotics-semantics, narrative body, Labov and Waltsky, poetic pattern, Bijan and Manijeh

The emotional system is one of the discourses that is examined in the frameworkof the sign semantic model. in this system, the flow of means production is linked to perceptual sensory conditions of the passoniate and the signs- meanings are transformed into dynamic and muitydimensional forms. In this regard, the purpose of the present study is to explain the role of the mentioned process in the style of the passoniateˈs presence  and the evoluation of discours conditions, based on the method of the sign- semantic discourse ,while explaining the emotional process of the story “Al-less va  Al-kelb “. Findings show, in the story of Al-less and Al-kelab, the emotional system is based on passions. The emotions and passions in the novel, of which anger and despair are the most prominent, have created the emotional system of discourse based on a meaningful and logical flow. The occurrence of two events in a passionate life, betrayal of loved ones and failure to avenge betrayers, has played an important role in transforming the discourse by influencing emotions, as well as, fundamentally changing the text. In the initial partes of the text, the emotion of anger while causing a continuous and dynamic presence of passion, cause the value of revenge in the discourse. In the final partes, the feeling of despaire leads to isolation and passionate absence from the scene of events and the value funection of the text has changed from revenge to surrender.

The presented paper is an attempt to investigate Zoya Pirzad's novel I Turn Off the Lights using a descriptive-analytical method based on Pierce's epistemology and semiotic method on the title of the novel and the names of prominent characters. This novel is a collection of Armenian and Latin letters. In the meantime, turning off the lights in the title of the novel with three selected and key names is a paradox; One is named Arshalus, Clarice's mother, “meaning dawn”, and the other is Parvin that is the only active and popular woman in the story “meaning bright star”, and Clarice's name “meaning bright”. All three women are mothers and belong to three traditional, modern and intermediate social types, respectively. Furthermore, all the three given names have the meaning of enlightenment. Like all mothers, they keep the lights of their family life on by sacrificing themselves. In addition, the name Artush, meaning "immortal", symbolizes the immortality of the patriarchal tradition, and the name Garnik, meaning "lamb" for the kind man in the story, symbolizes the author's feminist thoughts. Therefore, most of Pirzad's selected letters are appropriate to the actions and behavior of the characters. Featured letters are often of the Pierce profile type.

Peirce is known as one of the theorists in the field of semiotics, who has presented a threefold model for signing and provided the fundamentals for criticism on the basis of the denotative structure of literary works. Therefore, in this research, the names and titles in the novel I turn off the lights by Zoya Pirzad, a contemporary writer of our country are to be examined based on the semiotic system of Charles Sanders Peirce (1839-1914), a philosopher and the American linguist. To achieve this goal, the novel I turn off the lights will be considered as a basis for this research. Precisely, by dealing with the meaning of the characters’ names, the title of the novel, and examining them from the point of view of semiotics, the rate of appropriateness between the names and their characterization will be achieved. What emerges from the nomenclature and semantics of the characters’ name is the author's special attention to the names and their alignment with the purpose and actions of the characters.

The current research implements the descriptive-analytical method, and the basics of Peirce's semiotics to examine the title of the novel I turn off the lights and the names mentioned in it. Furthermore, in order to discover the connection between the title and its names with hidden concepts and purposes, a small step can be taken in the field of semiotics. In addition to that, to pave the way for researchers who are interested in this topic, and on the other hand, this research is a unique one for this novel considering that no research has been done on the semiotics of the novel I turn off the lights. Based on the triple semiotics of the names and the title I turn off the lights, it will reveal new horizons in front of the audience. This analysis can lead the readers to know more about the content of the story and provides the basis for a deeper understanding of the text.

This article tries to study Zoya Pirzad's novel I turn off the lights with a descriptive-analytical method based on Pierce's epistemology and relying on Pierce's semiotic method, the title of the novel and the names of prominent characters. This novel is a collection of Armenian and Latin letters. In the meantime, turning off the lights in the title of the novel with three selected and key names that form a paradox. One is named Arshalus, who is Clarice's mother, and carries the meaning of dawn. The other is Parvin, who is the only active and popular woman in the story, and means the bright star. The last character is Clarice's and her name means bright. All three women are mothers and belong to three traditional, modern, and intermediate social types, respectively. Furthermore, all three names have the meaning of enlightenment. Precisely, like all mothers, they keep the lights of their families’ life on by sacrificing themselves. Also, the name Artush, meaning "immortal", symbolizes the immortality of the patriarchal tradition, and the name Garnik, meaning "lamb" for the kind man in the story, symbolizes the author's feminist thoughts. Therefore, most of Pirzad's selected letters are appropriate to the actions and behavior of the characters. Featured letters are often of the Pierce profile type.

Followed by the investigations over the semiotics of the characters in the novel I turn off the lights, the following results were obtained:The title of the novel is closely related to its main character "Clarice". By selecting this name, Pirzad refers to the daily life and the duties of motherhood, wifehood, and housekeeping in Claris's life. This name is a metaphor for Clarice's silence and conscious silence in all situations that are ignored. The word "I" in the title shows the streaks of self-seeking and expressing my identity in Clarice. And finally, the most important point is that Clarisse overcomes her ambiguous feeling towards Emil, and this evokes extinguishing the sparks of her feelings, and finally, this title refers to the sacrifice of maternal desires, for the sake of clarity, staying is the light of family's wishes, and their desires. There is a paradox in the title of the novel (the blackout of the lamp) with its three characters who have the concept of light. More precisely, Archalos (mother of Claris) carries the meaning of dawn, Parvin Nurullahi which refers to one of the brightest stars in the sky, and Claris which means shining. These three names represent three classes of women. In other words, Archalos in the role of mother represents all traditional women in the society, Claris in the position of women who struggle between tradition and modernity, and Mrs. Parvin Nurullahi, who is active in women's rights and represents all the modern women in the society. The interesting point of this issue is that all three women with three different social types are mothers and all mothers keep the light of their family's life on by sacrificing their desires. And this mission has not changed with the change of social type. Pirzad's chosen names, as an Armenian writer, represents his language, ethnicity, and nationality. Most of his chosen names are related to Armenian culture. The accuracy in the names that the author has chosen for women indicates his consecration and special respect for them. Clarice, Elmira, Nina, Violet, Parvin, Archalos, etc. are all good names. Also, the choice of the name “Garnik” for the kind man of the novel and against the name of Artosh, as a representative of the patriarchal culture, shows his opposition to this culture and the influence of feminist ideas in him. Pirzad, in choosing the title "I turn off the lights" for the title of his book, like the naming of the characters in the novel, did not just choose a name, but the events of the story and the characters together. It has been stated that a special concept has been taken from these names which is completely appropriate to the atmosphere and process of the story. As a result, according to the previous material, the name for each of them is placed in a certain category of signs (iconic, indexical, and symbolic) and the classification of each of them along with the explanations given in the end of every analysis.

Instability plays a significant role in postmodern clothing design and is done with a deconstructive look. The narrative of fashion influenced by the spirit of the post-structuralist era always has an indeterminate semantic system and creates an active and dynamic dialectic by reproducing artistic pre-texts. The purpose of this research is to investigate the narrative meaning system hidden in the existential values ​​of contemporary fashion discourse, and this research is done in order to discover the nature, what and why of the interaction and adaptation of the subject with the space of instability within the discourse of clothing. In this research, the element of instability through The presence of contradiction, contrast and visual ambiguity in the size, shape, color, arrangement and visual movement has been investigated and by analyzing the narrative process of contemporary fashion in the works of prominent world fashion design artists such as Valentino, Ossie Clark and Issey Miyake, it has been studied the process of production, transfer and reception. And sensory perception of meaning has been discussed. The obtained results state that due to the creation of ambiguity and visual deception, tension has been formed from the coexistence of divergent levels of discourse, and it has caused the interaction of the cognitive and qualitative dimensions within the narrative. Clothing has become an active pseudo-subject, which, in the discontinuity of its determined function, steps into the indeterminate world of meaning and tries to redefine the identity of the adapted subject as a phenomenal text.

The topic of God's friendship is one of the most important and beautiful topics of Islamic mysticism. According to the mystics, the basis of mysticism is based on God's friendship, and the book of "Sharh al-Tarif", one of the most important prose texts and Masnavi Manavi, is one of the most important works of mystical poems, full of concepts related to God's friendship. Mostamli Bokhari, the author of the book "Sharah al-Tarif", measures every action based on love and considers knowledge of the essentials of love necessary for the seeker of the way. Rumi also considers God's love to be one of the main foundations of the right path. Therefore, the purpose of this research is to compare the signs of God's friendship in the works of mystical prose and poetry (Mostamli Bokhari and Rumi). The findings of this research using the analytical descriptive method and the use of library sources showed that claiming the friendship and love of God is not so simple from the point of view of Mostamili and Rumi, and reaching this position requires preparations and necessary preparations. Some of these tools and arrangements are self-knowledge and recognition of the high position of man, struggle with ego, purity of heart, shame and modesty. Mostamli and Rumi further believe that with such signs one can get to know God's true friends. Friends who have indicators such as Remembrance, reliance, not getting angry from calamity, fear, hope and encounter are popular.

Every glorious poem has a dominant idea that overshadows the whole work. The poet hides this idea in the form and structure of a sentence or a word. He then artistically marks some words so that the audience can identify the dominant idea through them. Has Simin Behbahani used this artistic function in the poem "I was that day ..."? It seems; To get the right answer, the benefit of Michael Rifater's theory of semiotics is more than any suitable theory. Due to this similarity, the present article has examined Simin's poetry based on the semiotic theory of this thinker and with a descriptive-analytical method. After examining the non-prescriptive elements, the results indicate that there are accumulations with the meanings of "snake", "laughter" and "fear" with a high frequency in the poem. After examining the descriptive systems with the approach of metaphorical clusters and with the nuclei of "traditional society", "demonic temperament" and "quasi-modern society", the hypograms of poetry were identified, the most important of which were: the symbol snake The demonic temperament of human beings and in patriarchal systems is most manifested in the existence of the male sex. Also, the comparison of accumulations, descriptive systems, and hypograms with the intertextual approach created the following structural matrix in the minds of the authors: The demonic temperament of a patriarchal system in traditional societies through folk games, oppression. It inspires girls. In a quasi-modern society, the teaching of oppression continues with modern methodses

Passing from classical structuralist narrative semiology with a text-centered view and deterministic meanings towards semiotics is a transition from action and programming towards interaction. In classical semiology, the current of meaning is exclusively shaped through action and predetermined program and toward gaining the value object. But in semiotics, meaning is formed by creating a sensory-perceptual relationship with the phenomena, and is perceived through interaction with another person or co-subject. Such a meaning cannot be investigated only with semantic regimes of classical semiology, i.e. action and manipulation. Therefore, Landowsky proposed two complementary regimes, i.e. adjustment and accident. The present research probes to find what actions by the characters in Zal-and-Rodabe show the adherence of actors to Landowsky's regimes of interaction. It was found that when faced with challenges, some characters first follow a specific regime of interaction, but later, become inclined to other regimes. Others continue to adhere to a single regime. Examining the interactions shows the transition from the classical narrative regime based on action and program to the modern narrative based on interaction, which ultimately results in the unification of the characters towards the realization of a forbidden love.

The science of semiotics is the knowledge of examining semantic implications. Charles Sanders Peirce of the structuralist semioticians used the concept of "signification" to explain and develop his theory of semiotics. In Peirce's semiotics, the concepts of "sign", "interpreter" and "subject" are the pillars on which his semiotics is based. In examining the sign, Peirce introduced three concepts of manifestation, interpretation and example, the first is the form of the sign and the equivalent of the signifier in Saussure's semiotics, the second is the perception that creates the sign and is the equivalent of the signified, and the third is the example that the sign signifies. This linguist philosopher believes in three types of signs. First, a sign in which the relationship between the signifier and the signified is contractual and therefore learnable, and he calls it a symbolic sign. The other is a sign in which the relationship between the signifier and the signified is similar and can be called a symbolic sign, and finally, a sign in which the signifier and signified relationship is a cause and effect relationship. Place is one of the fundamental elements of every story and novel, in such a way that the absence of place in narrative works leads to the loss of the originality of those works. The place plays an irreplaceable role in the novel Guantanamo and carries various psychological and socio-political meanings with it, so that the element of place can be divided into different types of mental, elevated, Familiar, unfamiliar, multi-dimensional, signified change and empty division. Also, traces of three types of signs considered by Peirce, which are symbolic, iconic and indexical, can be clearly traced in the novel Guantanamo.

The social approach of Eric Landowski's about interactive sign-semantic, which is presented in continuation of Greimas' aesthetic beliefs of guizzo , is a productive approach in literary criticism. The researchers of this study have used this approach in analyzing adaptation of the corporality sign meanings of romantic in Forough Farrokhzad’s poems which are transcendental.The interaction of the discourse partners in the process of the poet's romantic discourse creates infinite meanings by metamorphosis of the corporality signs. the source of meaning creation occurre with union of me and other.Corporeal subject and corporeal object create a dynamic and generative texture in a life experience with eachother and the surrounding world in phenomenological understanding. this is in a collection of dynamic physical signs that create a generative texture in an ecstatic text . the movement of chain of ambiguous combinations leads to a pleasant ecstasy in the union of discourse partners.the authors have investigated three poems named "Vasl". "Fathe bagh" and "Bad ma ra ba khod khahad bord" with a holistic criticism. The result of investigation was that the romantic interaction of discourse partners with physical sign-meanings has been continuous in order to achieve unity and creation of new meanings.