جستجوی مقالات مرتبط با کلیدواژه « gerard genette » در نشریات گروه « علوم سیاسی »

Villa Dwellers (Vīlā Īha) and The Scout (Dīdē Bān) screenplays are about people who are struggling with difficult situations in their lives. They don't have any individuality, they apparently have nothing in common, though in the points of self-consciousness and self-development, like when various lakes with different paths pour into the same sea. In the other words, their only similarity is their patience which leads them to the field of spirituality and self-consciousness. This research with a descriptive analytics method based on Gérard Genette’s theory of narratology, studies the function of time among two of the prizewinning screenplays from the Resistance International Film Festival; Villa Dwellers and The Scout. Overall, the study illustrates that the time in these screenplays is a context of narration and a mean for motion in it. The screenwriters use effective scenes full of suspensions and associations in order to depict the character's concerns, emotions, and personal lives. This shows that the screenwriters not only didn't neglect narratological implications but also intentionally use them in their works.

Intertextuality is a textualist theory that analyzes and interprets the meaning of texts, reading and receiving text in the poststructuralist paradigm. Divan-e Qaemiyat is also a poem by Hassan Mahmoud Katib (645) nicknamed Jalaluddin. The aim of the present study is to show to what extent and how the intertextual dependence of Divan Ghaemiyat on Sanai poems is. For this purpose, after identifying all the appearances of Sanai's poems in Ghaemiyat Divan, these texts were quoted, referred to, alluded to, and plagiarized through Gerard Genet's intertextual theory and four types of intertextuality. The purpose of research is to better understand and understand the meaning of the poems of Divan Ghaemiyat through discovering and analyzing various intertextual relations. The research method is descriptive-analytical. The result of the research showed that the extensive intertextual relationship of Divan Ghaemiyat with Sanai works is not explicit and only of the type of quotation and reference, but in some poems, implicit and hidden intertextuality, ie types of allusion and literary theft, are also present. Therefore, most of the presence of some texts of Sanai poems is evident in this divan.